CHECK OUT RAGNAROK FOR ESTHER LOWLESS’ MESMERISING PERFORMANCE!

Ragnarok

Am not much of a theatre-goer but my main interest in covering Ragnarok has always been the fact that Esther Lowless would be acting and singing her original compositions within the body of the play itself. A unique opportunity to catch Esther in an entirely different creative environment.

According to its press release, “Ragnarok serves to confront its audience with difficult questions about issues of identity, power and illness that have evolved within the global gay community” but what makes the play ambitious is the concept of using Norse mythology and the apocalyptic myth of Ragnarok as an allegorical device. Of course, to appreciate this, one would need to understand Norse mythology to begin with and it’s much more than that hunky God of Thunder in the Marvel movies (and yes, the next Thor movie is sub-titled Ragnarok as well)!

So I reiterate that the purpose of this review is not really to evaluate the merits of the play per se, although I did find it intriguing if somewhat overwrought with the performances uneven. Instead, I focus on Esther Lowless. She plays Hel (in Norse, mythology, a being who presides over a realm of the same name, where she receives a portion of the dead), the bartender and musical performer at gay bar, Asgard. Her role is mainly as a passive observer and commentator (through the music performances) although Hel does have her moments as agent provocateur.

The key challenge for Esther is that Hel is on stage throughout the entire duration of the play! Thus, there is no break for Esther whatsoever! In that respect, she performs admirably combining her acting with musical performances superbly with wonderful new songs that imbue the play with much gravitas and emotional resonance. Some of my favourite moments – when the cast joins with Esther for bizarre singalongs – the play takes on the tone of a cracked musical – unsettling but transcendent at the same time!

There are 3 more performances of Ragnarok. Saturday 18th is sold out but tickets for tonight and Friday night are still available at time of press. Don’t miss this #sgindie music lovers!

Get your tickets from http://www.skinnedkneeproductions.com/productions-ragnarok.html

MICROMANAGE OVERWORK EXAGGERATE

 

MOE Poster

Micromanage Overwork Exaggerate (MOE) is a theatre production about Singaporean education that is set to run from Thursday 31st July to Saturday 2nd August. According to its press release, the play “seeks to explore the unspoken sides of education, from the mouths of those with no recourse to honest dialogue. Using material from interviews with a wide range of teachers – primary to secondary, in-service to retired, elite independent schools to neighbourhood institutions – this semi-docudrama aims to give voice to the true experiences, struggles and successes of some of our nation’s most invisible heroes – our teachers”.

Sound intriguing? Then get your tickets ($20) from Eventbrite.

Details:
Written by Marcia Vanderstraaten
Directed by Christopher Fok
Performed by Lian Sutton, Jasmine Xie Huilin, Christopher Fok and Marcia Vanderstraaten

More information.

ANNIE – REVIEW + INTERVIEW

Ella Crossland shares the role of Annie with two other girls, Katie Howard and Charlie Hall (not pictured)

A crowd of people dressed in rags and whatever they can find to weather the city winter gather. They pull tight amongst themselves and share whatever warm food they can find.

They speak and commiserate in equal misery. They sneer and jeer and they sing sarcastic plaudits to the former president for his part in driving the country off a fiscal cliff, into poverty and economic wreckage.

A little orphan girl tries to cheer them up.  Before anything can be done, however, the police crack down tight. This city must not tolerate its own uglier underbelly.

An account of the Occupy Wall Street movement from last year?

Continue reading “ANNIE – REVIEW + INTERVIEW”