PoP RECOMMENDS | THE NEW ROCK N ROLL : SOME KIND OF ILLNESS – AWAKENINGPoP RECOMMENDS | THE NEW ROCK N ROLL : SOME KIND OF ILLNESS – AWAKENING
Post-punk revivalists Some Kind of Illness have returned with a new album – Awakening.
Tag: Post-punk revival
ALBUM REVIEW: WILD NOTHING – LIFE OF PAUSEALBUM REVIEW: WILD NOTHING – LIFE OF PAUSE
Pretty amazed at how much influence the music of the 80s post-punk/new wave bands continue to have on modern rock. Regular visitors would be familiar with my disdain for the Joy Division clones that continue to rear their ugly heads but it’s fair to say that there are legitimate artists out there who are doing great things with 80s music.
PoPTV: EDITORS PROLONG THE DEATH THROES OF THE POST-PUNK REVIVAL WITH NEW SINGLE MARCHING ORDERSPoPTV: EDITORS PROLONG THE DEATH THROES OF THE POST-PUNK REVIVAL WITH NEW SINGLE MARCHING ORDERS
I am sick of the post-punk revival – it is one of the worst aspects of millennial pop culture – and it’s already been 15 years. C’mon!
This is compounded by the fact that I absolutely loved the original 80s post-punk scene. Thus, to hear the works of Joy Division, Bauhaus and Echo & the Bunnymen being constantly dragged through the mud by inferior bands like Editors is painful. Listen to the new doom-laden single “Marching Orders” to fully understand my disdain for this kind of derivative drivel. This must end!
When oh when will the 90s rock revival (and therefore retro-60s) begin?
BRONCHO – JUST ENOUGH HIP TO BE WOMANBRONCHO – JUST ENOUGH HIP TO BE WOMAN
On track #2 of BRONCHO‘s new album – “Class Historian” – the band unleash a hook so infectious it should be illegal. There is something indefinably timeless about the song even though it exists firmly within the post-punk revivalist milieu. I supposed it is impossible for bands like BRONCHO not to wear evoke the sound of their influences even if it is somewhat second-hand Arcade Fire by way of Interpol. At its most basic, BRONCHO parlays a generic fuzzy guitar-driven rock style into a indie pop structure that is at once familiar and unique – if that is at all possible. With Anglophile baritone vocals, drone-like bass, rudimentary mid-tempo drumming – it’s hard not to dismiss most of this album as an exercise in Velvets mannerisms but it’s hard to argue with the appealing nature of the tunes of “Stay Loose” and “Kurt”. I guess you could say that this 2014’s version of a guilty pleasure – a Bon Jovi for the post-punk set. (Dine Alone Records)