Director Ron Howard has confirmed on Twitter that he will take over from the departed Phil Lord and Chris Miller to helm the Han Solo standalone movie.
The Hollywood Reporter has reported that the directors of the Star Wars standalone prequel of Han Solo – Phil Lord and Christopher Miller – have left the film over ‘creative differences’.
Last time Fox attempted an adaptation of the classic X-Men “Dark Phoenix” story, they royally screwed it up in X-Men: The Last Stand.
First proper look at Marvel Studios’s adaptation of Jack Kirby’s Black Panther as the teaser trailer is released by Marvel Entertainment.
INRI studio has informed us that “The Revolution Will Now Be Televised!” FAERYVILLE is on board ASTRO’s A-List.
Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discover what they think is an uncharted paradise, but is actually a dark, dangerous world, whose sole inhabitant is the synthetic David, survivor of the doomed Prometheus expedition.
(Press release)
Animation Nation is an festival held in Singapore featuring animation feature films, animation short, seminars, and workshops. It was founded in 2004 and is organised by the Singapore Film Society. The last edition of the festival was held in 2011.
Review of the R-rated extended version of the controversial DC movie to come.
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The Projector is celebrating the 20th anniversary of Eric Khoo’s Mee Pok Man this April with a few screenings of the iconic film along with his earlier short film Pain and a couple of talks and panels hosted by the Asian Film Archive.
Well, it was inevitable! A spoof on Amos Yee!!
Some background – in September 2015, the parody sketch show Chestnuts was asked to remove the entire sketch called “Amos Yee The Musical” from its programme, in order to be granted the performing arts license by the Media Development Authority.
So, the troupe decided to make a mini-movie based on the sketch and also to get crowdfunding for the production.
Attending the SGIFF 2015 press conference, I was pleasantly surprised to come across many familiar faces and pleased as punch to discover that the Festival would feature a restored version of Eric Khoo’s Mee Pok Man (on its 20th anniversary) and a Singapore premiere of his latest opus, In The Room.
I have always wanted to me more involved in the indie film scene in Singapore and this event was deeply encouraging for me to keep at it. So expect some form of coverage here at Power of Pop.
In the meantime, check out what’s happening at SGIFF2015.
