1971 : The Year That Music Changed Everything is a music documentary based on Never a Dull Moment, a book written by David Hepworth. The documentary’s premise is that 1971 was a watershed year where rock and pop music exerted great influence on culture in the USA, the UK and the rest of the world.
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We continue our look back at the classic albums of rock lore with Mountain and its 1971 album, Nantucket Sleighride. Mountain was a rock band that formed in 1969 in Long Island, New York and consisted of vocalist/guitarist Leslie West, bassist and vocalist Felix Pappalardi, keyboardist Steve Knight and drummer Corky Laing.
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When I opined that Classic Rock had lost its relevance and significance in the contemporary music industry, it does not mean that Classic Rock is no longer important. In fact, Classic Rock is a critical asset to film and TV producers as directors utilise Classic Rock to create a vibe in film and TV series that contemporary pop music just cannot replicate. Which brings me to The Best Classic Rock Film and TV Scenes.
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It has been more than 25 years since the death of Kurt Cobain, the last rock iconoclast that had a major impact on popular music before the rise of hip-hop. That is a generation ago and since then, Classic Rock as we understood the genre in the last forty years has declined to insignificance as a cultural force.
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Station to Station is the opening track on David Bowie’s classic 1976 album of the same name. Clocking in at over 10 minutes, Station to Station is Bowie’s longest studio recording and is seen as a pivotal landmark in Bowie’s musical development in the 1970s. That decade was a seminal epoch for many influential rock genres and Bowie had his finger on the pulse of most of them!
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The Bee Gees : How Can You Mend A Broken Heart is a music documentary directed by Frank Marshall about the Gibb Brothers viz. Barry, Robin and Maurice. The documentary basically focuses on the two main eras in which the trio were at their most successful i.e. the late 1960s and a decade later in the late 1970s. There are also cursory examinations of their fallow periods in between and after these phenomenal heights but nothing much in depth.
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All Right Now is the ultimate British expression of the blues-rock explosion of the late 1960s and the hard rock movement of the early 1970s. Arguably, All Right Now is also the signature tune of Free, consisting of Paul Rodgers (vocals), Paul Kossoff (guitar), Simon Kirke (drums) and Andy Fraser (bass).
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THE BEST PINK FLOYD SONGS OF ALL TIME is an interesting proposition. Mainly because we tend to think of Pink Floyd as the definitive album rock band. So, THE BEST PINK FLOYD SONGS OF ALL TIME as a feature seems in appropriate. But once again think of THE BEST PINK FLOYD SONGS OF ALL TIME list as an introduction to Pink Floyd and perhaps that makes it more palatable.
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THE BEST PUNK SONGS OF ALL TIME – a potentially divisive and contentious topic to discuss! Probably more so than THE BEST POWER POP SONGS OF ALL TIME that I posted not too long ago. But as usual in order to list down THE BEST PUNK SONGS OF ALL TIME, I need to explain a few concepts first.
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BANDS THAT SOUND LIKE THE KINKS. A list of bands that might possibly be more famous, more well-known than The Kinks. BUT probably owe their success, nay, even their very existence to the brilliance of The Kinks.
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Comfortably Numb might be my favourite song ever. I mean, if push came to shove and I needed to select just one favourite song then Comfortably Numb would be it. Nestled on the end of side three of Pink Floyd’s monster hit album, The Wall, Comfortably Numb is a true highlight in a landmark best-selling (double) LP.
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Prima facie, an article about THE BEST KINKS SONGS OF ALL TIME would seem like a piece of cake. But the opposite is true. The trick was despairing over the songs I had to omit from THE BEST KINKS SONGS OF ALL TIME. In the end, while twenty tracks seems just about right – not too little and not too much. Which is to me, an indication of how much I value Ray Davies as a songwriter.
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THE BEST POWER POP SONGS OF ALL TIME! Now that’s a social media minefield on so many different levels. And it’s not merely about arriving at a consensus as to what are THE BEST POWER POP SONGS OF ALL TIME. Fact of the matter, the first point of contention would be the definition of Power Pop itself!
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Recently, I posted THE BEST WHO SONGS OF ALL TIME and remarked that the seminal music of The Who had spawned numerous rock sub-genres. From pop-rock to melodic hard rock to power pop to punk to indie rock, the fingerprints of The Who’s power chord guitar agenda are clearly discernible. Perhaps to prove my point, it was necessary to provide irrefutable evidence in the form of BANDS THAT SOUND LIKE THE WHO.
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Last time out, we explored the idea that there were four fundamental music genres viz. classical, traditional, popular and avant grade. Now, obviously this is a blog about pop culture (I think our name gave the game away!) and so we can truly now focus on popular music genres.
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Next up, THE BEST SONGS OF THE EIGHTIES!
To make these Best Songs lists work for me, even as I progress along the decades, I have made a conscious effort not to repeat artists from previous lists and to limit my selections to artists and/or songs that in my view, are strongly representative of the decade in question.
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WHY RAP IS NOT MUSIC is a PoP Theory opinion piece. Nothing more, nothing less.
Form not substance
To avoid any misunderstanding about the opinion I am about to express here, please note that this post is discussing Rap as an art form and NOT a substantive judgement of the merits (or otherwise) of Rap as a genre. Now that that’s out of the way, let us begin.
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UNDERSTANDING MUSIC GENRES – THE BASICS is an opinion piece. Nothing more, nothing less.
Why understand music genres?
Music continues to be a major player in modern life and impacts all spheres of social and cultural influence – from politics to business to entertainment and so on. Even though the value received by music artists has been marginalised by record labels, publishers and more recently, tech companies – the value added by music artists remains vitally important.
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