Tag: David Bowie

MOONAGE DAYDREAM (REVIEW)MOONAGE DAYDREAM (REVIEW)

Moonage Daydream

Moonage Daydream is a 2022 documentary film about English singer-songwriter David Bowie. Written, directed, produced and edited by Brett Morgen, the film uses previously unreleased footage from Bowie’s personal archives, including live concert footage. It is the first film to be officially authorized by Bowie’s estate, and takes its title from the 1971 Bowie song of the same name. (Wikipedia)

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THE BEST DAVID BOWIE ALBUMSTHE BEST DAVID BOWIE ALBUMS

Best David Bowie Albums

This Best David Bowie Albums listicle is probably one of the best ways we could think of to celebrate Bowie’s 75th birthday. We wanted to share personal reflections on these albums and thus limited the selection to five stone cold classics. in our humble opinion. Also, we bit the bullet and ordered this list according to merit. Here goes nothing….

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THE BEST DAVID BOWIE SONGS OF ALL TIMETHE BEST DAVID BOWIE SONGS OF ALL TIME

The Best David Bowie Songs of All Time. Now it does not get more poignant than this one. Bowie’s birthday is 8th January. He would have been 74 years old this year. The fact that he passed away two days later five years ago is still heart-wrenching. It’s no exaggeration to declare that Bowie is one of my favourite artists and his art will certainly live forever.

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STATION TO STATION (ROCK CLASSICS)STATION TO STATION (ROCK CLASSICS)

Station to Station

Station to Station is the opening track on David Bowie’s classic 1976 album of the same name. Clocking in at over 10 minutes, Station to Station is Bowie’s longest studio recording and is seen as a pivotal landmark in Bowie’s musical development in the 1970s. That decade was a seminal epoch for many influential rock genres and Bowie had his finger on the pulse of most of them!

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PoP20 | PoP LEGENDS : BOWIE – A BIOGRAPHY BY MARC SPITZ [REVIEW]PoP20 | PoP LEGENDS : BOWIE – A BIOGRAPHY BY MARC SPITZ [REVIEW]

BOWIE: A BIOGRAPHY by Marc Spitz

An assertion that David Bowie (nee Jones) has been the biggest influence on new bands and new music of the last four decades, would not draw much objections from rock scholars. But is that enough to fill a voluminous biography of the great man? The simple answer is “yes”, but writer Marc Spitz goes a little more deeper, inserting the impact that Bowie has had on his personal life as well.

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ROCK HISTORY: DAVID BOWIE – HUNKY DORY (1971)ROCK HISTORY: DAVID BOWIE – HUNKY DORY (1971)

david-bowie-1971

Rock legend David Bowie was a bit of a late bloomer in the business of rock ’n’ roll. Even though he was only 17 years old when he released his debut single in 1964, he would never achieve commercial success and critical acclaim till the 70s. His first three solo albums failed to set the music world alight and in fact, Hunky Dory – which would become his fourth LP – started life as a demo to secure a new recording contract, which he duly did with RCA Records.

Hunky Dory finds Bowie in pure singer-songwriter mode – which was in vogue around the time – thus, the individual songs are quite strong and the production values rather straightforward – with simple pop-rock/folk-rock instrumentation and arrangements by and large.

Backing Bowie would be the musicians that would subsequently form The Spiders from Mars (with the exception of Rick Wakeman on piano) viz. Mick Ronson (guitars, mellotron), Trevor Bolder (bass, trumpet) and Mick Woodmansey (drums).

Many of Bowie’s classic material – “Changes”, “All You Pretty Things”, “Life on Mars?” “Quicksand” and “Kooks” (written for his son, Zowie – director Duncan Jones) – were recorded during this fecund period. The second half had Bowie pay tribute to his heroes viz. Andy Warhol (“Andy Warhol”), Bob Dylan (“Song For Bob Dylan”) and Lou Reed (“Queen Bitch”) whilst “The Bewley Brothers” concerned Bowie’s relationship with his mentally disturbed brother, Terry.

After Hunky Dory, Bowie would adopt the persona of Ziggy Stardust and found fame and fortune and the rest of his 70s would see Bowie acting out different roles, played out on his discography.

So perhaps, on Hunky Dory, fans could see Bowie for who he was – before he decided to change the face of rock music irretrievably.