What goes up must come down.

In 1979, riding on the popularity of the Saturday Night’s Fever film soundtrack, the Bee GeesSpirits (Having Flown) sold almost 20 million copies. I still remember heading down to the Kwang Sia record store at North Bridge Road where the LP was literally flying off the shelves. Crazy.

However, barely 2 years later, the band’s follow-up Living Eyes would only sell 750,000 copies worldwide! What happened?

Well, disco had become unfashionable and the Bee Gees were (unfairly) associated with the genre. Not only that but rock music had begun to make a return to the charts in a big way with bands like The Police, REO Speedwagon, Genesis, Rush et al, and suddenly the Bee Gees sounded very dated and somewhat lame.

That said, the Bee Gees themselves took pains on Living Eyes to move away from the disco sound that had made millions of them and the trio explored once again the pop balladry style with which they first made their name. But the music critics and fans alike did not want any of it resulting in an abject failure, that the Bee Gees barely recovered from.

BUT listening to Living Eyes now, 34 years later, it is clear that it did not deserve the criticism and hatred it did. The songwriting is sharp, the singing is beautiful and it’s fair to say that the album should be re-assessed by any serious pop music lover.

Songs like the title track, “Paradise”, “Don’t Fall in Love With Me”, “Wildflower” and “Soldiers” are as good as anything on 70s classics “Mr. Natural” and “Main Course”. True blue pop fans will find these tracks irresistible and will want to listen to them over and over to savour the wondrous melodies and harmonies.

Listen without prejudice and prepare to be amazed.

… still there’s more … 

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