It’s impossible to strip rhythm ‘n’ blues and soul music away from rock ‘n’ roll as the latter would not even exist without the former. In the late 60s, the likes of Jimi Hendrix (above) and Arthur Lee (Love) would combine the flowering of psychedelic rock with R&B (funk ‘n’ soul) to create a sound that emphasises the best of both worlds.
Here’s a review of a local music compilation from 14 years ago!
BigO (Before I Get Old) magazine celebrated its 200th issue recently; it has also co-released this album (with Leonard Soosay’s Snakeweed Recordings) as a showcase of what the Singapore indie rock scene has to offer.
“Oh if this album is a hit, they’ll probably release another one!” was the cynical response from the CD store clerk, when I mentioned that Fambly Cat was Grandaddy’s last album, their swan song, so to speak.
I have been dissing the Noughties (ie 2001 to 2010) as being devoid of great music. But of course, that’s not entirely true. As some of you might know, Power of Pop has been around since 1998 and so I am going to be posting reviews of great albums from the Noughties just to remind everyone (and myself) that there was still great music to be had, if you knew where to look.
The singer-songwriter genre remains as vital in the 2000s as it was when it first emerged in full flower in the early 70s. Case in point – Scotsman Roddy Frame who dropped his better known ‘Aztec Camera’ moniker a decade ago to trade under his own name.