Truth be told, this episode – “Alpine Shepherd Boy” – was a letdown after the highs of the previous episode. Neatly divided into three parts, the opening act finds Jimmy MacGill realising that getting folks calling him might necessarily mean a good thing as his client prospects tend to be disappointing. However, with the second act – of Chuck getting arrested by police and winding up in the hospital – Jimmy gets the hare-brained scheme to mark out a niche in ‘elder law’ and extends his marketing to the old folks home.
And the show would have ended nicely enough there but that final act with Mike Ehrmantraut seemed awkwardly tacked on. That said, the situation Mike finds himself is tailor-made for Jimmy to come in and save the day.
By now, it’s plainly apparent that Better Call Saul as a series is going to be a proper examination of James M. McGill aka Saul Goodman. Vince Gilligan and company are in no hurry to rush through these opening episodes and instead letting the story of McGill play out naturally. It’s fascinating to see how McGill goes from struggling public defender and the perpetual loser to an opportunist seeing the possibilities in every situation. Sure, he is still a little awkward and a bit of a buffoon but this episode – “Hero” lays out the genesis of Saul Goodman for all to see. The straight and narrow seems to be a path rightly forsaken in exchange for success. For the audience, it is intriguing to witness McGill’s metamorphosis and to attempt to second guess each one of McGill’s moves as he manoeuvres himself into positions of favour.
Definitely in no hurry to go from this prequel sequence of events into the post-Breaking Bad continuity – hoping the series will stay with this timeline for awhile.
Last episode, we learned that Olivia Pope had been kidnapped. This episode, we find out the whole point of Olivia’s snatching – to blackmail President Fitz into declaring war on West Angola (as orchestrated by the Vice-President).
Quite a few twists along the way as Olivia, her Gladiators (Huck reveals his monstrous side) and even Mellie (the First Lady) do their best to ensure Olivia’s rescue. Disappointed perhaps that the storyline is still being dragged on beyond two episodes but at least it’s wickedly fun.
As predicted last time out, the suggestion that Agent Keen would be spilling the beans about her childhood trauma and the location of the Fulcrum was really a cock tease. It was very much back to the status quo after the events of this Luther Braxton two-parter. And is anyone else getting annoyed by the Illuminati characters that are lurking ubiquitously in the background? Although, to be fair, the ending was intriguing enough to keep things boiling nicely in The Blacklist till the end of the season.
The mid-season premiere opens with Reddington being arrested by the CIA as The Who’s “Magic Bus” plays. But of course, nothing is as it seems as the show introduces us to Luther Braxton (Ron Perlman), a high stakes thief incarcerated at a CIA black site – whom Reddington is trying to get to (by getting arrested).
All par for the course for The Blacklist but this time, the plot gets into the whole mystery of Reddington’s connection with Elizabeth Keen. Finally! Of begins to as we can expect that the rest of this season will devote time and effort to revealing the deep secrets that underpin the series. Or be a massive cock tease. We shall see!
Scandal may be ludicrous for 90% of the time but at least it’s good fun ludicrous. “Run” – the first episode of the new year has Olivia Pope kidnapped from her home and imprisoned in a Muslim country (probably the Middle East?). Shades of Homeland perhaps?
But, it doesn’t take too long to figure out that things aren’t quite as they seem. The big reveal (it’s a twist in the tail) at the end was utterly predictable and that’s why it was ultimately boring. And the reason for all the nonsense on this episode was plain dumb.
So this is where we’re going with Scandal for the remainder of Season 4? Disappointing.