Tag Archives: Indonesia

MUSIC NEWS: DR. MARTENS ANNOUNCE HOME-CITY BANDS FOR STAND FOR SOMETHING TOUR – S.E.A 2015

Photo credit: Teck Io

(Photo credit: Teck Io)

Dr. Martens has announced the homegrown bands in its first South East Asia edition of the Stand For Something Tour 2015. Headlined by British indie-rock band CIRCA WAVES, the Stand For Something Tour will be joined by respective home-city bands: Riot !n Magenta in Singapore, Elephant Kind in Jakarta, and Up Dharma Down in Manila.

I love R!M to death but it does seem like an odd choice to me. After all, CIRCA WAVES isn’t an electro-pop outfit and in fact, are quite possibly the opposite spectrum seeing how they play retro Britpop music. To me, it would make more sense to get Cashew Chemists or Stopgap to open… but that’s just me.

Continue reading MUSIC NEWS: DR. MARTENS ANNOUNCE HOME-CITY BANDS FOR STAND FOR SOMETHING TOUR – S.E.A 2015

LIGHTCRAFT – COLOURS OF JOY

Released at the very beginning 2014, Colours of Joy, the sophomore album from Indonesian indie band lightcraft is quite the thing of beauty. Whilst its live dynamic is waves of shoegazey dreamy noise pop, the sonic agenda on this album is more lilting, more subtle and ultimately more graceful.

And this marked contrast works brilliantly from a recording perspective where there is less pressure to deliver an immediate high. It’s quite impossible not to fall in love with the luscious sounds and melancholy sentiments evident on songs like “Amazing Grace” and “Get Out on Your Way” – singer Imam’s voice is almost a ghostly whisper hovering like an angel over swaths of heavenly constructs.

Things do get slightly more expansive in the epic soundscapes of “The Other Side of the Glass”, “Starlit Eyes” and “Hello Goodbye” which are both more representative of the band’s live sound albeit without sacrificing an iota of the emotional resonance that marks lightcraft’s work.

If I had to make comparisons, I would have to say that lightcraft reminds me of a more stripped down version of one of my favourite bands – Starflyer 59. Believe me, as high as the standards Jason Martin has set, lightcraft do a more than credible job in evoking the same nuances, references and power. Highly recommended.

Connect with lightcraft!

 

BAYBEATS 2014: LIGHTCRAFT

How can you not be intrigued by a band that describes itself as “an antidote for rainy days, sleepless nights, mournful moments, lovelorn phases and sleepy mornings”.  With that in mind, let’s see how lightcraft dealt with our FIVE questions about Baybeats 2014 (via Imam).

Why should fans check out your performance at Baybeats?

Because most people don’t know us from Adam! We’re very much an unknown quantity in Singapore (we’ve only played there twice, and they were aeons ago), but we might just tickle someone’s fancy in one way or another. Besides the obligatory songs from our latest album that we’re currently promoting, “Colours Of Joy”, we’ll also be debuting a few brand-new songs too. Expect 45 minutes of melodic, anthemic songs that are peppered with melancholy; perfect to soothe your weary heart and soul.

Why are you excited about playing at Baybeats?

Without wanting to give off the slightest hint of sounding cheesy, it honestly has been a dream of ours to play Baybeats – ever since our days in KL – so it’s amazing to be invited at last after fantasizing about it for more than six years. We’ve been buzzing ever since we got the call. We’re looking forward to meeting and making new friends, and to share our music to everybody over there. We can’t wait!

Why do you think you were selected to play for Baybeats?

Well, we’d like to think that the hard work that we have put in all these years have finally paid off, and our progress has impressed someone out there. Nobody knows for sure, but either way, we’re just over the moon that we’re given this opportunity.

If you had to choose just three bands to watch at Baybeats, which bands would they be and why?

Only three? This is a tough one!

They Will Kill Us All would be one, because we’ve played with them a number of times back in the day in KL, and they’ve always been an awesome band, even with the line-up changes and slight shift in musical direction.

Pitch Feather, because they’re curious about us, and we’re curious about them as well.

Can we cheat and lump in both Inch and Monster Cat together as a package? They’ve been at the forefront of the Singaporean indie music scene, they produce music of the highest quality and we’ve never seen them live before.

When and where are you playing at Baybeats?

We’ll be playing on Saturday, June 28, at 9.15pm (our compatriots, the hard-as-nails Seringai, will also be playing on the same evening), over at the Arena stage (Esplanade Outdoor Theatre).

 

GIGOUT! LAUNCHES iOS APP [NEWS]

Live music punters rejoice!

GigOut! is a mobile app that provides its users with the latest concert information in-app ticketing purchasing and even the ability to check out who’s also going to the show! GigOut! currently aggregates music concerts/events in Singapore, Malaysia, Indonesia, The Philippines and Hong Kong.

GigOut! is now available for free download via the Apple App Store with Android and other platforms to follow soon.

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LITTLE SPACE DONKEY

Dreamer’s Manifesto EP

Ever wonder what rocking in space sounds like?

