No exaggeration to describe Bastille as one of the biggest new acts coming out of the UK and fans will be thrilled to learn that – courtesy of Now/Live – they will be in town on Friday 9 January 2015 at The Coliseum, Hard rock Hotel Singapore, Resorts World Sentosa. Tickets will be available from SISTIC from 22nd September.
Singapore fans of English indie sensation The 1975 will be thrilled by the news that the band makes its debut on our shores on Tuesday, 22nd July at the Coliseum, Hard Rock Hotel Singapore, Resorts World Sentosa. Tickets available from 10th April at all SISTIC outlets.
Now/Live are proud to present Grammy Award winning and critically acclaimed indie rock act, PHOENIX, performing their debut headline show in Singapore. Performing hits from their extensive back catalogue including ‘Lisztomania’, ‘1901’ and ‘If I ever feel better’ along with tracks from their latest release ‘Bankrupt!’, this show will be one of the most enthralling of 2014!
The xx 2 August 2013 The Star Performing Arts Centre by Melissa Ng
The xx played to a very enthusiastic crowd last Friday at The Star Theatre at The Star Vista, which was packed to the brim. Besides playing to 5000 fans, there was also an additional show on Thursday because of the demand. This response just goes to show how popular indie is growing as a genre. This is a remarkable feat for the band, whose last performance in Singapore in 2010 saw them open for Florence + The Machine. Having released two albums, xx and Coexist, the band certainly had more to play around with this time.
Part of their promotional tour for their latest album Heartthrob, Canadian sisters Tegan and Sara performed at the Esplanade Concert Hall on the 13th of May.
Apparently handpicked by Tegan and Sara themselves, homegrown singer-songwriter Weish delivered a memorable opening act that featured her signature searing vocals and electric looping shenanigans. Continually layering, looping, and effecting her voice into rich tapestries of songs, this reviewer thinks Weish is an act to watch, and a breath of creative fresh air in a local scene crowded with too many plaintive guitar-based songs from singer-songwriters.
Judging by the response at the Esplanade Concert Hall on Tuesday night, Ellie Goulding’s first performance in Singapore was an undisputed success.
The full house consisted of a good mix of young tweens and older hipsters, who eagerly lapped up her every word and note. Even Goulding herself repeatedly remarked at her awe and surprise with the number of people at her first show here.
Starting off the night with songs mainly from her recently released sophomore album, Halcyon, such as “Figure 8” and “My Blood”, Ellie Goulding blew us away from the very start with her beautiful voice. It was amazing to hear the entire audience sing along to the chorus of “Guns and Horses”. However, it took some time for the sound engineer to get the mixing right, as it was difficult to hear her voice over her backing track in the beginning.
Also, it appeared that she took a while to adjust to the stage, only moving around to interact with the inviting audience after taking awhile to get used to the venue.
Goulding was not fazed for too long though, and one of the most memorable segments of the concert was when she slowed things down with tracks like “I Know You Care” (she admitted it was about her father) and “Joy”. The audience was also in for a special treat as she sang a wonderful cover of Elton John’s “Your Song”.
Picking things back up with harder hitting songs “Only You” and “Salt Skin”, Goulding gamely danced in her sheer dress through these songs, eliciting more cheers from her fans. During other parts of the show, she also treated the audience to performances of “Hanging On” and “I Need Your Love”, which she wrote with Tinie Tempah and Calvin Harris respectively.
Most of all, it was impressive to see how she took her music to a whole new level with her live show. Her music sounded so much bigger, expansive, richer and complex live than on her studio albums. Moreover, her live energy was explosive, even reminiscent of Hayley Williams (of Paramore fame).
All in all, Eliie Goulding had great charm and clearly enjoyed performing, and her infectious energy in turn made it especially fun and enjoyable for all present. With “Lights” as her final euphoric song, she left everyone without a doubt that she could just very well be the reigning queen of the current crop of synth rock songstresses.
Thanks to Dan Gordon (Now/Live) for making this review possible.