Steely Dan – Aja is the first to be featured in our new (hopefully) regular feature of classic album reviews. Of course, as usual, what qualifies as a classic album is a matter of opinion and typically, I will highlight albums that I have listened to quite a fair bit in order to ultimately arrive at this particular specific assessment.
In my recent opinion piece on music appreciation, I opined that music has become less time sensitive in the new media age. So I am starting a new music feature to highlight recommended new (mainly) pop-rock albums on a post-monthly basis. So here it is – Recommended Albums (September 2020). Check them out!
Since I reviewed his 2017 album, Something/Nothing, English singer-songwriter Nick Frater has been keeping up a steady yearly release schedule with Goodbye Kayfabe (2018), Full Fathom Freight-Train (2019) and his latest Fast & Loose this year. The self-described ‘60s/70s inspired power-pop’ specialist is determinedly prolific, by all accounts.
I’ll be honest. This new album from The Neighbourhood shook me to the core. Now, this is a proper pop album. Not the shitty 2nd-rate lazy hip-pop that is popular nowadays but an old-school pop album. But with 2020 pop sensibilities. How did this happen?
Lost within the hype, attention and brouhaha over the 50th anniversary re-issue of The Beatles “White Album”, is First Collection 2006 – 2009, a retrospective on the early Fleet Foxes recordings.
Good to hear that James Lye who played guitar with me in The Groovy People years back has set up his own label – Maker Records, and it has released the new single from Bakers in Space.
A rare thing indeed to come across a pop song that addresses the social issues of Singapore but Shannon Luke has done exactly that with his latest single, “The Survey”.
EC fans received a bit of a scare after the singer-songwriter cancelled a clutch of live dates due to ill health. But news of his recovery and the release of Look Now – one of Costello’s best albums of recent times – must have cheered diehard followers!
There is a pleasing new wave of music artists taking the bold step of making ‘real’ music again. The old-fashioned way, so to speak. Like Texas-based singer-songwriter Molly Burch.
In 2018, retro pop rock still has relevance though probably not for millennials and younger generations. But it matters not. I know that the PoP Faithful will enjoy these releases. Good enough!
When Trump became President, there was lots of talk about how resistance to his administration would inspire loads of protest music similar to the 80s with Ronald Reagan and Margaret Thatcher. Has not quite panned out that way, so thank goodness for Seattle’s The Refusers!
The moment one gets into Ken Sharp’s latest album, Beauty in the Backseat, one is transported back to the ’70s, where pop-rock was king of the airwaves.
Once again, Bittersweet Machines (a.k.a. Matt Mocharnuk) delivers another potent shot of melodic adrenaline infused with 80s pop-rock sensibilities of the highest order!
THE JAYHAWKSRainy Day Music (Lost Highway/American)
After the greater pop emphasis of Sound of Lies and Smile, the Jayhawks return to the roots rock approach of their earlier albums (especially Hollywood Town Hall and Tomorrow the Green Grass) with this, their first album with the Lost Highway label (also home of that other alt-country standard bearer, Ryan Adams).