Background The band formed from the ashes of legendary Portland favourite, the Bella Low, who played regular gigs with other local psych bands like The Dandy Warhols.After the Bella Low breakup former members Clint Sargent (lead guitar, vocals), Luke Strahota (drums/percussion) and Violet Bianca Grace picked up the pieces from the band’s crash and formed The High Violets in 1998.Current lineup includes Kaitlyn ni Donovan (vocals, guitar) and Colin Sheridan (bass guitar) with Heroes and Halos being the band’s sixth release after a six year wait.
Background Based in El Paso, Texas, Holy Wave (Kyle Hager, Dustin Zozaya, Julian Ruiz, Joey Cook, Ryan Fuson) is riding the wave (!) of the contemporary psych-rock revival.
Strengths Adept at combining sympathetic elements of psych-rock, shoe-gaze and dream pop, the music on Freaks of Nurture will appeal to a wide range of rock lovers. Sounding timeless yet fresh, Freaks of Nurture is a work of passionate art that transcends mere genre.
Highlights “She Put a Seed in my Ear”, “Wendy Go Round”, “Western Playland”, “California Took My Bobby Away” and so on!
Sounds Like Temples, Tame Impala, Thee Oh Sees, Spacemen 3.
Bottom Line Probably the most likely style of modern rock that will break into the mainstream consciousness. Hopefully sooner than later.
A band that lives up to its name! SF outfit Echodrone finds a nice balance between 90s shoegaze and new millennial electronica, covering the gamut from driving rock to ambient textures with equal intensity. Consisting of Brandon Dudley, Eugene Suh, Jim Hrabak, Mike Funk & Rachel Lopez, the quintet has been active since 2005 and latest album – Five – finds the band in an assured place creatively, bringing together the pleasing elements of soaring guitars, pummeling rhythms and hypnotic motifs to produce a work that hits all the right buttons.
We got in touch with Echodrone to find out more about what the band are about.
What are the records that inspired your sound?
I think you can see a wide variety of influences in our music 🙂
Released at the very beginning 2014, Colours of Joy, the sophomore album from Indonesian indie band lightcraft is quite the thing of beauty. Whilst its live dynamic is waves of shoegazey dreamy noise pop, the sonic agenda on this album is more lilting, more subtle and ultimately more graceful.
And this marked contrast works brilliantly from a recording perspective where there is less pressure to deliver an immediate high. It’s quite impossible not to fall in love with the luscious sounds and melancholy sentiments evident on songs like “Amazing Grace” and “Get Out on Your Way” – singer Imam’s voice is almost a ghostly whisper hovering like an angel over swaths of heavenly constructs.
Things do get slightly more expansive in the epic soundscapes of “The Other Side of the Glass”, “Starlit Eyes” and “Hello Goodbye” which are both more representative of the band’s live sound albeit without sacrificing an iota of the emotional resonance that marks lightcraft’s work.
If I had to make comparisons, I would have to say that lightcraft reminds me of a more stripped down version of one of my favourite bands – Starflyer 59. Believe me, as high as the standards Jason Martin has set, lightcraft do a more than credible job in evoking the same nuances, references and power. Highly recommended.
This is epic Brit-rock at its finest. And when I say ‘Brit-rock’, I am basically referring to the psychedelic noise-rock outfits that have illuminated the British music scene in the 80s and 90s. Which roughly means references to post-punk, shoegaze and Britpop – sounds good to me!
Reading outfit, Tripwires, consist of longtime friends frontman Rhys Edwards, guitarist Joe Stone, bassist Ben White and drummer Sam Pilsbury, certainly have a collective finger on the pulse on what has made Brit-rock the coolest kid on the indie rock block.
Meaning – a diverse range of styles that augment stellar songwriting that emphasizes melodies and arrangements over a gimmicky veneer. It’s so obvious that this quartet are genuine rock fans to begin with – enthusing as they do over Neil Young and Yo La Tengo to the Flaming Lips and Sonic Youth (yes, not a Brit amongst them) but closer inspection reveal other pointed influences.
“Feedback Loop” seems to channel a unique combo of Suede and the Verve, “Shimmer” (listen below) betrays a psych-gaze vibe that recalls latter-day Ride and the House of Love (via the Bunnymen, perhaps) whilst the opening title track’s space-rock leanings will leave Swervedriver and early Radiohead fans with a huge grin on their faces.
Brit-rock lovers need not hesitate, Tripwires’ Spacehopper is an album made in heaven, for you!