It’s almost impossible for me to be completely objective about Paul McCartney & Wings and this particular DVD. After all, Wings Over America – the live triple album that was released from this tour was one of my very first album purchases as a wide-eyed 15 year-old fledging rock fan.
So it’s full-blown nostalgia as I watched this recording of the concert in Seattle in 1976 where 67,000 fans witnessed McCartney & Wings deliver 28 songs including not only the band’s greatest hits but also tunes from McCartney’s Beatles songbook!
Some of my favourite versions of McCartney’s material are featured here – “Maybe I’m Amazed”, “The Long and Winding Road”, “My Love”, “Let Me Roll It”, “Live and Let Die”, “Letting Go” and so on. Supported ably by arguably the best Wings lineup – Denny Laine, the late Jim McCulloch and Joe English – not to mention a crack horn section, Rockshow is a historic document that is wonderfully presented for audiences (old and new) almost forty years later.
Heads up, folks! This coming Friday 21st June, Esther Lowless will launch her amazing debut EP – Strange Place to Meet – at the Esplanade Recital Studio. How good is the EP? Well, I gave it 5 stars over at TODAY and it is no exaggeration to state that it is one of the best debut recordings I have heard in a while.
Not only that but Lowless has – together with talented collaborators – produced music videos to accompany each one of the six tracks on the EP. You can view these videos at her YouTube channel. My favourite is the gorgeous “Everything”, a duet with Mark John Hariman, which you can watch below.
In geek movie franchises (scifi, fantasy or superhero), going back to the beginning to re-introduce a iconic character is virtually unavoidable nowadays. In Batman Begins (2005), Christopher Nolan (director/co-screenwriter) and David S Goyer (co-screenwriter) succeeded in re-vitalizing the Dark Knight after the critical failure of Batman & Robin (1997). This success was due to Nolan’s approach to portray Batman as realistically as possible (within the context of a superhero movie) and Nolan and Goyer would bring the franchise to greater heights with Dark Knight (2008) and Dark Knight Rises (2012).
It was therefore natural for Warner Bros and DC Comics to look to Nolan and Goyer to do the same for Superman. By all accounts, Bryan Singer’s Superman Returns (2006) was a massive flop and Warner Bros was keen to turn it all around for Superman with Man of Steel. Adding director Zack Snyder (300 and Watchmen) to the mix, Nolan and Goyer applied the Dark Knight approach to Superman.
And it works.
With nods to numerous scifi movies of the recent past (Matrix, Independence Day) and a healthy referencing of the first two Christopher Reeve Superman movies, Man of Steel is,without doubt, one of the best superhero movies ever made and provides a solid platform for Warner Bros to build up the DC Universe from its foundation.
So many high points – the brilliant cast, the thought-provoking themes, the appropriate flashback sequences, the astounding art direction, the sensational special effects and dynamic film score – but the best part of all was that Snyder, Nolan and Goyer chose not to pander to the comic book audience only but instilled a science-fictional tread that ran right through the well-written plot narrative.
Considering the number of iconic films that The Rolling Stones have been associated with – Gimme Shelter, Sympathy for the Devil, Performance and Cocksucker Blues, it was simply not enough for director Brett Morgen to come up with a by-the-numbers 50th anniversary retrospective. Which, to his immense credit, he didn’t!
Fact is, Crossfire Hurricane manages to provide a kaleidoscopic perspective of events that made the Stones the living rock n’ roll legends that they are. One very crucial decision made was not to shoot the Stones as they currently are – so they only provide the relevant voiceover but visually, the viewer is never distracted from the story by how the Stones look like in 2013 (basically, old).
In this manner, Crossfire Hurricane is able to be interesting to new and old fans alike. It never comes across as a nostalgic exercise but a critical study of key events of the Stones’ career that intersected with the milestones of rock n’ roll. Thus, this documentary film is essential for longtime fans as well as rock scholars.
There can be no doubt about The Eagles‘ place in rock history. Biggest selling album of the 20th century, inducted into the Rock n’ Roll Hall of Fame, a comeback album that sold in excess of 5 million in these troubled times for the music industry and a best-selling live show that continues to run and run.
Not to mention, a sideshow of controversy that has dogged the band despite the absolute highs. The high profile suit by former member Don Felder against The Eagles and the publication of Felder’s ‘tell-all’ book, Heaven and Hell: My Life in the Eagles (1974 – 2001) has tarnished somewhat the reputations of Don Henley and Glenn Frey (the co-leaders of the band) but that has not stopped the musical juggernaut from continuing to pull in the big bucks.
This documentary – as you might imagined – tells the story from Henley and Frey’s perspective. Both men are rather dismissive about Felder in the interviews and Frey evens gets in some descriptive expletives for good measure. The fact that the duo come across smug and self-righteous leaves a very bad taste in the mouth.
The first DVD recounts the band’s rise to fame and implosion in 1980 with rare footage and incisive comments from the key players. The second DVD recounts the band’s even more impressive comeback beginning the Hell Freezes Over tour in 1990.
Of the two DVDs, the first one is the most exciting as one gets to witness the making of iconic songs (“Take It Easy”, “One of These Nights”) and albums (Hotel California) and how Henley and Frey went from backing Linda Ronstadt to having the best-selling album of the 20th Century – Their Greatest Hits (1971-1975). The second DVD, well, is simply too sanctimonious at times with the unwelcome sight of Henley and Frey justifying their arrogance – rather unwatchable at times. Overall, the excellent first DVD is worth the price of admission though.
Let me get this off my chest right from the get-go. The best way to enjoy J.J. Abrams’ Star Trek Into Darkness is to watch it in IMAX 3D, switch your brain off and simply enjoy the ride. The visual spectacle should be able to remove all your concerns about plot holes, character motivations and illogical actions.
With the Disney+ streaming being made available worldwide in February 2021, and with most of the Marvel Cinematic Universe movies collected in one convenient place, we take this opportunity to revisit past reviews of these geek-worthy movies. Here’s one from 2013 : Iron Man Three!
Iron Man 2 was only half a movie, in our humble opinion. The first half was quick-paced and exhilarating but then the wheels came off and the movie came to a tired conclusion. The sequel did well at the box office but one sensed that director Jon Favreau had lost interested in the franchise that he had kickstarted. So when it came to talk about the third movie, Favreau passed and Shane Black came onboard.
Truth be told, I was excited when I saw the first trailer for sci-fi Tom Cruise action movie vehicle Oblivion. It looked intriguing. Of course, a trailer really does not tell you anything about the movie itself. I was also excited by the fact that Oblivion was an original premise (based on a story co-authored by director Joe Kosinski) and perhaps was hoping that it would be as good as District 9, Moon or Inception.