Zallen (aka Mike Jones) has been laboring as an alternative pop artist for 15 years now and I have been awfully privileged to have been one of the few ‘in the know’. Zallen is a pop alchemist – able to take key 60s/70s pop influences and transform them into something personal and unique.
This is obvious from the get-go. The opening track of Zallen’s latest album – “Which Way Up” – manages to splice together the DNAs of 60s psychedelia (Barrett’s Pink Floyd, The Move and Traffic) with 70’s powerpop (Raspberries, Cheap Trick), not to mention a healthy dose of Bowie.
Ah yes, Bowie. This time around, it seems that Zallen has filtered much of the songwriting, arrangements and instrumentation through the lens of the legendary iconoclast. Tracks like “Grime”, “Stolen” and of course, “Bowie The Android Boy” are the clearest examples of this approach, without ever sounding outright derivative.
Indeed, Zallen utilizes Bowie’s penchant for eclecticism to spur him into expansive territory as the clean and uncluttered pop sounds of “Happy Puppy” and “Shy Boy” provide a wonderful contrast to the darker, buzzier compositions that pervade the album.
The CD comes with bonus enhanced portion with video, photos, lyrics and Zallen’s excellent artwork as well.