Well, boys and girls, that’s all she wrote! With the re-release of The Crowd’s Pop (1997), and the Popland albums, Groovy and Action!, the KAMCO Music – Kevin Mathews reissue program has been completed.
I experimented with 20 Originals performance events earlier this year at a local outlet, which was not perfect but was a good platform to push the novel idea that original music made in Singapore needed to build a fan base in order for the local indie scene to survive.
The biggest difficulty was as usual, getting people to attend. I always laugh when folks describe me as a ‘legend’ cos if that was true I would not struggle to get people to my gigs (especially when the admission is FREE). So that’s the reality — nobody really gives a fuck about original music in Singapore, and in particular, mine.
Of course, that’s a generalization – a sweeping statement. Sure, there ARE people who dig my music, even if it’s a minuscule group. There are people who pay ‘lip service’ – flatterers who maybe believe that they can get something out of me in return. But these are the same people who NEVER attend any of my gigs. So there you go, actions speak LOUDER than words! You know who you are! Aha!
But I digress. Despite the challenges, I plod on. Ultimately, I believe in myself and my music, even if the world does not. And that’s what it’s all about really. Perhaps it’s self-delusion – so what? At least, I know that the handful of people who do turn up on Saturday for this event are truly the people who do believe in me and my music. And for that, I am eternally grateful and that little encouragement drives me to keep moving forward.
So, here’s the deal. Two sets of 10 songs each. The first set will concentrate mainly on the 90s (and mostly ‘love’ songs) and the second set will focus on newer material (mostly ‘hate’ songs) and will also see the debut of four new songs that will form the bulk of my upcoming 2015 EP. See you there if you’re interested. And oh yeah, NO FUCKING COVERS!
Despite the relative success of “Orchard Road” (with the track getting radioplay and music video being featured on national TV), my ambitions were still modest. I was happy to be able to record and release another song, whatever the platform. The guys from BigO magazine wanted me to test a MiniDisc player/recorded and to review it for the mag. So I ended up writing and recording two songs – “The High Cost of Living” and “The Offender”, the latter as yet unreleased. The song ended up being featured on BigO’s free CD, Death Valley 92328, and was played on radio again (which still amazes me, considering the lyrical content)