Truth be told, I have been listening to Silverbird‘s fine new EP, Surface Life, quite a bit of late. There is something about these five songs that have got be somewhat entranced. Superficially, it all seems very contemporary (i.e. hipster) – with its folky acoustic guitars, the singalong nature of choruses and so on. But of course, it’s more than that. In fact, it has more to do with Silverbird’s penchant at channeling their inspirations – 90s bands like Wilco and Sparklehorse – where alt-country moves into even edgier art-rock territory.
Two songs stand out for me. “Honey You’re” where electric keyboard riffs collide with shimmering guitars and a atmospheric choral hook that seems to stretch for miles. And “Silverbird”, where a throbbing bass stomp anchors a jangle pop vibe so that singer Tim Barr can suspend a fragile vocal above. The closing “When We Went to the Country” sums up Silverbird’s game plan – dreamy, ambient roots rock that drones like the Velvets when it truly needs to.
This is exactly where indie rock should be heading – into the fucking ditch! The future of rock ‘n’ roll and that jazz. Seriously.
“A sphere is an ultimate expression of unity, completeness, and integrity” – so begins Sphaeras’ self-description! So it’s certain that its responses to our FIVE questions about Baybeats 2014 should be a hoot!
Why should fans check out your performance at Baybeats?
We are the only instrumental band to have made it through the auditions; we offer an entirely different brand of music that (we hope) will reshape your opinion on instrumental music. Our live performance on the big stage is guaranteed to be full of energy, emotions and spontaneity. Words often inadequately encapsulate how we sound live, so check us out at Baybeats, (best of all) for free!
Why are you excited about playing at Baybeats?
As an event that we have attended religiously, we have seen many great bands/artists grace the stage over the years. It is exhilarating to have been privileged with this opportunity to introduce our music to an audience of a size we typically wouldn’t reach. Additionally, we get to watch and play alongside fantastic bands that include fellow budding acts Stopgap and False Plaintiff.
Why do you think you were selected to play for Baybeats?
From what we have gathered, the judges were especially impressed with our display of music technicality and also our ability to deliver complexity in a natural, seamless form. The judges were also impressed with our standard of performance during the outdoor audition – remarking that we had ‘set a high bar’ – considering that it was actually our first time playing in front of a live ‘audience’. Interestingly, Zakhran Khan, in all his glory, was ceremoniously compared to Bani Hidir (B Quartet, 53A, Youthwreck) repeatedly for his unmistakable prowess.
If you had to choose just three bands to watch at Baybeats, which bands would they be and why?
1. Giants Must Fall: It has been ages since we’ve seen them play and we really dig their Leprosy and Anchor EP. Can’t wait to hear them live. 2. Earthmover: Our friends from Anechois and Bandwagon gave some great reviews of them from their trip to the Philippines. We weren’t disappointed with their material online and are sure they will be awesome at this year’s Baybeats. 3. Two Million Thanks: They have their own twist of the math rock genre and a kickass music video. It would be interesting to witness them live.
When and where are you playing at Baybeats?
We’ll be playing on Friday, the 27th of June, 8 – 830pm at the Arena (Esplanade Outdoor Theater).
After a successful Music Matters Live in Singapore last month, JPNSGRLS were back on the road playing in Toronto for NXNE and as usual, the guys documented the experience with tour diary videos. Check ’em out! Review of debut full-length Circulation coming very very soon!