It’s always intriguing to have two opposing ideas build up to a contrast in a music video. And this is why the music video for THELIONCITYBOY’s new single “All Night Feat Sezairi, Mr Boo” works despite the inevitable clunky acting.
The song itself is quite lightweight pop with local crooner Sezairi providing the sweetness but there is a edgy underbelly when you appreciate where THELIONCITYBOY’s lyrics are coming from. It’s a refreshing take on hip hop’s usual concerns about partying and hooking up with the opposite sex.
The video is altogether a different proposition. Ostensibly, it may seem corny and cliched to come up with a horror story before Halloween but it seems that the zombie motif is really a deep commentary on relationships and it resonates when the actress involved is THELIONCITYBOY’s own better half, Aarika Lee.
I mean, that scene where she’s asking her zombie partner why he’s so slow (riding his bicycle at the beach – what a twist on the cliche!) is hilarious. So when the ending comes, it makes so much sense and the viewer is nodding in a knowing agreement. Which is why I have always appreciated THELIONCITYBOY’s work – it lures you in with superficial hip hop tropes but then slays you with a meaningful thought-provoking message.
The Quartermasters want the music to speak for itself – no hype, no labels, just the music. On that count, this debut EP should be enjoyed on its own merits. By and large, it will be.
From a reviewer’s perspective, stripped of the need to pigeonhole this music, it is obvious that the Quartermasters’ goal was to make emotionally resonant music and again, on that count, they have succeeded.
For the bulk of the EP (viz. “The Harlot Train”, “Catch on Fire” and “Invincible”) reflects the influence of country-folk music that runs across the past five decades. Whether or not this music has been somehow appropriated by modern indie-pop fans (due to the popularity of Noah & the Whale, Fleet Foxes and Mumford & Son), there’s little doubt that the ‘age’ of the reference points have not impacted on opinions of millennials who have adopted this kind of music as somehow relevant and suitable modern pop.
Which goes to prove that folks still judge a book by its cover. Form over substance.
But these extraneous concerns are moot when one comes to the gorgeously soulful “Worry”, which manages to insert jazz-inflected harmonic progressions within its generic country-folk construct. No mean feat and at over six minutes there’s a whole lotta country-soul to enjoy!
In my preparations for week 3 of WRITING ABOUT ROCK MUSIC, I had to conduct research on electronic music subgenres and re-discovered my love for 90s UK Techno. Interestingly enough, after Synthpop had tipped over into saturation in the late 80s, I had sworn off electronic music but the discovery of Aphex Twin (above) re-ignited my interest in all things electro again.
Compared to the popular electronic dance music of the modern era (viz. Trance, Hardstyle and House), 90s UK Techno seems to be an artistic expression and not merely serving as pure dance music, with exponents of the genre dealing with both electronics and sampling very creatively.
With that firmly in mind, I put together 40 of my favourite electronica tracks with a bias towards 90s UK Techno viz. Chemical Brothers, Orbital, The Prodigy, Future Sound of London and of course, Aphex Twin. This, to me, is what electronica is all about – so, please enjoy and share!
Will we ever see a band like Nirvana again? It’s hard to believe that the Nevermind album – which changed the face of the music industry in the early 90s – is now 24 years old! And since the decline of rock ‘n’ roll music in the late 90s, no other rock band has come remotely close to replicating the impact of Nirvana. Yes, we have had successful rock bands since viz. Nickelback, The Strokes, The Killers, Arctic Monkeys, Coldplay et al BUT relatively speaking, these have been minor successes when compared to the seismic pop culture impact of Lady Gaga, Katy Perry, Beyonce and the like. Artistically as well, most of these aforementioned bands have failed to deliver.
Curiously enough, the last time critics declared the demise of rock ‘n’ roll was in the late 80s, when Michael Jackson, Mariah Carey and Whitney Houston ruled the roost, but as the wheel turned rock bands like R.E.M., Nirvana and the Seattle grunge scene ascended to the top of the charts. Well, it’s almost 25 years now and there appears to be no sign of rock ‘n’ roll ever returning to those levels of influence in the mainstream pop industry.
