“Dare” is the first track to be made public from the Emo Fascism recording sessions which took place mainly in September last year at Patrick Chng’s excellent home studio. The album will consist of ten tracks (with two bonus tracks on the CD) and for the most part I wrote, sang, performed and produced the lot with Patrick engineering, mixing and mastering the recording. Only one other musician played on Emo Fascism (“Dare” to be specific) and I am proud to say that it was none other than Daniel Sassoon.
Daniel has of course, in the past, been closely involved with legendary S-ROCK bands like Livonia and Electrico. Of late, Daniel has been leading the instrumental rock outfit – In Each Hand A Cutlass – and is renowned for his talent and skill on the guitar. Sometime back, I had finally recorded a proper demo of “Dare” (which has been kicking around for decades – I shit you not) and sent it to Daniel for feedback. What I got was an offer to contribute guitar ideas to the track and I jumped – didn’t need to asked twice! So earlier this year, Daniel laid down his amazing guitar lines (and a mind-blowing solo) for “Dare” in a fecund three-hour session at Thom’s Loft.
And now you can hear the results! I am particularly proud of the final product and I am so excited to be able to share the first fruits of our labours with you all. If you liked what you heard, I hope you will share the links on your respective social media platforms and spread the word around! That would be so cool and greatly appreciated! Remember – Emo Fascism is due for release in August 2013.
The French rock n’ roll band known as Fuzzy Vox behaves as if no new music was made after 1969! This myopic vision provides incredible focus as this five-track EP amply demonstrates. The music here is simple yet powerful, straight-forward and visceral. If push came to shove, probably the most accurate reference point would be the first Stooges album. Sure, one could also point to the influences of the mod greats (The Who) and blues-rock legends (The Rolling Stones) but there’s a basic garage-punk energy that suggests Iggy and his band of freaks held greater sway. In the modern context, The Hives come to mind immediately and every other garage-punk revivalist you would care to mention. The scintillating cover of Jerry Lee Lewis’ “Great Balls of Fire” provides a clarity of purpose, translated well on the meaty title track, the beaty “Same Old Story”, the big “I’ll Be Gone” and the bouncy “Hurricane”. Pure & easy.
Listen to “I’d Be Gone” and the rest of the EP at Soundcloud.
First off, let me get something off my chest. The SCAPE Gallery is a horrible avenue for live rock music performance. No two ways about it – the sound was so harsh and unbalanced at the venue that I felt physically nauseous at times. Which is a pity because certainly the four bands that played at this gig deserved a much friendlier platform to showcase their music. But there you go…
There is little doubt that St. Jerome’s Laneway Festival (Singapore edition) has become a landmark indie music event in SE Asia since it made its debut in 2011. Fans from all over the region flock to our shores to catch a glimpse of indie artists/bands hand-picked by the team at Chugg Entertainment. With the recent deluge of performances available to Singaporean music lovers, it is sometimes easy to take an event like the Laneway Festival for granted. After all, it’s not often that a true blue music fan gets to watch 14 bands/artists in a single day in Singapore and for a reasonable price (especially in the context of today’s rock concert market).
Dan Chan, frontman of Xingfoo&Roy brings us his unique perspective of being a performer and audience member at Identite 8.4
I met Amir through a fellow local musician named Chris(also known as Bravepaper). After exchanging emails, Amir asked if our band would like to play at Homeclub’s Identite 8.4 and we gladly accepted!
We played Homeclub’s Big Night Out Launch party along with The Livid Suns and Deon Toh on the 25th (last Friday) and it was great. A fairy large crowd showed up and The Livid Suns kicked the party off with some of their original tracks. Ending with a cover of “Gold Lion” by the Yeah Yeah Yeahs. Their fierce musical style reminded me of comparable local acts such as Fire Away! Samson and Caracal.
Xingfoo&Roy played next and we can’t express the amount of gratitude we have towards Homeclub and the crowd. The crowd was warm and cheerful which vanished our anxiety almost immediately. The sound was also the best we’d ever had, so props to Homeclub for that! The show was amazing mainly due to the crowd as they danced and sang along to our songs. Pleasing the crowd drove us to play so much better than we ever have.
