The ‘death of Arrow – Brick takeover’ saga comes to a conclusion. But the threat of retribution from Ra’s Al Ghul and the League of Assassin towards Merlyn and Arrow remains very real. A myriad plotlines come together nicely but not without setting off more new ones.
Laurel settles into her role as Canary as the Arrow team plot to take down Brick. Meanwhile, Oliver Queen struggles to return to Starling City, after rising from the dead. There is some back-story for Merlyn to get through, which humanizes him just a little, so that perhaps the audience can accept somehow Arrow’s difficult choice at the end.
Disappointingly, no development of the Reverse-Flash story line but instead we are pushed into the direction of Firestorm as Hartley Rathaway reveals the mystery of the disappearance of Ronnie Raymond and Martin Stein.
On the side, Barry Allen has some down time with Caitlin Snow, which provides the show’s lighter moments. At the centre of attention – Peekaboo, a teleporter whom Flash and the team have to overcome.
A typically good episode for The Flash, with different plot strands being examined in the coming weeks.
When CW’s Arrow debuted, it opted to follow the Christopher Nolan interpretation of the superhero. Functional costumes, real world scenarios and realistic heroes. Another leaf that was taken from the Nolan book was the parallel narratives that were set in different times and places.
Directed by Ethan Spaulding Written by Heath Corson Starring (voices of) Matt Lanter, Sam Witwer, Jason O’Mara, Shemar Moore, Jerry O’Connell, Christopher Gorham, Rosario Dawson, Nathan Fillion, Sean Astin, Harry Lennix.
Ostensibly a sequel to Justice League War – the animated movie introduction to the New 52 continuity – Throne of Atlantis is a very loose adaptation of the storyline that ran through the Justice League and Aquaman comics from 2012-2013.
Considering that Aquaman was replaced with Shazam (the original Captain Marvel) in War, it’s clear that Throne was to be used as an introduction to Aquaman. Thus, major changes to the comic book plot were made that greatly weakened the storyline. (AND seriously, why change Mera’s costume?)
In that context, it is recommended that you skip this movie completely and go straight to the source material.
However, if you do feel the need to compare and contrast.
Yes, my dear fellow superhero movie geeks, the next six years are going to crazy! In the last couple of weeks both DC and Marvel have announced their schedule of movies covering 2015 to 2020 and together with superhero movies from Fox and SONY promises to bring down upon our heads the great superhero movie glut of the 21st century.
In bygone days, it was common for superheroes to be placed in life threatening situations with readers being confident that the hero would somehow escape the clutches of death. But that concept was first challenged in X-Men #137 (1980) when Jean Grey (aka Marvel Girl/Phoenix) took her own life in order to protect the universe from the Phoenix force that possessed her. In an unforgettable sequence, Jean Grey paid the ultimate price in order to save the universe.
He was introduced to comic books in 1961 in Superboy #81 as “Superboy’s Big Brother”! Visually, his costume was the reverse of Superboy and since he possessed the same powers as Superboy, he was thought to be from Krypton as well. Therefore, the name, “Mon-El” – he arrived on Earth on a Monday and El is Superboy’s family name! At the end of the story, Superboy indadvertedly poisons Mon-El with lead but ‘saves’ him by sending him into the Phantom Zone (where Krypton imprisoned their worst criminals) where he remained till freed by the Legion of Super-Heroes in the 30th century.
Mon-El would join the LSH and become a key member, marrying Shadow Lass in the process. He was my favourite Legionnaire and he always seemed to me, a better character than Superman. But sadly, due to DC’s decision to start fucking around with their continuity (which is still going on to this day) in the mid-80s with Crisis on Infinite Earths, Mon-El’s character (and the LSH overall, to be fair) was altered irreversibly and his origins were ret-conned (damn I hate that word) and he was renamed “Valor” (fucking awful!) and then later “M’onel” (even worse!).
The character has been ret-conned so many times now – he even became a Green Lantern at one point in time (!) – and this is one of the many reasons why I have stopped reading superhero comic books. That said, I will always remember the Mon-El I once loved – and that is something Detective Comics Comics cannot take away!!
“Based on the wildly popular comic book series Hellblazer from DC Comics, seasoned demon hunter and master of the occult John Constantine specializes in giving hell… hell.”
Comic book fans can breathe a sigh of relief as this TV adaptation of Alan Moore’s occult anti-hero delivers a more faithful version than the ridiculous Keanu Reeves movie did. A look at the trailer makes it clear that the series will take its cues from the highly rated Hellblazer series penned by Jamie Delano. Yes, he’s English, has blonde hair and relatively unknown Matt Ryan (who is Welsh) seems to have Constantine’s characterization down pat. Debuting this Friday on NBC. Do not miss it!
I suppose I am a bit late to DC’s New 52 concept which rebooted the company’s entire superhero line but the very idea repulsed me back then, so you will forgive me if I decided not to indulge when it all went down in 2011. The direct-to-video animated movie, Justice League: War, represents the first movie adaptation of the New 52 series (in particular, Justice League) and thus, I thought it would be an appropriate time to give my 2cts worth on this latest reboot.