Inevitably for me, Day Three of most year’s Baybeats tend to be a little anti-climatic. After the hustle and bustle of the first two days, fatigue sets in and it has not been uncommon for me to sometimes entirely miss Day Three. So with that in mind, I decided to focus on the performances going on at the Chillout Stage (the Concourse) and found the experience thoroughly enlightening!
Pitch Feather delivered high gloss renditions of its excellent debut album – Mountains and Tides – singer Alberta Leong has an appealing voice that embellishes the band’s luscious take on 70s folk music that very quickly endeared them to the rapt audience. Considering this was the band’s very first live performance, there were nerves and a couple of errors but nothing fatal. Would love to see Pitch Feather develop further in the local indie scene.
.gif provide a polar opposite to Pitch Feather’s rustic warm tones with an electro-pop set that once again showcased the vocal talents of Weish. It was instructional as usual to see Weish construct ambient sounds from her vocals to utilize backings for the songs. Far from being cold constructs, the songs seemed vaguely personal as colours and shapes filled the room (figuratively, of course).
Pixel Apartment (aka Jordan Chia) was a sheer delight – both soulfully and intellectually. Operating his one man band (complete with video!) with the main focus on grand piano, Jordan provided a pleasing set which showcased his skills with electronics as well as songwriting. That said, perhaps the high point was Jordan’s wonderful cover of “What Sarah Said” (Death Cab for Cutie) sympathetically played on the piano. Yet another local musician with loads of talent!
And that was Day Three for me. Well satisfied with the slate of promising local musicians enough to believe that the future of the Singapore indie music scene is indeed bright! Thanks again to all the cool people I ran into today and once again to the Esplanade for putting together another first rate Baybeats Festival!
… still there’s more …