Still, that does not mean that good rock ‘n’ roll music (whether in the guise of pop-rock, indie pop, hard rock, electro-pop, blues rock, garage or punk) wasn’t being made in the last 15 odd years, it’s just that the environment of the music industry has been altered so drastically that it is virtually impossible for what happened in the early 90s to occur once again. The decline in record sales, the rise of singing contests (American Idol, X-Factor etc) and the ubiquity of Youtube, has meant that the major labels have had to hedge their bets and cynically control the musical output and fan appreciation thereof.
This has resulted in the most basic pop formulas viz. hip-hop/R&B accounting for the lion’s share of the chart action. These are 3 of the top 5 singles on Billboard’s Hot 100 right now.
The one main thing connecting all three singles is a highly designed discipline to present the melody/rhythms as simplistically and repetitively as possible so that the hooks are very easy to remember. A deliberate lack of musical sophistication that dumbs down to the lowest common denominator creating an audience that is not able to appreciate anything that does not sound like what it hears on a non-stop basis on the radio. The perfect marketing tactic.
In fact, guitar rock is totally absent for the Top 20, with the nearest example being Maroon 5, and even though the music video for “Sugar” shows the band with guitars, it does not sound like there are any guitars on the song itself! In fact, it adheres greatly to the hip-hop/R&B formula with Adam Levine’s vocals heavily auto-tuned. Talk about soul-less! Going down the rest of the chart will depress any fan of rock ‘n’ roll with the genre’s utter lack of representation.
So, are the rumours true? Is rock ‘n’ roll dead? Well, not at the grass roots level of course, as both in the USA and the UK, there continues to be scores of bands who create great rock ‘n’ roll music, it’s just that even with the oft assumed ability of the internet to connect bands and fans, it’s the major labels leveraging on radio stations, streaming services and Youtube (again!) who will have the attention of mainstream music fans.
There’s the rub. If the major labels feel that the new rock ‘n’ roll have the fan base to make them sit up and notice, then they might feel the need to throw money that way. The question is — will the youth of today ever get tired of the formulaic pop stars being paraded before them? Will they ever hunger for something different enough to alter their listening habits? The signs have not been encouraging. The irony is that whilst the internet is always being trumpeted as the champion of free and alternative choices, the harsh reality is that the internet is still ultimately the tool of our corporate masters to dictate what food we should eat, what clothes we should wear and of course, what music we should listen to.
However, for those of us who are able to think critically for ourselves, the internet provides a means of escaping these corporate shackles and we can only do this by supporting the bands that do not conform to the grand masterplan of our overlords. Then, these bands might have the opportunity and liberty to create the kind of music we desire and love. So, is rock ‘n’ roll in a crisis? Not if rock ‘n’ roll fans continue to support the right bands and be evangelistic about the music they love.
Yes, PoP visitors, the ball is in YOUR court…
In the meantime, check out the Power of Pop playlist at Spotify highlighting 30-odd British guitar rock bands you should be supporting! Please FOLLOW!
Here are six new releases – spread across the three streaming services (based in Singapore) – that get the Power of Pop Recommendation!
YOUNG BUFFALO – HOUSE
The album opens with a deceptive synth-pop motif before morphing into a Vampire Weekend cliche before the gorgeous melodic power pop channeling chorus kicks in! Inventive chord progressions, bouncy energy and stack o’ tunes marked this as a winner! https://www.facebook.com/youngbuffalo
It’s a bit surreal to be writing about these KAMCO Music re-issues. Simply because both releases came out more than 20 years ago! It’s seems unreal to think that two decades later, I am able to make them available to the world in a manner that was impossible in 1993/1994. Does the world really need these re-issues, probably not but it’s not about that. Rather it’s more about the historical significance of these releases in the context of my life and that of the Singapore music scene.
For me personally, as a musician who grew up in 70s Singapore when rock ‘n’ roll was suppressed by the authorities, it was difficult to conceive of a local music scene that would accept my original music but thankfully that happened in the early 90s (in my early thirties) with Democracy and Love. That scene now appears to be light years away from where we stand now – and thank GOD for that too! Listening to the music now brings upon me waves of nostalgia and if any of this resonates with you then you can head on down to the various links below and I appreciate your support for all these years.
I want to take this opportunity to thank the kind souls who helped to make Democracy and Love whatever they might mean to folks now – Tony Makarome, Patrick Chng, Ben Harrison, BOSS Studios, Odyssey Records and of course, Eric Khoo.
