Tag: Neo-noir



Reminiscence is a 2021 American neo-noir scifi thriller drama film written and directed by Lisa Joy, in her feature directorial debut. Joy – together with spouse Jonathan Nolan – were the showrunners for the HBO scifi TV series, Westworld. And of course, Christopher Nolan is Joy’s brother-in-law and one cannot but feel that Reminiscence shares – or attempts to, in any case – similar high concept scifi tropes as Nolan’s Inception and Tenet.



John Wick Movie Analysis

John Wick is a 2014 American neo-noir action-thriller drama film directed by Chad Stahelski, in his directorial debut, and written by Derek Kolstad. The movie was a commercial success, spawning two sequels and perhaps inspiring a new ultraviolet action sub-genre. Certainly, John Wick revitalised the career of Keanu Reeves to such an extent that Matrix 4 was surely made on the back of his renewed popularity. 

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Directed by Robert Rodriguez & Frank Miller. Starring Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levett, Rosario Dawson, Bruce Willis and Eva Green.

I loved Sin City. Frank Miller‘s ground-breaking comic book series, that is. Miller stripped down film noir to its bare essentials and presented them in cutting edge fashion, winning several Eisner & Harvey Awards in the 90s as due recognition.

However, when adapted to film, the very noir elements that made the comic book innovative in the 90s look positively banal and farcical now. Granted, this approach seemed fresh (to the average film goer) in 2005 when the first Sin City movie was released but it has certainly worn out its welcome.

The voice-over narration (a staple of film noir, of course) comes off the worst in this sequel when the characters give flowery descriptions of people, objects and events we can see clearly, without the need for embellishment. All irony and contrast is totally lost in this context.

Everybody seems to be over-acting and this becomes unintentionally comical after a while – any scene with Jessica Alba comes across as ridiculous – even while she is cutting up her face! Eva Green titular (emphasis added) characterization is a failure – though she is definitely nude most of the time, her ‘wicked’ demeanor makes her deception of the men around her utterly implausible.

Overall, Sin City: A Dame to Kill For is a disaster – you might enjoy the movie for its visual style, the unintentional laughs and maybe its star power but that only lasts a very short time before you start hoping for the film to end.

Sin City: A Dame to Kill For is in the cinemas now with a R21 rating.