If you read my bio, you’d realise that I’ve done quite a few different things in my professional career. I’ve covered legal, human resources, quality management and teaching in the over thirty years since I graduated with a law degree.
Gotta hand it to Chicago’s Treasure Fleet, not only did they release two albums within six months of each other in 2012 (the excellent Future Ways and Cocamotion), the band also expanded their horizons by producing a film – Sun Machine – which premiered last year at London’s prestigious Raindance Film Festival.
The soundtrack, available for pre-order now and out February 10th on Recess Records, is a timeless sounding psychedelic rock opus that might very well have been produced in 1969 for all we know! The music of Treasure Fleet is an absolute joy for classic pop-rock (The Who, Pink Floyd) lovers and will definitely appeal to fans of like-minded indie rockers Temples, Pond and Tame Impala.
Thankfully, Isaac Thotz (singer-songwriter) was cool enough to share with us everything (and we do mean EVERYTHING) we needed to know about Treasure Fleet and Sun Machine. Set your controls for the heart of the sun…
What is the motivation behind playing music that some might (erroneously) consider ‘dated’?
What’s funny is I don’t even think of it like that. I remember being a kid in the 80’s and the popular music that was coming out then, I didn’t like the tones and the production, and so I thought contemporary music sounded very dated, just like 70’s haircuts and brown plaid couches looked very dated to me then. And looking back now that music still does sound dated. But that’s always the case in art and pop art that people are going to trend toward certain conventions as a fad. Today there are conventions in popular music and underground music that sound very dated to me. In mainstream pop music, certain inflated acoustic drum and guitar tones are in. Anthemic choruses are in. In underground rock excessive unnatural reverb on vocals is in. In hip hop spastic hi hat sampling is in. Those sorts of production choices all sound very “dated” to me right here in the moment. In terms of our music sounding of a different era, I just have my natural biases and preferences. I like 90’s hip hop drum beats and tones better than today’s. I like the Beatle’s song structures. I like the four piece rock band arrangement. I like the mellotron. I don’t mind trashy rock drums, but I dislike poor singing. I love harmonies. Those are just my own personal biases. But then to get to the motivation of how we want to produce our music-I think we just want it to sound “timeless”. I think there are bands that try to sound much more of a particular era than we do-most often it’s the current era. We don’t approach it like that. Rather, we like to try and make something where people will hopefully go “when was this made”…”where were these guys from”. There’s definitely a starting point from which we’ve taken ideas, basically it’s been from the start of rock and roll. But that’s just a starting point, and we’ve always tried to pull ideas from all eras since. If some of those ideas seem old, it’s because they are. But others are very contemporary, and as I said, the goal is to make the whole thing seem timeless at some point out in the future.