Tag: Pop

PoP RECOMMENDS: LOVE X STEREOPoP RECOMMENDS: LOVE X STEREO

Photo 25-5-14 1 24 06 am

Better late than never, eh?

Oliver Mann (JPNSGRLS) was raving about Korean alt-electro rockers Love X Stereo and so upon his recommendation, I followed him to Paulaner for the band’s final gig at Music Matters Live 2014 at 1 am. What I witnessed was an epiphany! The tunes had epic pop melodies, the arrangements were tight with a post-punk revival vibe but ultimately it was charismatic vocalist/synth player Annie Ko that sealed the deal for me.

Upon further investigation, it appears that Annie and guitarist/producer Toby were both part of a ska-punk band called Skrew Attack and re-invented themselves as Love X Stereo in 2011 (and picked up bassist Sol along the way). With critically acclaimed releases Off the Grid and Flow under their belts and significant appearances at top indie rock festivals, Love X Stereo is definitely a band to explore.

Hopefully, we will be able to get PoP fans an interview with Annie soon. In the meantime, enjoy…

Official Site

 

DISCOVERED @ SPOTIFYDISCOVERED @ SPOTIFY

Electric Light Orchestra

Regular visitors to PoP will be aware that I believe that the 70s was the finest decade for pop and rock music ever. And one excellent resource which allows the avid music fan to access this classic rock music is Spotify (haha you saw that coming!). But seriously folks, I’d like to leave you with introductory playlists I’ve curated of three classic 70s rock bands, which I hope will encourage you to explore more on Spotify.

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CLIFF RICHARD: STILL REELIN’ AND A-ROCKIN’ – LIVE IN SYDNEY [DVD REVIEW]CLIFF RICHARD: STILL REELIN’ AND A-ROCKIN’ – LIVE IN SYDNEY [DVD REVIEW]

There’s little doubt that Cliff Richard is the one true Peter Pan of pop music. Now in his early 70s, he still looks and sounds good enough to belt out his famous hits in his own inimitable way. The set list on this performance video is dominated by his earliest numbers, like “Livin’ Doll”, “Move It”, “Young Ones” and “In the Country” etc but as well as the obligatory 70s songs like “Devil Woman”, “We Don’t Talk Anymore” and “Wired for Sound”. Naturally, unless you are a diehard Richard fan, there is nothing much here for even the most studious of rock scholars. It’s all rather glitzy and entertaining – not necessarily a bad thing but Richard represented the musical establishment that the likes of The Beatles, the Stones, the Kinks et al would soon overturn and by now, it’s appeal is limited at best.

2013: THE YEAR IN MUSIC2013: THE YEAR IN MUSIC

DaftPunk

Was 2013 a good year for popular music? It all depends on your definition of a ‘good year’. I believe that since the end of the 90s, the decline in the quality of popular music being written and recorded has been alarming. Compared to the previous 40 years, it’s fair to say that much of the popular music that has come out of the new millennium has been – with some exceptions, of course – largely forgettable.

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ABSOLUTELY NECESSARY: CHARLIE LIMABSOLUTELY NECESSARY: CHARLIE LIM

Finally! Charlie Lim has released two new singles (viz. “Bitter” and “Conspiracy”) and both tracks can be downloaded for FREE from Bandwagon (limited to first 1000 signups) so HURRY!!!!

Suffice to say, “Bitter” is a heart-wrenchingly gorgeous jazz-pop piece with dynamism, virtuosity and dollops of soul that deserves to be a worldwide hit (whatever that means nowadays) – please don’t miss out! “Conspiracy” demonstrates a different side of Charlie as smooth R&B inflections, infectious funky beats and cool vibes make the song a hot dancefloor hit contender! Another essential track for your collection!

Find out more about Charlie Lim here.

