Chances are if you are a fan of music made in Singapore, you would probably gravitate towards either one of two opposites poles – mainstream pop (that includes jazz-soul, indie-folk, pop-punk, hip-hop & indie-pop) or heavy rock (which includes various hardcore punk & metal sub-genres) – therefore, the unlikeliest middle ground remains the pop-rock/rock ’n’ roll arena.
But who are the artists toiling in this ‘neutral zone’ of melodic tunes and rock groove? Let’s find out!
The new kid on the block, Neon Lights sought to cover as much ground as possible in terms of appealing to the broadest demographics. Presumably, this was deemed necessary by Neon Lights to distinguish itself from the other big-scale music festivals in Singapore viz. Laneway and The Gathering (formerly Hostess Club Weekender).
by Neon Lights
To that end, Neon Lights featured comedy, arts and children entertainment, possibly in an attempt to encourage families to make it a day (or two) out for the weekend.
You know the drill. Here comes an anecdote about the first time I experienced one of my favourite bands. That’s me, consistent!
A Baybeats audition a couple of years back at a room in Lasalle. One of the band members was very late. Jokes were circulating about him being ‘lost’…
Not very helpful when the name of the band is Lost Weekend. The band eventually did the audition but were naturally fairly rattled. But there was something inherently valuable in the songwriting that prompted me to check the band out online and I was sold based on the demos I heard online.
Since then, Lost Weekend have gone from strength to strength and the much-anticipated debut album is upon us. Produced by Roland Lim (Sync Studios), the new album (based on the 4 tracks previewed) sound exactly as classic indie pop should sound. Sophisticated ‘retro’ melodies and edgy instrumentation with attitude – presented with sympathetic production values.
The band have decided not to release the album in the physical CD format, and will instead focus the delivery of their music in a digital format. Working with local design firm fFurious, Lost Weekend will offer download codes for their music through their merchandise, including a t-shirt and a special pop-up card. Check out the music video for the infectious “Mornings” below.
Awaken the Dragon is a community art project surrounding the last two remaining Dragon Kilns in Singapore. The project aims to invite 3000 members of the public to participate in making a collective sculpture made from clay and fired in the Dragon Kiln.
The concert is part of the Awaken the Dragon Festival that’s happening from 17-23 November. There will also be demos and workshops by local ceramic artists, arts & crafts stalls, food and drink vendors.
The Observatory, Obedient Wives Club, Stopgap, Lost Weekend and The White Trip Movement will be performing on 22 November from 6:30pm. Admission is free.
Now that was a music weekend to remember! I had been under the weather for a while and it was good to finally catch #sgindie gigs again! But before the gigs, I attended an intriguing (albeit ultimately bewildering) meeting with the local arts community and had a quick chat with Vivian Wang and Leslie Low of The Observatory. I did learn that the proximity of timing between the new Oscilla and Leslie’s own new solo LP was borne out not of design but of circumstances. Not that I am complaining… the more, the merrier…
There is always something one can take away from ‘classic’ pop songwriting. Whatever the era or the ‘genre’ classification, somethings do not change viz. memorable melodies, familiar chord progressions, soulful vocals and of course, an indefinably cool vibe.
To have seen Lost Weekend grow from that tentative pop group I had witnessed at last year’s Baybeats auditions to the confident music makers evident on this brand new double-A side single has been eminently satisfying.
“On a Sunday” will appeal to all lovers of indie pop – whether or not they are old enough to know the meaning of “C86” or simply as a ‘genre’ that gets attached to hipster music festivals – with Rachel’s sultry vocals and Jonny’s Fannies-inspired guitar solo the prominent hooks.
“About Forever” is yet another track that recalls the glorious pop music of the 80s, substantively of the kind that the likes of Elvis Costello & Squeeze would regularly churn out i.e. with enough soul-R&B elements to keep things interesting. There is a groove driven by Mark’s bass work and Zj’s drums that totally underpins the song perfectly.
Two prime examples of matured songwriting that bodes well for fans of well-crafted song-oriented indie pop. Bloody essential! Get the single now from Bandcamp!
Typically, I find that the second day of Baybeats is the best of the Festival. I guess it’s part of the programming being on a Saturday and all that. But for me personally, it was day of discovery as well as pride in our local musicians (now, that’s a cause I really get behind!)
It began with lunch with Sean and Dee from Ssighborggg – two expat Americans making a name for themselves in the Seoul indie scene. As always, with music people there is an inexplicable connection that I never take for granted. Fun-loving and humble the duo might be but dead serious when it comes to their music as proven with their distinctive set later that night. One of the most unique aural experiences I have ever had. Kudos!
