An ELO review from 2001! If the announcement of a new ELO album, after a 15-year absence, raised eyebrows, then the realisation that Zoom is essentially Jeff Lynne playing everything caused many brows to furrow.
Back in the hazy-dazy days of 2001, I had put together a feature on one of my favourite bands, the Electric Light Orchestra, which included reviews of then-new album Zoom and the Eldorado re-issue and Flashback boxset.
After teasing a couple of excellent singles (“Ginger Ale” and “Baby” in particular), the debut EP of Vancouver’s Hotel Mira has dropped today.
My favourite music revels in eclecticism – taking basic building blocks and constructing wildly imaginative creations that impress and surprise even the most jaded of music experts.
There’s a slinky 60s pop vibe around L.A. band Livingmore that is simply irresistible.
The Pop Underground lives on in new Power Pop Rock N Roll releases like Michael Slawter’s Last Call for Breaking Hearts.
Continuing our look back at our review history. Here’s one from 2002! XTC Coat of Many Cupboards (Virgin) Be warned! This 4-CD box is NOT for neophytes but for the diehard fans who can’t wait to get their grubby hands on any XTC material.
Another blast from the past out of the PoP archives. One of our favourite albums of 2001! THE ROSENBERGS Mission: You [DGM] The Rosenbergs have created a bit of brouhaha with their turning down a spot on Jimmy (Iovine) and Doug’s (Morris) Farmclub.com due to unfavorable contractual terms in favor Continue Reading
The Lemon Twigs (aka Brian and Michael D’Addario) recently announced that their second album, Go to School, would be released by 4AD on August 24th.
Astral Drive is songwriter and producer Phil Thornalley’s vision of a long lost album from the 1970s that only existed in his own mind. A labour of love that is very much the statement of a lifelong music fan living in the modern world. (Official bio)
Almost two decades ago, I wrote these words. “I’m so crazy about Speaking of the Davenports that I’m almost scared stiff to write about it.”
Five years in the making, this new Shelves EP is a kick in the arse for Singapore music as far as melodic rock is concerned.
The Sleeves are back with a cracking new album! The Hong Kong – based quartet self-released their debut album Arcade Rock in 2011. The follow-up Deliverance was recorded in Cambodia, mixed in Hong Kong and mastered at Air Studios in London.
Here’s another blast from the past for this throwback Thursday – a 2003 review of one of my favourite artists!
90s Britrockers Ash return to Singapore to promote their latest release, Islands.
Always a joy to discover a new artist that embraces the full potential of rock ‘n’ roll. On his new EP – Water Into Gold – Eric Frisch, digs deep into the well of country-folk goodness to deliver three gorgeous songs.
Guitarist Andy Gill might be the only original member of Gang of Four remaining but that does not take away from the vitality or relevance of the band’s new music.
Indie rock legend Johnny Marr returns with his third solo album Call the Comet.
Last time out, I reported that one of my indie rock faves, JPNSGRLS had morphed into Hotel Mira, with a dynamic new single, 3AM Lullaby. New song “Baby” ups the ante with a sophisticated arrangement that belies its melodic simplicity. Running gamut from funk to alt-rock to soul-pop, “Baby” is Continue Reading
This new EP from BMX Bandits is a classic pop extravaganza!
Good news for S-ROCK fans as Mannequins finally launch their new EP – Four – on Saturday 23th June.
Maggie Rogers releases her first new music of 2018 with “Fallingwater”.
Philadelphia-based band Oldermost, have announced the release of their fourth album, How Could You Ever Be The Same? (out July 13th via AntiFragile Music). In conjunction, the band is sharing the album’s rollicking, anthemic lead single “The Danger of Belief”.
Singer-songwriter Axel Loughrey – previously a solo artist on All Sorted!?! Records – is now part of Junky Love (with Deniz Erdal), a new three piece rock n roll band based in London.
Astral Drive is songwriter and producer Phil Thornalley’s vision of a long lost album from the 1970s that only existed in his own mind. A labour of love that is very much the statement of a lifelong music fan living in the modern world.