Nostalgia has been defined as “a sentimental longing for the past” and is usually associated with feelings of melancholia and loss. Music plays a big part in aiding human beings in re-creating a sense of the past that is long gone. Does this hold us back? In the sense that we are unable to move forward OR does looking back at the past give us impetus & inspiration for the future? It depends on intent and purpose of the individual but I’d like to believe that it is the latter case.
Tag: Eagle Rock
Apart from his somewhat diminutive stature, the late great Ronnie James Dio was the quintessential metal frontman, even laying claim to pioneering the use of the ‘horns-up’ gesture (though a certain Gene Simmons would quibble with that claim). Little doubt though that Dio, with bands like Rainbow, Black Sabbath and Dio, was responsible for some of the most iconic hard rock songs ever. And this is clearly evident on this previously unreleased concert film from two decades ago, which documented a reformed Dio performing in support of its Strange Highways album.
The quality of the concert film might not grainy but it is exciting to watch Dio not only play its best known numbers like “Stand Up and Shout”, “Don’t Talk to Strangers” and “Holy Divers” but throw in a couple of Black Sabbath (“The Mob Rules” and “Heaven and Hell”) and Rainbow (“The Man on the Silver Mountain”) tunes as well. There’s a bonus of behind the scenes the footage which is perfunctory at best.
Absolutely essential for hard rock lovers!
Halfway through this concert film before singing The Smiths’ classic, “Please Please Please Let Me Get What I Want”, Morrissey announces to his rapt audience that he loves them and definitely the sentiment comes across as genuine and heart-warming. Which summarizes the appeal of the English singer, 25 years since he first launched his solo career after the demise of his legendary former band.
This memorable gig – filmed at Hollywood High School in Los Angeles (where Morrissey currently resides) – finds the 56 year old in fine fettle performing solo faves like “Alma Matters”, “November Spawned A Monster” and “Everyday is Like Sunday” and of course, Smiths classics like “Still Ill”, “That Joke Isn’t Funny Anymore”, “Meat is Murder”, “Please Please Please Let Me Get What I Want” and “The Boy With The Thorn In His Side”.
Morrissey showcases four new tracks on the bonus feature, live recordings of “The Kid’s A Looker”, “Scandinavia”, “Action Is My Middle Name” and “People Are the Same Everywhere” produced by Tony Visconti. By the sounds of things, the next Morrissey album is going to be one to look out for…
It’s almost impossible for me to be completely objective about Paul McCartney & Wings and this particular DVD. After all, Wings Over America – the live triple album that was released from this tour was one of my very first album purchases as a wide-eyed 15 year-old fledging rock fan.
So it’s full-blown nostalgia as I watched this recording of the concert in Seattle in 1976 where 67,000 fans witnessed McCartney & Wings deliver 28 songs including not only the band’s greatest hits but also tunes from McCartney’s Beatles songbook!
Some of my favourite versions of McCartney’s material are featured here – “Maybe I’m Amazed”, “The Long and Winding Road”, “My Love”, “Let Me Roll It”, “Live and Let Die”, “Letting Go” and so on. Supported ably by arguably the best Wings lineup – Denny Laine, the late Jim McCulloch and Joe English – not to mention a crack horn section, Rockshow is a historic document that is wonderfully presented for audiences (old and new) almost forty years later.
Highly recommended – but you knew that!
THE ROLLING STONES: CROSSFIRE HURRICANE [DVD REVIEW]THE ROLLING STONES: CROSSFIRE HURRICANE [DVD REVIEW]
Considering the number of iconic films that The Rolling Stones have been associated with – Gimme Shelter, Sympathy for the Devil, Performance and Cocksucker Blues, it was simply not enough for director Brett Morgen to come up with a by-the-numbers 50th anniversary retrospective. Which, to his immense credit, he didn’t!
Fact is, Crossfire Hurricane manages to provide a kaleidoscopic perspective of events that made the Stones the living rock n’ roll legends that they are. One very crucial decision made was not to shoot the Stones as they currently are – so they only provide the relevant voiceover but visually, the viewer is never distracted from the story by how the Stones look like in 2013 (basically, old).
In this manner, Crossfire Hurricane is able to be interesting to new and old fans alike. It never comes across as a nostalgic exercise but a critical study of key events of the Stones’ career that intersected with the milestones of rock n’ roll. Thus, this documentary film is essential for longtime fans as well as rock scholars.