The absolute highlight for me was the performance of my former NOISE mentees ENEC.E at the Concourse and naturally I was emotionally invested. Just so you know, it was love at first sight with the songs and sisterly harmonies of Lisa and Michelle when I heard them at Thunder Band Slam and I have been a fan since. The stripped down environment suited them somewhat with more emphasis on vocals and ‘feels’ (as the kids like to say) – I must confess that I welled up quite a few times during their spine-tingling set (“Ghost”, “Satellite” & “Crystallized” OMG). Magic!
Lost Weekend – like a few budding bands – had to handle rejection the first time it tried out but the group never gave up and came back stronger. I liked the eclecticism within the band’s early 90s alt-rock vibe and certainly Rachel did her best to capture the crowd’s attention – which she did. Some of the banter was a little awkward, and the band could have been tighter but my feeling is that Lost Weekend is a work-in-progress and that once they hit their stride, they are going to take some stopping. Mark my words!!
Now what can I say about Bani Hidir? I still remember marveling at his drumming skills with the immortal B-Quartet back in 2007-2008 (barely 20 years old) and then falling in love with Page (wherein he sang and played crunching power chords) but last night he impressed the Concourse audience with a set that showcased sophisticated songwriting, mad skills and a boyish confidence that charmed us all! Backed only by the impeccable Naz on piano, Hidir blew everyone away with his seemingly effortless display! So glad that he will be releasing an EP of his new material very soon. Best!
One regional band I was really looking forward to was lightcraft (Indonesia) and they certainly did not disappoint. It was basically unadulterated 90s shoegaze with a hint of the post-punk revival peeping over the reverb-drenched soundscapes. Heavenly! Frontman Imam was intense and driving the band forward with 150% commitment – some of his banter was really emotional and despite the odd technical hitches, the band melted my face many times over. With an epic new song – “The Art of Acceptance” – sweeping me away with waves of white noise I was hypnotized! Best part was that after the show, Imam came up to me and passed me the band’s latest CD – Colours of Joy – humbled! (Glowing review to come…)
Somehow it all came full circle with Inch. My very first Baybeats in 2007 was spent very much hanging out with Allura and living the experience through the eyes of someone like Inch. Hard to imagine how much she has grown up to become the very person she said she would be way back then. Amazing. PoP readers will know how much I loved her sophomore solo effort Bumfuzzle, and “Dear Paramour” had me in tears with the chills running down my spine (not to mention, new song “California”). With a crack band of musicians behind her, Inch ruled the roost and had the audience eating out of her hands – again all I could feel was pride and gratitude for being given the best view in the house for the ongoing development of our indie music scene!
Once again, this post has been personal and confessional and well, nostalgic but honestly I don’t give a fuck. It’s my website and I’ll cry if I want to…
My final word on Day Two goes to Leonard Soosay. Again, I recall chatting with him at that 2007 Baybeats Festival and regret certainly not spending more time with the man since then – he is truly one of the leading legends of our indie music scene when you consider the sheer number of bands and artists he has shepherded in his time as one of our top producers and I really enjoyed our short but insightful chat last night. Something I hope to rectify in the near future – what say you, Leo???
Pardon my French cuz I am stoked as FUCK to be able to present – in conjunction with Artistry, a very special edition of Originals Sing where we jointly bring to you two of my favourite alternative pop bands in Singapore viz. Obedient Wives Club and Lost Weekend. Cool vibes and cool tunes – what more could a music fan ask for? It happens this Wednesday (18th June) from 8pm. Cover charge – $10 (proceeds of which to go entirely to the bands). Don’t miss this!
Simply put, the 2nd edition of STAGEFRIGHT @ Artistry went down very well. I am again very thankful to Marcel and Prashant for making Artistry available to showcase music made in Singapore. Very pleased with the packed crowd of family, friends and fans who came down to enjoy the music. And that’s what it’s all about, isn’t it?
A ‘well-done’ goes out to Lister, By Any Means, Raufi Heights, Marcel Pereira and Lost Weekend for touching us all with their music. Aspiring bands/artists who want to showcase their music at the next STAGEFRIGHT, please send your demos, videos and online links to email@example.com. I will be waiting…
Yes, this review is a little late. Yes, I had loads of fun with friends and new acquaintances, not to mention the delivery of good good music. What else do you need to know?
Upfront let me just say that congratulations are in order to Other Sounds for hosting a fabulous party. I mean, the food was simply yummy and even though I had dinner before I came, I still managed to polish a couple of burgers and pizza slices. So kudos! And… the free flow alcohol, courtesy of Asahi was much welcomed as well. Is the indie music scene coming of age. Step by step, in the right direction.