Here’s another album that fits Power of Pop’s criterion of POP with POWER! LA trio Army Navy’s third LP is chock full of unforgettable tunes allied with a 90s alt-rock sensibility that is always refreshing in this post-punk-revival obsessed times. In that respect, Army Navy (Justin Kennedy – Lead vocals, Guitar/Louie Schultz – Lead guitar, Vocals/Douglas Randall – Drums, Vocals) succeed wildly.
The agenda is straightforward enough, as tracks like the jangly “The Mistakes”, the driving shoegazy “Crushed Like the Car”, the Fannnies-imbued “Waiting to Win” and the unabashedly retro “World’s End” attest. Uncomplicated arrangements enhance the memorably melancholy pop melodies that make The Wilderness Inside essential listening for fans of gorgeous 90s alt-rock and especially good old fashioned power pop!
Oliver Mann (JPNSGRLS) was raving about Korean alt-electro rockers Love X Stereo and so upon his recommendation, I followed him to Paulaner for the band’s final gig at Music Matters Live 2014 at 1 am. What I witnessed was an epiphany! The tunes had epic pop melodies, the arrangements were tight with a post-punk revival vibe but ultimately it was charismatic vocalist/synth player Annie Ko that sealed the deal for me.
Upon further investigation, it appears that Annie and guitarist/producer Toby were both part of a ska-punk band called Skrew Attack and re-invented themselves as Love X Stereo in 2011 (and picked up bassist Sol along the way). With critically acclaimed releases Off the Grid and Flow under their belts and significant appearances at top indie rock festivals, Love X Stereo is definitely a band to explore.
Hopefully, we will be able to get PoP fans an interview with Annie soon. In the meantime, enjoy…
Singer-songwriter Sam Page does a great job at evoking the alt-rock of the 80s with nods to The Replacements, Dinosaur Jr, Long Ryders and The Dream Syndicate evident in his country-folk-powerpop amalgam. This new single keeps the fires burnin’ for all of us who remember that era fondly.
Awesome news for fans of alt-rock of the instrumental persuasion as Irish band And So I Watch You From Afar finally makes its way to our neck of the woods on Friday 28 Feb at Zouk. Supporting them will the up-and-coming progressive alt-rock outfit sub:shaman.
Yeah, more power pop/pop underground music you should be listening to if you dig sophisticated melodies with crunchy guitars and clever arrangements. Please take notes…
The last time this wonderful band released new material was 2003 – unsure whether the band still exists as the official site has not been updated since 2004! Tough being a power pop in this current environment. In any case, I need to highlight three essential LPs that need your attention. Enjoy!
I got into Lou Reed relatively late in life. 1989 to be precise – the release of the New York album, which I bought on cassette. That prompted me to investigate Reed (and the Velvet Underground, of course) in piecemeal form in the 25 years since.
As a rock scholar, it’s impossible not to recognize Reed’s importance to much of modern rock music – there’s really no point in setting out the sheer number of bands and artists that Reed had a tremendous impact on – suffice to say that Reed was influential. As a songwriter, Reed’s honesty and creative thinking was always challenging to me, with his lyric writing truly seminal.
His passing was hard to take – a sense that an era of rock music has ended. But Reed’s legacy will never be forgotten – the sound and attitude of indie pop & alt-rock bear his indelible stamp. Yes, Lou Reed may no longer be with us but his music will live on forever, something to cherish.
For the uninitiated, begin with Velvet Underground & Nico, Transformer and New York and work your way through from there.
“The music is all. People should die for it. People are dying for everything else, so why not the music?”
The early 90s were an exciting time for alternative rock. It was an epoch where edgy melodies met crunchy guitars with pummeling rhythms! Hell yes, it’s time for a 90s alt-rock revival and Williamsburg, Brooklyn’s Dead Stars have no qualms declaring their intent to evokes the likes of Teenage Fanclub, Pavement, Sonic Youth and Dinosaur, Jr. in their delightfully tuneful rock agenda.
This five-track EP is a pleasing introduction to the wonders of Dead Star’s way with a melody and ups the ante with punk, country and folk vibes headily incorporated for a intoxicating brew. The one-two knockout punch of the rollicking “Waste Away” and sensitive “Let It Go” bring out all the best feelings rock n’ roll imparts – adrenaline pumping, wild abandon and the unconfined thrill of rock songs that hit the spot!
Consisting of Jeff Moore (guitar/vocals), John Watterberg (bass) and Jaye Moore (drums), Dead Stars is a power trio of the best kind – where that indeterminable touch of cool and homespun connection meld perfectly – the ultimate godsend for rock fans out there tired of all this fucking hipster bullshit!
Nothing quite compares to a British pop band trading in the fine legacy of Britpop and being able to make the connections between The Kinks and Blur and beyond. Instant Species has been around since 1997 and according to its official site, “we’ve made music we love, played gigs to entertain people and released records with an enormous sense of pride. It’s more than a hobby but it’s far from a career and it’s always fun. We don’t have a “plan” or “bid to be” anything other than 4 blokes playing some music we hope is half decent.”
More than “half-decent” I’d say — This Rome… is the quartet’s new album (#8) and it is chock full of catchy tunes, spiky rhythms and an edgy pop smart attitude. It’s clear from songs like the languid “Rise of the Idiot”, the bouncy “Simple Repetition”, the chirpy title track and the garage-y “I Need A Little Help” that the band writes and records the kind of music it loves without any thought about trends. Essential for fans of classic British pop music.
Six years in the making, the sophomore effort of The Great Spy Experiment arrives with the band a completely different entity to what it was when I first met Saiful, Fandy, Song, Khai and Mag in the rehearsals for Singapore Day in 2007. Interim period has seen marriages, children and daily challenges with the ubiquitous work-life balance. Factor in the creative musical need of recording artists and things no doubt become complicated.