Tag: Tzang Merwyn Tong



Tzang Merwyn Tong’s Faeryville is a dystopian teen movie, a stylish coming of age film about youth making sense of their idealistic dreams in our increasingly surreal world – a fictional manifestation of very real issues prevalent in the Post 9-11 world. The movie features an original score composed by Alex Oh.

Oh is one of Singapore’s most prolific and versatile film composers. His philosophy to scoring is telling the story of the film through music. In his career, he has scored many award-winning features, ranging from comedy, family-oriented, action films like Taxi!Taxi!, My Dog Dou Dou, Imperfect, It’s A Great Great World to darker films like Bait 3D, Rule Number One and The Maid . He was nominated for Best Original Music Score from Asian Television Awards in 2004 for the TV Series, The Frontline.

Oh’s music score complements the movie perfectly with its edgy synthesiser ambience and choral nuances providing a contrast between innocence and danger. Also included is the dynamic driving “Baptism of Fire” which feature Jessel Yam and Alan Chan on guitars, Meryvn Lim on bass and John Ho on drums.

Read below what Oh thought and felt about working on Faeryville.

As the film’s composer, you’re probably one of the first few people to have seen Faeryville, edited and cut. What are your thoughts when you watched the first cut of the film?

Faeryville turned out beautifully. It has lots of depth. I like the characters, the Nobodies, Laer, Chloe, Belle, Fraternity members. There are debates on whether society is becoming or has already become dystopian. I like how Tzang uses the film to address certain issues we are facing in our society. In that aspect, I think he is successful in bringing these to light, as many will find after watching the film that they can relate to it someway or another.

Do you have a philosophy bout your music scoring?

I try to find where the heart of the movie is. I will watch the film with the Director and talk about it. I want to understand the film from his/her perspective and hear what he has to say. Why he/she wants to make the film? What is it about? What is it the story that he’s telling? Once I have an understanding about the film, I will let the film speak to me. I do not want to come with any pre-conceived ideas.




The problem with Tzang Merwyn Tong’s FAERYVILLE – if one can even call it a problem – is that the movie might be too ambitious for its own good.

FAERYVILLE is a movie with a strong message, in fact there are quite a few to go around. These themes are expressed in the context of a surrealistic satire on modern life. The title refers to an imaginary fairy tale like setting and in particular, a tertiary educational institution.

Within this context, there are two main competing factions/power bases viz. the haves and have nots. Tzang wants us initially to sympathise with the Nobodies, a group of outsiders (ostensibly led by Poe – wonderfully played by Lyon Sim) who spend their time being rebellious by committing illegal albeit harmless pranks. The group is joined by the mysterious Laer (a moody performance from Aaron Samuel Yong) and then the stunts turn dangerous and events spiral out of control.

The group’s antics are contrasted with the bullying tactics of the Calvary (the frat boys equivalent of the college) who lord their authority over everyone else – seemingly with the acquiesce of its principal  – which often turns very dark without warning. This conflict invariably and inevitably leads to disaster, tied in inexplicably with former anarchist Belle, before panning out into a disturbing conclusion.

Trying to find a delicate balance between art and commerce, Tzang has had to cast his actors carefully (eye candy is in abundance – look out for Tanya Graham and Jade Griffin) and mix up his high concepts with highly charged moments (including several explosions and sexual scenes) but without compromising the underlying message, where possible. Overall, I believe Tzang has succeeded in creating a thought-provoking movie but fear that it might somewhat fly over the heads of most people in his own homeland.

Which is ironic considering that much of FAERYVILLE is inspired by growing up in Singapore but what is the saying about a prophet not being recognised in his own hometown? A brave and remarkable vision that might be a little obscured by technical and budgetary issues but for the true seeker, there is much hidden treasure to discover in FAERYVILLE.

FAERYVILLE will open in Singapore on 26 May 2015, exclusively at Filmgarde Bugis+
Tickets on sale from 7 May, www.fgcineplex.com.sg

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