What makes new music worthy of anyone’s attention? Is it merely the fact that it’s contemporary and in a style and fashion that is popular and trendy? The pop music scene prizes glitzy superficiality over substance of any form to such an extent that the very art and craft of songwriting is in danger of withering away and going the way of the dinosaur.
Which is why every now and then, the discovery of a new singer-songwriter that adheres contrarily to the classic formats of 60s and 70s pop-rock is like a breath of fresh air, in a heavily polluted environment. Thus, ladies and gentlemen, in the background set out before, we give you Max Jury.
Jury released 2 EPs in 2014 – Something in the Air and All I Want: The Sonic Factory Sessions – and these seven incandescent songs represent some of the most promising rock ‘n’ roll (in the classic sense of that term) material of the last decade or so.
Songs like “Christian Eyes”, “All I Want”, “Black Metal” and “Something in the Air” uncannily channel the likes of John Lennon, Gram Parsons, Alex Chilton, Todd Rundgren et al through the razor-sharp perspective of a 21 year old American singer-songwriter.
We managed to get in touch with Max and he kindly responded to our queries.
How does a 21 year old get into someone like Gram Parsons who died 20 years before you were born?
I’m fascinated by the story and myth of Gram Parsons. I originally got into his solo work through Ryan Adams. And then I started listening to The Flying Burrito Brothers and his work with The Byrds.
NOEL GALLAGHER’S HIGH FLYING BIRDS – CHASING YESTERDAY
For some reason, this latest album from the ex-Oasis man sounds uncannily like Pink Floyd! Unfortunately, it’s the post-Roger Waters version – probably the poorest incarnation of the legendary band – with several guitar passages echoing the work of Floyd’s David Gilmour. It’s still more listenable when compared to most new modern rock though and that’s an inditement.
OF MONTREAL – AUREATE GLOOM
Speaking of Pink Floyd, psych-pop veterans Of Montreal returns with a smashing new album demonstrating that the influence of Floyd founder Syd Barrett continues to resonate strongly with the band. Fans of chronic psychedelia need to have some Aureate Gloom in their lives!
Regular visitors to Power of Pop will be aware of my obsession with British pop-rock, from The Beatles to the Who to the Kinks to the Stones and on and on and on… Since the end of the 90s (and the demise of Britpop), I have always been hoping for a revival of British pop-rock (and I do not mean the post-punk revival like The xx! Ugh!!)
Well it’s now 20 years since the heyday of Britpop and surveying the British pop-rock scene in 2015, there appears to be a couple of promising acts that hopefully will make the grade to generate enough buzz for this particular brand of pop-rock to dominate once again. In fact, I have found 20 bands that fit the bill completely – check out my playlist below and do let me know if you have other recommendations?
The Campbell Apartment, named after a bar hidden inside New York’s Grand Central Station, is the brainchild of Russian born singer-songwriter and oil painter Ari Vais. Ari’s new Sundogs EP is the proverbial breath of fresh air in a modern rock scene obsessed with superficialities. No such issues with Vais and his straightforward musical agenda. The songs take top priority – memorable melodies and relatable lyrics – clothed in classic pop-rock arrangements and instrumentation. Tracks like “Something in the Way” and “Heroic Audio Display” hearken back to a kinder & gentler times (the 90s), the last hurrah of the Pop Underground, where thought and effort are put into communicating a genuine emotional resonance through words and tunes. By the time one gets to the music hall jauntiness of final number “What Do You Think Of That”, it’s easy to feel a sense of regret that there isn’t more. But that’s the harsh reality of releasing marginalised forms of music in 2014. So if you love songs that balances intelligence with musicality, support The Campbell Apartment and the Sundogs EP! Find out below how and why Ari Vais does what he does!
How did you start writing songs?
I must have learned how to play guitar well enough as a 10 year old to learn a bunch of Beatles songs by the time I was in high school, and then Floyd, Zeppelin, finally some REM and Lou Reed songs, and then around 16, a slew of my own songs where the burst of writing didn’t cease until recent years. I still write but not as prolifically. I guess when I started as a teen, the tunes were based on traditional chords, as well as chords that I had no idea what they were, where my fingers were just doing some formation that happened to sound cool and go with the song, because I still didn’t know my way around a guitar that well, and trying for clever words or earnest poetic ones, hopefully with a tiny dash of humor, and a strong melody. The last bit was the most important, and very much still is.