Little Space Donkey answers this question (indirectly) with their latest 4-track EP release, second only to their debut offering quirkily titled “Collection Of Songs That We Will Never Play Live, Ever”. You know that can’t be true.

A band from Jakarta, LSD is made up of Dhendy Mawardi and Amy Amanda on guitars, Made Indar on bass (and one of the contributing artists for this EP’s artwork), Dave Leonard on drums, and Anthono Oktoriandi on synthesizer and sampler. Young as they may look in pictures and in age, but don’t let that fool you. Their music and sound offerings as tight, united and focused  as can be.

The space sounding ambience is attributed to the inclusion of the synthesizer, which provides the musical journey into the other dimension. Not quite certain of the underlying story concept about a leader who united the world in his grasp, though. A glance through their listed influences (like Sigur Ros, M83, Explosions In The Sky, Daft Punk, The Flaming Lips and The Radio Dept. to name a handful) clearly ascertains their musical direction and genre, and then there is a surprise in mention of one of everyone’s classic favourite bands of all-time, The Carpenters (much celebrated!).

Two questions raised:
1) Are LSD really as young as appear to be?
2) Are you in space yet with LSD’s music?

Dreamer’s Manifesto is distributed as a free download at littlespacedonkey.bandcamp.com (FREE!), and you can find out more about Little Space Donkey on MySpace and on Tumblr.

Support Asian and local music too! Do your part!

(CJ)

BAYBEATS 2011

As previously noted, this year’s coverage of Baybeats here at Power of Pop has been muted, mainly because of my mentoring of the Esplanade Youth Budding Writers which I hope will provide the definitive coverage of Baybeats 2011 for all posterity! Not only that but management duties with the Sons also meant less time watching bands and artists. But of what I did manage to see, here are my highlights.

Noughts & Exes

I caught this Hong Kong folk-pop band back in May for Music Matters and was impressed by their eclectic style, arrangements and presentations. The set at the Arena was truly well put together and provided a respite for those suffering from delay and metalzone pedal fatigue. Front man Joshua Wong has a remarkable voice that grabs your attention straightaway and their use of violin, melodica and typewriter (!) helps to keep things interesting. It did not hurt that there was additional eye candy in the form (pun intended!) of singer Karmen Cheung (subbing for the absent Kerri-Anne Butler) which gave the band a strong sonic and visual appeal! Word is that Noughts & Exes have been signed to US indie label Spectra Records, which is incredible news and hopefully the start of great things for this deserving band.

Hollywood Nobody

I was at the Observation Deck as this Indonesian band was interviewed and was charmed by their humble manner, albeit slight geeky (if I may say so). But once they started performing they were transformed into one of the coolest twee pop bands I’ve seen in the region. I latter saw them at the Chillout Stage and in full band mode, they were even more impressive. One to watch out for.

Turbo Goth

To be honest, I did not fully catch this photo-genic duo (from the Philippines) in action but I listen to them soundcheck and finish off their set (before the Sons) and I found that for a two-piece, they certainly filled up the stage properly. Also could not help but notice singer Sarah Gaugler’s nose-bleed high heels! She certainly made the Arena stage her own! Keep an eye out for Turbo Goth.

The rest, I had snatches of viewing here and there and to be honest, not that much impressed too greatly. The trademark ‘Baybeats’ sound was never my thing anyways (look at the bands I mentored last year!) and so the slightly different sonic approach is always going to get my attention. And to those lamenting the lack of Western (read: Caucasian) bands/artists, I think it’s about time Asia stands up to acknowledge that our bands are good as any bands anywhere in the world. So is it about the music or something else more sinister? Kudos to Baybeats 2011 for setting itself apart from the numerous indie rock festivals in Singapore and beyond.

Asian rock rules!

POWER OF POP INTERVIEW – SAJAMA CUT

The complete unabridged interview with Marcel Thee of Sajama Cut. Basis for my TODAY article.

How did Sajama Cut form?

I essentially formed the band when I was 14 or 15, which is 15 years ago. Like most bands, we were made up of neighborhood and high-school friends. We were called another name back then and released a long-out-of-print cassette in 1999. The first official Sajama Cut release was “Apologia” in 2002, and it was an amalgamation between my love Norwegian Black Metal and horrible pop bands from yesteryear such as The Hollies and early Beach Boys; you know, just these second rate Beatles-esque bands. We grew to be a little bit more focused and went through a lot lineup changes, which is never my idea of a good time, but the guys that are here now seem to permanent ones ready to roll with whatever it takes to survive playing the kind of music that we do.

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SAJAMA CUT

SAJAMA CUT Manimal (The Bronze Medal Rec/Aksara Rec/Shining Rec)

I love pop music. Y’know, “pop music” as written and recorded in the 60s/70s, when producing something artistic and distinctive with tunes, lyrics, instrumentation and arrangements was the order of the day. Power of Pop was established to highlight bands and artists – past or present – who lived/live the reality of 60s (and 70s) infused music making.

