Thanks to the idiocy of Paramount Pictures, Alex Garland’s Annihilation adaptation was only released in Singapore today via Netflix! Thus, geeks in Singapore are denied the opportunity of watching this imaginative scifi horror movie in all its visual glory. Well, fuck you Paramount!
A third of the way into the 2nd season of the Marvel-Netflix series Jessica Jones, one conclusion becomes unavoidable. The reason that Season 1 worked was down solely to David Tennant’s star turn as Killgrave.
Perhaps the best way to view the maiden season of the fan-divisive (now a regular occurrence) Star Trek series, Discovery is to treat it mainly as the redemptive arc of Michael Burnham, and just leave it at that.
There was a moment – the briefest possibly – where it seemed that the writers/producers behind Discovery were going to reboot the entire series using the escape from the Mirror Universe as the plot device.
Perhaps then Discovery would exist in a reality more aligned to the original series (which is supposedly a decade away from the events depicted so far.
As if it was not enough that the Discovery were lost in the Mirror Universe with the Terran Empire – the evil version of the Federation – threatening their very existence, “The Wolf Inside” unleashed a startling revelation!
Remember the early scenes of Man of Steel, featuring Jor-El and Lara in Krypton? Remember how most folks who saw that must have thought how cool a film or TV show set in that time period would be? Well, your wish has come true. Sorta.
2017 was a very eventful year for geek movies in general. Geek franchises like the MCU and Star Wars demonstrated their wide-ranging popularity with the masses whilst (sometimes) dumbing down story content in the process.
Mortal Engines is a movie adaptation of the novel of the same name (by Philip Reeve), which focuses on a futuristic, steampunk version of London, now a giant machine striving to survive on a world running out of resources.