Alright. This is a lil embarrassing but late last year Spotify made Power of Pop a ‘Tastemaker’ with a new account and despite my best efforts (?), so far we’ve had only 10 (!) followers. Shameful!!
So I am still pushing this the best way I know how – by working hard at putting together more playlists that I imagine would interest the kind folks who visit us every day. Recently, I have focusing on PoP Legends – artists whom we believe deserve that accolade so here’s what we have so far. Enjoy, spread the word and FOLLOW!
It’s a new month – the best month of the year! So what’s new out there?
BUTCH WALKER – AFRAID OF GHOSTS
When pop-rockers venture into the country-folk space, most of time if their heart is in the right place, it can be pretty magical. Butch Walker proves this at least, with his new solo album. Gorgeous country-folk which recalls Neil Young and name checks Chrissie Hynde. Recommended.
Oops! Missed a week!! So let’s discover a fortnight’s worth on Spotify.
THE DECEMBERISTS – WHAT A TERRIBLE WORLD, WHAT A BEAUTIFUL WORLD
Welcome back! The Decemberists represent old school pop-rock values where folk and country music are twinned with alternative rock mindsets. For this new album, Colin Meloy and company also recall their early indie-pop days with bright tunes like “Calvary Captain” and “Philomena” standing out from the stellar quirky country-folk pop fare. Essential!
On January 20th, These Brittle Bones (aka Chris Jones) will be releasing the first part of his double EP, which will be called Hiraeth Part 1: The Bedroom EP, part 2 will be released in February and is called The Studio EP. Part 1 will be exclusively available to stream on Spotify, with each track being released a week apart until the whole EP is available. The EPs will also be accompanied by personal commentary by Chris and various visual aspects which add to the experience.
Check it out on Spotify, where you can now listen to “Remain”, a sparsely atmospheric track that is quite a departure from Jones’ previous works.
What’s new this second week of the year? Let’s check in with Spotify, shall we?
MARK RONSON – UPTOWN SPECIAL
Fairly old school soul in tone from the British famed producer. Actually though the album’s introductory track was a rip off of Stevie Wonder, when it’s the man himself. Doh! Probably the hipster-est release this week.
In celebration of The King, Spotify has created The Elvis Influence, a web app that connects any artist to Elvis based on artistic influence, as well as an Elvisulization audiographic that maps his influence to famous artists of today. By entering any name into the web app, you can see and hear how they have been influenced by Elvis, directly or through other artists.
Only one contender for PoP Album of the Year. JPNSGRLS epitomizes the best hope for the continuing history of Rock ‘n’ Roll even as the tsunami of prefabricated pop threatens to wipe our beloved music off the face of the earth. Nothing remotely hipster-ish about Circulation and thank GOD for that! Find out why below!!
Seems appropriate to start this series with Bob Dylan, doesn’t it? Considering that The Beatles are currently not on any streaming service, Dylan deserves top billing. After all, can one imagine talking about singer-songwriters without mentioning Dylan’s massive influence?
The man is the very definition of the modern folk troubadour but more than that, Dylan’s legacy extends to rock as well, of course. For me personally, I remember hearing Dylan on the radio when I was a kid – especially his well known early folk songs but I really got into his work (ironically enough) – with his controversial Christian conversion album Slow Train Comin’ (1979), which explains why I kick off the playlist with “Precious Angel” (which also features incandescent guitar work from Dire Straits’ Mark Knopfler). Including “Make You Feel My Love” was necessary to provide Dylan’s continuing relevance as Adele’s cover version proved conclusively. The rest of the playlist focuses mainly on his seminal 60s/70s works. Enjoy!
Regular PoP visitors will be aware of my affection for Vancouver band JPNSGRLS and that their debut album, Circulation, is one of my faves of 2014. So, was pretty stoked to take a look at their latest MV for the title track, which is really hot! Frontman Charlie Kerr literally bursts into flames on this one and reflects perfectly some of the best lyrics seen this year.
“Like I’m counting Mississippis til it’s convenient/You say I’m nothing baby, we’re in agreement”.
Check out the video below and listen to the LP at Spotify!
A week away from the deadline for our Power of Pop – Spotify giveaway! A premium account (for 6 months) awaits. Submit your playlist of 12 favourite songs for 2014 to info AT powerofpop DOT com before 30th November to stand a chance of winning. In the meantime, follow us at Spotify and enjoy our curated playlists.