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BAYBEATS 2010

And here we are, on the cusp of another Baybeats! I don’t know about you but I’m really excited about catching all the great bands over the course of this festival. Last time out, my head was too wrapped up with playing with Chris Collingwood that I confess that I missed most of the performances. No such distractions this year, I’m glad to report!

First up, we have the bands who auditioned for the right to play at Baybeats. For me, it’s going to be Basement in My Loft, The Zozi, Meltg Snow, Run Neon Tiger, Postbox and Cockpit that will take pride of place. Then we have the S-ROCK contingent viz. Lunarin, Suchness, Rudra, Typewriter and Celina Foo – all worth checking out.

Around the region, we have the likes of Prema Yin (Malaysia), Carlos Castanos, Camerawalls (Philippines), Santamonica (Indonesia), The Standards (Thailand), King Ly Chee (Hong Kong) and more. Further beyond our shores – Jon Auer of The Posies, David Choi (USA), Handsome Fur (Canada), Mixhell feat. Igor Cavalera of Sepultura (Brazil)…

What a lineup! See what I mean, quite a buffet of indie music, don’t you agree?

For full information about dates and time, go to the Baybeats site.

Don’t forget to patronize the various merch tables to get your souvenirs of what will be a truly memorable rock event! You know the drill, come up and say hi! I’m the guy with the silver hair…

Songs From The Year Of Our Demise Only You Face Control

POWER OF POP INTERVIEW: THE TREES AND THE WILD

Who are The Trees & The Wild and how was it formed?

Iga: The band was formed in 2006. Andra and I were childhood friends, having attended the same school together. Andra knew Remedy from school but after graduation, we went to different schools. It was only years later that we met again and decided to form a band because we had the same vision and approach to playing music. We started out playing original songs and it’s been that way ever since.

Continue reading POWER OF POP INTERVIEW: THE TREES AND THE WILD

ROCKIN’ THE REGION – INDONESIA

I’ve always had a soft spot for music from Indonesia. Their country has produced very creative and musically strong music over the years, with bands like Mocca and Agrikulture playing in our little island.

As part of the third installment of the Rockin’ The Region series, Esplanade was proud to present 3 immensely talented musicians, Adhitia Sofyan, The Trees and the Wild and Risky Summerbee and the Honeythief.

As usual, I checked out the Myspace pages of all 3 bands and was quite impressed. I made it in time as Adhitia started playing Adelaide Sky, a beautifully written song about wanting to talk to a girl at a coffee shop and his thoughts. By then, there were a large crowd of people to the extent that a whole group of young Indonesians had to sit on the floor closest to the stage.

I liked how he was unpretentious, and chatted with the audience between songs. Towards the end of the set, he told everyone that he was aware that there would be fireworks and stopped playing, waiting for the fireworks to happen before continuing to play. When it didn’t happen, he played his last song, which was when the fireworks happened.

It was a breathtaking sight, watching the sky explode with colourful streaks, while Adhitia played. His honest, written-from-the-heart lyrics and vocals won me over, and I’ll definitely try and make it for one of his shows if I’m ever in Jakarta.

The first thing that came to mind when I saw The Trees & The Wild on stage was how big the band was, with 7 people on stage and how young they looked! I later found out that the band consisted of 3 members and the rest were sessionists who were friends of the members.

I was really impressed hearing them live! Their music was well-arranged, precise at certain moments, and it wasn’t too complicated until you lost interest after a few songs. They looked young but their talent belied their youthful appearance. Their lyrics were simple but made elaborate by the careful arrangement of each song. A simple task in theory but one very few bands manage to pull off.

The backing vocals of the female vocals was impressive! You wouldn’t be able to tell by her appearance that her vocals were so pure, almost hypnotic and they drew you into each song. They played songs off their debut album, Rasuk, and my favourites were Honeymoon On Ice, Fight The Future and Berlin. Their album has been on heavy rotation on my iTunes since I got it before their set and I predict it’ll still continue to be on long after.

I didn’t manage to stay for Risky Summerbee and the Honeythief because Lunarin was playing at the Substation but I enjoyed what the Indonesian musicians had to offer. I look forward to hearing more from our friends in Indonesia.

(Rebecca Lincoln)

Adhitia Sofyan
The Trees and The Wild

BAYBEATS 2010: SANTAMONICA

Established in 2003, SANTAMONICA is the brainchild of Indonesian duo Joseph Saryuf and Anindita. SANTAMONICA plays an eclectic mixture of pop, bossanova, electronic, and classic waltz, drawing influences from inspirations as diverse as Astrud Gilbeto, Antonio Jobim, My Bloody Valentine and even classic Disney soundtracks. The duo gave us a short and sweet response to our queries.

Why make music?

It just happens.

When did you start making music?

Since we began to listen to our idols.

What is the most important thing about making Music?

The passion that creates it and the sound that translates it.

Where is your favorite place to make music?

Our recording studio.

How do you keep making music?

By being alive.

Catch SANTAMONICA at Baybeats 2010 on 21st August at 6pm – the Arena (Outdoor Theatre)

Myspace | Baybeats

Thanks again to Winnie!