Ending the event with a mix of alternative-pop tracks was singer songwriter Deon Toh. Deon sang as his backing band complemented his songs. His creamy and soothing voice toned the mood down quite a fair bit and left the audiences bobbing their heads to a set of his original songs which included the catchy, “Little Lives” and they ended with a cover of a Band Of Horses song. Deon Toh is a very talented individual with an immense amount of soul and we hope to hear more from him in the near future.
On the whole, Identite 8.4 was a success and we’d love to thank Homeclub for being such a great contribution to the thriving local music scene.
Who are Bored Spies? Well, think of the trio (Cherie Ko, Sooyoung Park & Morfin) as some kind of off-the-wall Canadian-Korean-Singaporean musical venture that somehow perfectly falls into contemporary indie rock space circa 2013. Privileged as always to be slightly ahead of the game, I am listening to the debut single from Bored Spies and marveling at the immediacy and intricacy of the music – sweet yet brash, bold yet amiable – full of contrasting hues and yet dead-eyed focused on heart and soul.
“Summer 720” opens with a psychedelic rock motif that would not be out of place on a Jefferson Airplane record before Ko’s languid vocals pulls us violently into the present and the so-called retro-wave, where high treble guitar arpeggios provide relevant soundscapes. A brilliant summer anti-anthem for the 360 degree summer nation (720 is 360 doubled, geddit???).
“沙鼠E” is a slowburn 90s alt-rock channeling number where bass chords, guitar riffs, synthesized string attack, tempo shifts and Ko’s swooning vocals produces a bittersweet effect. With soaring musical phrases to keep one’s attention, it’s gone too soon after it begins, leaving the listener bereft and begging for more.
Bored Spies’ “Summer 720” b/w 沙鼠E will be released on 25th January 2013.
Another Friday, another Identite presented by Home Club and RSC. On 25th January, TheLivid Sun, Xingfoo&Roy and Deon Toh take to the stage for the Big Night Out Launch Party. We managed to get hold of Daniel out of Xingfoo&Roy to respond to our queries…
What is Xingfoo&Roy?
Xingfoo&Roy is a band comprised of three boys, Gabriel, Jeremy and Daniel. We’ve been playing together since early 2011 and have been writing music ever since. The reason why we love to write music is because we’d like to share our views on certain subjects in the form of musical expression. The name came about from a short story Gabriel wrote about two characters. Xingfoo and Roy. We also decided on the name, as it was a reference to Sigfred and Roy, the magicians. We wanted a local sounding band name as well feel that many local band are trying to sound western. Got to stick to your roots man.
Yes, this review of the Other Sounds launch party is a little late. Yes, I had loads of fun with friends and new acquaintances, not to mention the delivery of good good music. What else do you need to know?
Upfront let me just say that congratulations are in order to Other Sounds for hosting a fabulous party. I mean, the food was simply yummy and even though I had dinner before I came, I still managed to polish a couple of burgers and pizza slices. So kudos! And… the free flow alcohol, courtesy of Asahi was much welcomed as well. Is the indie music scene coming of age. Step by step, in the right direction.
To be honest, I never expected to write this review. Up to the point that I received the email from Peipei (LIKES Communications), I had not even heard of Hong Kong/Canadian singer-songwriter Ellen Loo. And when Peipei invited me to catch Ellen’s show at the Esplanade Recital Studio, I was feeling a bit mixed. After all, I am not, by any stretch of the imagination, a fan of Mandarin pop but I thought – “nothing ventured, nothing gained” – and I am so glad that I took the plunge.
Simon Townshend released one of the more intriguing albums of 2012, the under-rated Looking Out, Looking In. We were fortunate and privileged to be able to pose a couple of questions to Townshend via email and we set out his responses below.
As a musician/recording artist, has being the younger brother of Pete Townshend been an advantage or disadvantage and why so?
I think it works both ways. I suppose I have a lot to live up to, especially when some people expect so much of me. Having said that my name has opened a few doors that would have perhaps remained shut. I am really proud of my brother and have always loved his music / lyrics – The Who are one of my all time favourite bands. However, I have many other musical influences and my sound is unique. I think once people realise that the sibling association takes a back seat they will judge me on my own merits. At the end of the day it’s down to me and my music to win music lovers over.