The Crush is a Seattle power pop trio that isn’t afraid to list a whole bunch of old school (read: classic) rock bands as influences. The standouts for me? The Stones, The Jam, Teenage Fanclub, The Kinks and fellow Seattles power poppers The Fastbacks! On its latest EP, Future Blimps, the band delivers all the necessary ingredients to make tasty power pop viz. beaty rhythms, meaty guitars, catchy tunes and singer Kira’s appealing larynx as the cherry on top!
The five-track EP kick offs with the rollicking “Never Gonna Stop” and the trio keeps energy levels high throughout. With tracks like the jangle-y “Around”, the garage-y “Better and Better”, the sunshine-y “It’s Love” and the bounce-y “Nothing to Lose”, the agenda is clear viz. cool vibes, poppy fun and an ephemeral musical infatuation with songs that aim directly at the heart!
Future Blimps is available at Bandcamp from 21st June!
Hailing from Bueno Aires, Argentina, Baby Scream has been flying the power pop flag for the past decade or so, delivering premier Beatlesque goodness that fans of the 90s Pop Underground would have no problem appreciating. The sardonically-titled Greatest Failures compiles some of Baby Scream’s finer moments (“Slut”, “Mars” and “Morning Light” amongst them) and provides a good starting point. Deeper exploration of the Baby Scream discography is available at Bandcamp. Led by vocalist/guitarist Juan Pablo Mazzola – who himself sings with a Lennonesque authority – Baby Scream is a safe haven for the power pop purists out there who are pining for the good ol’ days of the 90s Pop Underground. Check ’em out!
It’s funky & groovy in a understated way. To these ears, there are elements of Prince & Mayer Hawthorne embedded in this slab of coolness. Oh yeah, it’s Dru Chen’s latest single “Turnaround” now available from Bandcamp. Go. Get!
I am proud to announce that my new EP – and my second official solo release – is now available at Bandcamp. You can buy the EP for US$1 until 14th March, wherein it reverts to full price. I am quite sure that #alpacablues is probably my best recorded music to date and this has been done to the fine work from my collaborators viz. Ray Aziz (percussion), Nelson Tan (upright bass), Eileen Chai (violin) and Pat Chng (recording/mixing). Not forgetting of course, the wondrous cover art from Andy Yang. Recorded in about five sessions, the songs on the EP represent a watershed of sorts for me. I have decided to put behind me the overtly melancholic sentiments evident on both Emo FASCISM and #alpacablues and move ahead to make brighter music. Already, I have in mind an electronic pop project for the latter part of 2014. But in the meantime, I hope you will enjoy #alpacablues.
Here’s a sweet, catchy and soulful fuck-off song from the ever-smooth Mark Bonafide. It’s pretty short too, clocking in at 2:53! That’s my only issue with “Issues” (ouch!) – I wish I could get MORE of its goodness! Nice interplay with Kim Olsen and Zahidah provides a riveting contrast. Taken from the forthcoming e.p. “LOVE/REBEL” it seems – can hardly wait! Check it out!
Look I believe in supporting as many different ‘genres’ as possible, especially within the S-ROCK scene but sometimes one does impose a certain bias upon musical direction and approaches. Take guitarist Matthew Lee for example. His 9-track album is instrumental rock that covers a gamut of diverse styles – hard rock, metal, pop-punk, classical and even sentimental – so there’s no questioning his eclecticism. But some of the tracks – “=D”, “I Remember Happiness” and “Strawberry Vanilla” should really have vocals and not a guitar playing what are essentially vocal lines.
No quibbling with Lee’s technical prowess whatsoever but there’s no getting over the nagging feeling that some of these tracks would be better served with vocals. Check out Strawberry Vanilla and see if you agree…