Day: December 21, 2014

GEEK OUT! LOW BUDGET, HIGH CONCEPT FILMS THAT WORKGEEK OUT! LOW BUDGET, HIGH CONCEPT FILMS THAT WORK

DIST9_TSR_1SHT_3

In this day and age, when computer-generated imagery (CGI) is able to create the most outrageous special effects for movies, it is ironic that instead of engendering more creativity, CGI has become a crutch for film studios/producers/directors. Thus, CGI has replaced effective story-telling, dazzling audiences with visual gimmicks that provide superficial gratification for the eye without anything left over for the soul.

Whilst CGI has certainly benefitted the super-hero movie genre the most, it has also at times marginalized the strength of super-hero stories to begin with – strong characters and plot. Recent casualties of this trend include Man of Steel and Amazing Spider-Man 2, where the sheer massive scale of the battles begins to wear on the filmgoer and taxing that tenuous suspension of disbelief. And please do not get me started on the Transformer or Hobbit movie franchise.

Invariably, scifi geeks (like yours truly) have had to search for high concept flicks with low budgets where directors & writers have had to resort to creative means to tell an effective story. Thankfully, there have been quite a few in recent years that fit this description. Here’s a handy list for your reference (not necessarily in order of merit).

District 9 (Directed by Neill Blomkamp)

(more…)

CARACAL: WELCOME THE IRONISTS ALBUM LAUNCH: THE POWER & GLORY OF SINGAPORE ROCK!CARACAL: WELCOME THE IRONISTS ALBUM LAUNCH: THE POWER & GLORY OF SINGAPORE ROCK!

Caracal-Live

Photo taken from the Caracal Facebook page.

Pride. I guess that was the emotion coursing through my veins as I watched Caracal deliver a set full of passion, dynamism and yes, even fun last Thursday at the launch of the new album, Welcome the Ironists, at the Substation.

The sold out concert attracted many familiar faces from the indie music scene but it was encouraging to see strange new faces, evidence that the scene is also appealing to newcomers, a very good sign.

I first caught sight of the band during Baybeats 2007 and it’s safe to say that Caracal is a totally different proposition as we come to the end of 2014. As they have grown older, the music has become slower and deeper, with tidy references to 90s grunge (Alice in Chains, Soundgarden, Screaming Trees et al) cementing the band’s burgeoning reputation.

The prime examples being “God Damn Tree”, “Divergence” and “Entrepreneur” where the band displayed an unprecedented emotional heaviness. But the highlight for me was probably when singer KC Meals dedicated “Given Breath” to all the band members’ parents – a touching moment that resonated.

Another high point – the encore that included crowd favorite “Cheers to Love” when audience and the band truly become one. Yet again, a spine-tingling memory to cherish. All told, a thoroughly satisfying rock experience. Kudos.

Thanks to Kitty Wu Records for making this review possible. 

Facebook: http://www.facebook.com/caracalnoise
Twitter: http://twitter.com/caracalnoise
Instagram: http://instagram.com/caracalnoise
Website: http://www.caracalnoise.com