Part of their promotional tour for their latest album Heartthrob, Canadian sisters Tegan and Sara performed at the Esplanade Concert Hall on the 13th of May.
Apparently handpicked by Tegan and Sara themselves, homegrown singer-songwriter Weish delivered a memorable opening act that featured her signature searing vocals and electric looping shenanigans. Continually layering, looping, and effecting her voice into rich tapestries of songs, this reviewer thinks Weish is an act to watch, and a breath of creative fresh air in a local scene crowded with too many plaintive guitar-based songs from singer-songwriters.
This is special. I’ve first came across Esther Lowless back in 2007 as the frontperson of the now-defunct Indus Gendi and was duly impressed by her vocals, songwriting and keyboard playing. With respect to the last matter, enough to have her on board as part of The Groovy People and she contributed amazing vocal and keyboard parts to the Watchmen@Midnight EP. Since then, she’s gone on to be a side-woman of sorts in Monster Cat and DEON but finally, Esther Lowless steps out of the shadows and releases her debut EP, Strange Place to Meet, on 21st June.
But there’s more. Esther herself is also a freelance actress and in that spirit, decided that her project could serve as an “anthological mosaic of short films that displayed the brilliance of Singapore’s filmmakers” with the music films in Strange Place To Meet made possible by Henry Hiah, Leonard Soosay, Gerald Stahlmann, Sivaraj Pragasm, Wu Jun Han, and Esther herself.
To be released via http://www.youtube.com/user/estherlowlessmusic from 19th of May onwards, the 6 short films – visual representations of Esther’s songs – will lead up to the album launch of Strange Place To Meet, to be held at the Esplanade Recital Studio this 21st June 2013, 9pm. Tickets can be purchased by emailing email@example.com one’s name, contact details, and number of tickets one wishes to purchase.
Apart from the launch, Esther will also be playing with a full band at Hood Bar and Cafe on the 18th of May 2013, 7.15pm, and three acoustic sets on Baybeats Day 3 (30th June 2013): one acoustic set at the Esplanade library at 3.30pm and two acoustic sets at the Chillout Stage at 7pm and 8.30pm.
Reviews to come. Suffice to say that Esther Lowless has truly evolved into a genuine art-rocker and the music on her EP will rather amazingly evoke the likes of Sakamoto, Massive Attack, Russian Circles and more. A truly scintillating EP!
Other Sounds has a second show and this time the featured band is Australian garage rockers Dune Rats. The Brisbane duo will be bringing their raucous and energetic live show to Singapore at Night & Day Bar, alongside local garage pop favourites The Pinholes.
Date: Friday, 31 May 2013
Venue: Night & Day Bar (139 Selegie Rd)
Tickets: $15 at the door (includes one drink)
Two bands will be coming together for a secret pop-up gig this April 18! It will be a night of fuzzed out intrigue! Fans are invited to solve a crossword puzzle to reveal the line-up and location of the gig. The bands will also be seeding clues with the hashtag #KODoubleBill via Twitter and Instagram leading up to event day. Solve the puzzle and find out who and where. Free Entry! For more clues, look for #KODoubleBill
What is the latest update for EMO FASCISM, my first solo album? Well, at the moment we have final mixes for about 70% of the songs and the album should be ready by the time, I perform with The Groovy People at Artistry on July 31st. That’s the plan, anyways.
But I am getting ahead of myself. April 26th at Home Club will be the first appearance of the ALL-NEW, ALL-DIFFERENT, GROOVY PEOPLE and I am glad to announce the line-up –
PATRICK CHNG (lead guitar), RAY AZIZ (drums), NELSON TAN (bass) and BENJAMIN ANG (keyboards).
All amazing ARTISTS in their own right, I am blessed by their contributions and so far the rehearsals have been great fun! I intend to play as many gigs in support of EMO FASCISM when it is released in August 2013 and I really would appreciate all your support for this endeavor.
At the end of the day, the continuation of The Long and Winding Road of being a musician is really about fulfilling my dreams but I am also mindful of the great people who are along for the ride. So stay tuned for more information as it becomes available.
Treading on partially wet grounds for my first concert-going experience at the west side of Singapore, The Star Performing Arts Centre served as a blooming fresh outlet for events of sorts. Despite the grandeur of the new environs, it was let down somewhat by the spectacle of snaking (really year of the snake, isn’t it?) queue lines at the ticketing counter .
Judging by the response at the Esplanade Concert Hall on Tuesday night, Ellie Goulding’s first performance in Singapore was an undisputed success.
The full house consisted of a good mix of young tweens and older hipsters, who eagerly lapped up her every word and note. Even Goulding herself repeatedly remarked at her awe and surprise with the number of people at her first show here.
Starting off the night with songs mainly from her recently released sophomore album, Halcyon, such as “Figure 8” and “My Blood”, Ellie Goulding blew us away from the very start with her beautiful voice. It was amazing to hear the entire audience sing along to the chorus of “Guns and Horses”. However, it took some time for the sound engineer to get the mixing right, as it was difficult to hear her voice over her backing track in the beginning.
Also, it appeared that she took a while to adjust to the stage, only moving around to interact with the inviting audience after taking awhile to get used to the venue.
Goulding was not fazed for too long though, and one of the most memorable segments of the concert was when she slowed things down with tracks like “I Know You Care” (she admitted it was about her father) and “Joy”. The audience was also in for a special treat as she sang a wonderful cover of Elton John’s “Your Song”.
Picking things back up with harder hitting songs “Only You” and “Salt Skin”, Goulding gamely danced in her sheer dress through these songs, eliciting more cheers from her fans. During other parts of the show, she also treated the audience to performances of “Hanging On” and “I Need Your Love”, which she wrote with Tinie Tempah and Calvin Harris respectively.
Most of all, it was impressive to see how she took her music to a whole new level with her live show. Her music sounded so much bigger, expansive, richer and complex live than on her studio albums. Moreover, her live energy was explosive, even reminiscent of Hayley Williams (of Paramore fame).
All in all, Eliie Goulding had great charm and clearly enjoyed performing, and her infectious energy in turn made it especially fun and enjoyable for all present. With “Lights” as her final euphoric song, she left everyone without a doubt that she could just very well be the reigning queen of the current crop of synth rock songstresses.
Thanks to Dan Gordon (Now/Live) for making this review possible.
First off, let me get something off my chest. The SCAPE Gallery is a horrible avenue for live rock music performance. No two ways about it – the sound was so harsh and unbalanced at the venue that I felt physically nauseous at times. Which is a pity because certainly the four bands that played at this gig deserved a much friendlier platform to showcase their music. But there you go…
Yes, this review of the Other Sounds launch party is a little late. Yes, I had loads of fun with friends and new acquaintances, not to mention the delivery of good good music. What else do you need to know?
Upfront let me just say that congratulations are in order to Other Sounds for hosting a fabulous party. I mean, the food was simply yummy and even though I had dinner before I came, I still managed to polish a couple of burgers and pizza slices. So kudos! And… the free flow alcohol, courtesy of Asahi was much welcomed as well. Is the indie music scene coming of age. Step by step, in the right direction.
To be honest, I never expected to write this review. Up to the point that I received the email from Peipei (LIKES Communications), I had not even heard of Hong Kong/Canadian singer-songwriter Ellen Loo. And when Peipei invited me to catch Ellen’s show at the Esplanade Recital Studio, I was feeling a bit mixed. After all, I am not, by any stretch of the imagination, a fan of Mandarin pop but I thought – “nothing ventured, nothing gained” – and I am so glad that I took the plunge.