JENIFEREVER Silesia (Monotreme)
There’s more to Sweden than ABBA?
Apparently, there is. My grasp of Swedish entertainment is limited to ABBA, The Hives, The Seventh Seal (awesome movie) and Christina Lindberg (Google her!).
So here’s Jeniferever’s 3rd album, Silesia. The Swedish quartet serves a smorgasbord (heehee) of musical dishes. Think of Sigur Ros’s orchestral atmospheres, Explosions in the Sky’s shoegazing tones and a untidy Brian Eno. It’s hard to define them; not that we need to.
The 9-track album delivers beautiful soundscapes; painting scenes of snow, rain and foggy windows. Melancholic, ethereal, oddly uplifting and subtlety melodic; how can one not look out the bus window melodramatically?
The opening eponymous track feels dystopian as it crawls towards a mellifluous oceanic climax. Where The Hills Fall Towards The Ocean is positively haunting. The poppy Dover is for nights with glow-in-the-dark stars on bedroom ceilings.
Silesia has its downs. Such lush sounds demand strong vocals for anchor. That’s absent.
Certain tracks are cruelly disappointing and aimless; like U2’s With Or Without You but without Bono’s cry. After repeated listens, the album drifts into boredom.
It’d be a better album if it was purely instrumental. However, it’s Jeniferever’s ambient sounds that makes Silesia special. I’m a fan.
(Hydar Saharudin)
Official Site
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