First of all, a declaration: I might have been slightly in love with Eva Green ever since she graced the big screen as Bond girl Vesper Lynd in Casino Royale (2006). So despite some bad reviews plaguing Based on a True Story, I decided to watch this latest film of hers, which is billed as a psychological thriller and directed by Roman Polanski (perhaps a name you’d resist, given the current #MeToo climate). Oh, and it’s in French too, so you’ll get the chance to watch Green act in her native tongue.
SIN CITY: A DAME TO KILL FOR Directed by Robert Rodriguez & Frank Miller. Starring Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levett, Rosario Dawson, Bruce Willis and Eva Green.
I loved Sin City. Frank Miller‘s ground-breaking comic book series, that is. Miller stripped down film noir to its bare essentials and presented them in cutting edge fashion, winning several Eisner & Harvey Awards in the 90s as due recognition.
However, when adapted to film, the very noir elements that made the comic book innovative in the 90s look positively banal and farcical now. Granted, this approach seemed fresh (to the average film goer) in 2005 when the first Sin City movie was released but it has certainly worn out its welcome.
The voice-over narration (a staple of film noir, of course) comes off the worst in this sequel when the characters give flowery descriptions of people, objects and events we can see clearly, without the need for embellishment. All irony and contrast is totally lost in this context.
Everybody seems to be over-acting and this becomes unintentionally comical after a while – any scene with Jessica Alba comes across as ridiculous – even while she is cutting up her face! Eva Greentitular (emphasis added) characterization is a failure – though she is definitely nude most of the time, her ‘wicked’ demeanor makes her deception of the men around her utterly implausible.
Overall, Sin City: A Dame to Kill For is a disaster – you might enjoy the movie for its visual style, the unintentional laughs and maybe its star power but that only lasts a very short time before you start hoping for the film to end.
Sin City: A Dame to Kill For is in the cinemas now with a R21 rating.
To be honest, I had low expectations for this film. When it was first announced, I felt that there was absolutely no need for a sequel to 300 and this was simply a case of the studio trying to cash in on the original’s success (almost half a billion dollars worldwide). To all intents and purposes, it seemed to me that creator Frank Miller had been coerced into producing a sequel to 300 (viz. Xerxes), which remains unpublished. All of which spelled TROUBLE.