NATALIE HIONG – BEAUTIFUL MESS [REVIEW]NATALIE HIONG – BEAUTIFUL MESS [REVIEW]

Beautiful Mess Album Cover

First thing one notices when listening to Natalie Hiong‘s new EP is the sound production — a marked improvement from her debut EP certainly. This time around, everything one hears seems more organic and more ‘human’, and it’s much easier to get into the songs itself. Natalie has also improved in the vocal department and extended her range of singing styles as well. No longer relying on the cutesy little girl vibe of her debut EP, one senses that this is a chanteuse now coming into her own.

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NORAH JONES – LIVE IN SINGAPORE [REVIEW]NORAH JONES – LIVE IN SINGAPORE [REVIEW]

Photo by Suhaimi Abdullah/Getty Images

Photo by Suhaimi Abdullah/Getty Images

WAS IT ALL A DREAM WITH NORAH JONES? 

Treading on partially wet grounds for my first concert-going experience at the west side of Singapore, The Star Performing Arts Centre served as a blooming fresh outlet for events of sorts. Despite the grandeur of the new environs, it was let down somewhat by the spectacle of snaking (really year of the snake, isn’t it?) queue lines at the ticketing counter .

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ELLIE GOULDING – LIVE IN SINGAPORE [REVIEWS]ELLIE GOULDING – LIVE IN SINGAPORE [REVIEWS]

Courtesy of Dominic Phua & Now/Live

Courtesy of Dominic Phua & Now/Live

Judging by the response at the Esplanade Concert Hall on Tuesday night, Ellie Goulding’s first performance in Singapore was an undisputed success.

The full house consisted of a good mix of young tweens and older hipsters, who eagerly lapped up her every word and note. Even Goulding herself repeatedly remarked at her awe and surprise with the number of people at her first show here.

Starting off the night with songs mainly from her recently released sophomore album, Halcyon, such as “Figure 8” and “My Blood”, Ellie Goulding blew us away from the very start with her beautiful voice. It was amazing to hear the entire audience sing along to the chorus of “Guns and Horses”. However, it took some time for the sound engineer to get the mixing right, as it was difficult to hear her voice over her backing track in the beginning.

Also, it appeared that she took a while to adjust to the stage, only moving around to interact with the inviting audience after taking awhile to get used to the venue.

Goulding was not fazed for too long though, and one of the most memorable segments of the concert was when she slowed things down with tracks like “I Know You Care” (she admitted it was about her father) and “Joy”. The audience was also in for a special treat as she sang a wonderful cover of Elton John’s “Your Song”.

Picking things back up with harder hitting songs “Only You” and “Salt Skin”, Goulding gamely danced in her sheer dress through these songs, eliciting more cheers from her fans. During other parts of the show, she also treated the audience to performances of “Hanging On” and “I Need Your Love”, which she wrote with Tinie Tempah and Calvin Harris respectively.

Most of all, it was impressive to see how she took her music to a whole new level with her live show. Her music sounded so much bigger, expansive, richer and complex live than on her studio albums. Moreover, her live energy was explosive, even reminiscent of Hayley Williams (of Paramore fame).

All in all, Eliie Goulding had great charm and clearly enjoyed performing, and her infectious energy in turn made it especially fun and enjoyable for all present. With “Lights” as her final euphoric song, she left everyone without a doubt that she could just very well be the reigning queen of the current crop of synth rock songstresses.

(Melissa Ng)

Thanks to Dan Gordon (Now/Live) for making this review possible.

 

 

ELLEN LOO + RIPPLES BAND – LIVE IN SINGAPOREELLEN LOO + RIPPLES BAND – LIVE IN SINGAPORE

Rockmui Ellen Loo

To be honest, I never expected to write this review. Up to the point that I received the email from Peipei (LIKES Communications), I had not even heard of Hong Kong/Canadian singer-songwriter Ellen Loo. And when Peipei invited me to catch Ellen’s show at the Esplanade Recital Studio, I was feeling a bit mixed. After all, I am not, by any stretch of the imagination, a fan of Mandarin pop but I thought – “nothing ventured, nothing gained” – and I am so glad that I took the plunge.

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