Are you ready for THE BEST SONGS OF THE NINETIES??!!!?
1991 was the year punk broke. Or so we thought. While the alternative rock genre became mainstream in the early part of the 1990s, it really signalled the end of rock’s dominance over the music industry. The mic had been passed to hip-hop and its influence over pop culture remains unrivalled to this day.
Background Formed in 2014, Norwich’s The Magic Es consist of Pete Thompson (vocals/guitars), Jasper Stainthorpe (bass), Stuart Catchpole (drums) and Phil Woods (guitar). We Are Magic is their debut release.
Regular visitors to Power of Pop will be aware of my obsession with British pop-rock, from The Beatles to the Who to the Kinks to the Stones and on and on and on… Since the end of the 90s (and the demise of Britpop), I have always been hoping for a revival of British pop-rock (and I do not mean the post-punk revival like The xx! Ugh!!)
Well it’s now 20 years since the heyday of Britpop and surveying the British pop-rock scene in 2015, there appears to be a couple of promising acts that hopefully will make the grade to generate enough buzz for this particular brand of pop-rock to dominate once again. In fact, I have found 20 bands that fit the bill completely – check out my playlist below and do let me know if you have other recommendations?
For better or worse, Garfields Birthday is a Power of Pop kind of band. Meaning that the music of Garfields Birthday upholds all the principles that Power of Pop believes must exist in order for music to be vital and powerful. Strong melodies with classic pop-rock arrangements and an uncompromising attitude to make music that is all about… the music.
Since the mid-90s – the height of Britpop – Garfields Birthday has been sporadically releasing EPs and albums that have never failed to adhere to the classic pop-rock aesthetic, even as this kind of music continues to be marginalized in the mainstream pop world.
Nothing quite compares to a British pop band trading in the fine legacy of Britpop and being able to make the connections between The Kinks and Blur and beyond. Instant Species has been around since 1997 and according to its official site, “we’ve made music we love, played gigs to entertain people and released records with an enormous sense of pride. It’s more than a hobby but it’s far from a career and it’s always fun. We don’t have a “plan” or “bid to be” anything other than 4 blokes playing some music we hope is half decent.”
More than “half-decent” I’d say — This Rome… is the quartet’s new album (#8) and it is chock full of catchy tunes, spiky rhythms and an edgy pop smart attitude. It’s clear from songs like the languid “Rise of the Idiot”, the bouncy “Simple Repetition”, the chirpy title track and the garage-y “I Need A Little Help” that the band writes and records the kind of music it loves without any thought about trends. Essential for fans of classic British pop music.