In 2011, I interviewed White Lies‘ Jack Lawrence-Brown ahead of the trio’s debut performance in Singapore. However, the concert never happened. Two years later, I will be watching White Lies playing at a private event and thought it would be a good time to dig out the interview that never ran at TODAY for the sake of completeness.
KM: Congrats on the new album (2011’s Rituals), people usually say that 2nd albums are difficult ones, was it true in this case?
JLB: I think it wasn’t really the case. Maybe we were lucky or maybe it’s different for other bands but for us it was a much easier album to make than the first record and also a lot more enjoyable. It was a process we all really enjoyed getting into. And we were really worried about making a 2nd album but it actually happened quite naturally for us.
… and we’re back! Power pop is the original basis for this webzine’s existence so I thought it’d be appropriate to highlight all you needed to know about the foundations of true-blue original POWER POP. Enjoy…
Thanks to the Breaking Bad finale, Badfinger is back in vogue. This British band originally consisted of Pete Ham, Ron Griffiths, Mike Gibbins and Tom Evans and were signed by The Beatles to Apple Records in 1968. Badfinger had four consecutive worldwide hits from 1970 to 1971: “Come and Get It” (written and produced by Paul McCartney), “No Matter What”, “Day After Day”, and “Baby Blue” (the song featured in that Breaking Bad finale).
I have been using Spotify quite a bit since it was officially launched in Singapore. Of course, the streaming music app isn’t perfect (it doesn’t have any Beatles music for instance) but it has certainly helped me to get in touch with obscure music once again and I wanted to take this opportunity to share the same with you in this column.
First off, we have the eponymous debut album of The Waterboys. I remember first hearing this in the early 80s and feeling that it was highly spiritual folk-pop-rock music that was epic and earthy at the same time. Apart from this wonderful debut, one should also check out A Pagan Place and Fisherman’s Blues.
Lloyd Cole & the Commotions was a breath of fresh air when its debut album – Rattlesnakes – was released to critical acclaim in 1984. The band never quite took off despite the success of the debut and Cole eventually went on to a fairly viable solo career.
Finally, Canadian singer-songwriter Bruce Cockburn has had a 40 year illustrious career but has remained fairly obscure outside of his homeland. His eclectic style has seen Cockburn embrace such genres as folk, jazz, reggae, new wave and rock n’ roll with great aplomb. This playlist is a collection of some of my favourite Cockburn tracks and serves as an excellent introduction.