THE JAYHAWKSRainy Day Music (Lost Highway/American)
After the greater pop emphasis of Sound of Lies and Smile, the Jayhawks return to the roots rock approach of their earlier albums (especially Hollywood Town Hall and Tomorrow the Green Grass) with this, their first album with the Lost Highway label (also home of that other alt-country standard bearer, Ryan Adams).
A “theatre of the mind” would be an appropriate approximation of Jeremy’s music; a whirring coalescence of Pink Floyd, shot through a tunnel of Tangerine Dream(s) lined with smidgens of Sigus Ros, emerging on an astral plane where celestial guitar virtuosos retire to as existentialism sleeps off its tribulations.
Christopher Nolan’s game-changing Dark Knight is a decade old! Here’s my contemporaneous review.
It makes a whole lot of sense that the second film in Christopher Nolan’s reboot of the Batman franchise is called The Dark Knight. After all, Frank Miller’s Dark Knight Returns revived the moribund comic book industry (together with Watchmen) and challenged fans to take the super hero a bit more seriously than before.
Yet another new feature at the bi-polar webzine, “7 and 7 is” in honour of Love’s seminal proto-punk masterpiece. Basically seven reasons why you should be listening to a band/artist that I am intent on recommending to you, dear reader. Well, actually seven of my favourite tracks of that particular band/artist – you get the general idea. This week: R.E.M.