After the success of last year’s Sgt Pepper remix reissue, this 50th anniversary edition of my favourite Beatles album was the one to look out for!
Are you still basking in the Bohemian Rhapsody afterglow? If so, I would recommend that you check out the official Spotify playlist for Queen.
EC fans received a bit of a scare after the singer-songwriter cancelled a clutch of live dates due to ill health. But news of his recovery and the release of Look Now – one of Costello’s best albums of recent times – must have cheered diehard followers!
Mention Styx online and chances are you are going to be trolled. But for a time, the pop-rock quintet were one of the biggest bands on the planet.
This month I celebrate the wonderful music of one of my favourite bands – Genesis.
Blast from the distant PoP past – 15 years on…
THE JAYHAWKS Rainy Day Music (Lost Highway/American)
After the greater pop emphasis of Sound of Lies and Smile, the Jayhawks return to the roots rock approach of their earlier albums (especially Hollywood Town Hall and Tomorrow the Green Grass) with this, their first album with the Lost Highway label (also home of that other alt-country standard bearer, Ryan Adams).
An ELO review from 2001!
If the announcement of a new ELO album, after a 15-year absence, raised eyebrows, then the realisation that Zoom is essentially Jeff Lynne playing everything caused many brows to furrow.
Back in the hazy-dazy days of 2001, I had put together a feature on one of my favourite bands, the Electric Light Orchestra, which included reviews of then-new album Zoom and the Eldorado re-issue and Flashback boxset.
“NO PHOTOGRAPHY, VIDEOGRAPHY & AUDIO RECORDING ALLOWED”
A warning on the ticket was repeated by ushers throughout Bob Dylan’s third concert in Singapore.
Continuing our look back at our review history. Here’s one from 2002!
Coat of Many Cupboards
Be warned! This 4-CD box is NOT for neophytes but for the diehard fans who can’t wait to get their grubby hands on any XTC material.
Here’s another blast from the past for this throwback Thursday – a 2003 review of one of my favourite artists!
Guitarist Andy Gill might be the only original member of Gang of Four remaining but that does not take away from the vitality or relevance of the band’s new music.
The last XTC album, reviewed in 2000. Written in a time when I would wax lyrical about my favourite music for hundreds of words. You have been warned!
Indie rock legend Johnny Marr returns with his third solo album Call the Comet.
Living rock legend Bob Dylan brings his Never-Ending Tour to Singapore on 6th August at the Star Theatre.
Definitely amongst our top ten favourite artists, here’s our PoP Legends playlist for the genius that is Neil Young!
25th February would have been George Harrison’s 75th birthday. Thus it seems appropriate to repost a review of his final album from 15 years ago.
Genesis fans rejoice! But more than that, fans of Tony Banks’ songwriting will more than appreciate Five, the band’s keyboards player’s new orchestral album, which will also appeal to classical music and film score enthusiasts.
When you consider how obsessed the current modern rock scene is with the 80s New Romantic/Big Music vibe, it makes perfect sense for Simple Minds to freshen up their sound by going back to a tried and tested formula.
The biggest question when thinking of Billy Joel is – why hasn’t he released a new album in 20 over years? This biography does not seem to answer that question satisfactorily. This makes the final third rather difficult to get through as it covers the period where Joel becomes an oldies act basically – living off the glories of his past. But before that the book is riveting – providing details during Joel’s successful time as a singer-songwriter/recording artist. For fans only, though.
… still there’s more …
Here at Power of Pop, we are huge fans of Tony Banks, the keyboardist/songwriter from legendary progressive pop-rock outfit Genesis.
“Here it comes, here it comes, here it comes…”
A new album by Guided By Voices, yet again!
PRETENDERS “Back on the Chain Gang” (off the album, Learning to Crawl)
The Canadian rock trio Rush have always evoked polarising views. Some folks found the band viz. Geddy Lee – (vocals, bass, keyboards); Alex Lifeson – (guitar); Neil Peart (drums), somewhat pretentious, obnoxious with Lee’s high pitched vocals an annoyance whilst others (present company included) revered them as virtuoso progressive rock gods who could do no wrong!
Please explain something to us – why is it not okay to ditch a sports team when they’re losing but perfectly fine to abandon a band when their new music is less than perfect?