Back in 2015, we reviewed the Swervedriver comeback album, I Wasn’t Born To Lose You.
“Yet another welcome 90s rock reunion. Though frontman Adam Franklin has been delivering competent 90s-channeling modern rock for some time now, it’s a pleasure to have the shoegaze pioneers back together and doing what they do best. Essential for all post-punk revivalist hipsters.”
After the appearances of British dream-pop rockers Slowdive and Ride to enthusiastic audiences, it makes sense for the reformed Swervedriver to come our way as well. Especially when today’s youngsters revere the modern-day post-punk revival bands you’d find at Laneway or Neon Lights.
Date: 15th May
Venue: Hood Bar & Cafe
With the likes of Laneway Festival and Neon Lights Festival providing healthy competition, Singapore’s original alternative music festival, Baybeats, returns with a lineup of regional acts that will fit almost every discerning alternative music fan’s taste. Kudos to The Esplanade!
In their fourth live appearance in Singapore, Copeland tugged on the heartstrings once more. It’s been six years and for this comeback, the band gave its loyal and adoring fans a special night – a set list of songs handpicked by fans themselves.
Fans get upset when one of their favourite bands break up but nowadays it does seem that these breakups are more of a hiatus, and the band can always come back re-energised for that reunion tour. Add Copeland to the list! The alternative rock band (consisting of Aaron Marsh, Bryan Laurenson, Jonathan Bucklew and Stephen Laurenson) are not only back but will return to Singapore for their fourth concert. We caught up with Marsh via email.
There was a Farewell Tour and now Copeland is back. Why?
The band broke up in 2010. We all wanted to follow different paths, start new businesses, focus on families, and things of that nature. 5 years later, we all felt like there was still more we wanted to do with Copeland’s music.
The Projector is celebrating the 20th anniversary of Eric Khoo’s Mee Pok Man this April with a few screenings of the iconic film along with his earlier short film Pain and a couple of talks and panels hosted by the Asian Film Archive.
Though regrettably it would be the last chance that Singapore would get to experience Funeral for a Friend, their farewell gig at the Scape Ground Theatre was a fitting closure to their 15 year long journey in our history.
One of the pioneering indie rock concerts in Singapore took place way back in January 2009, when a gobsmacked STARS played a sold out concert at the Esplanade Concert Hall. That concert established firmly that there was a strong market in Singapore for indie rock and the rest is history…
At the launch of the seventh edition of Troy Chin’s The Resident Tourist held at Books Kinokuniya, the author himself mentioned to me that my reviews of his books are ‘biased’. Meaning that my glowing assessments of his work are somehow less than objective due to the fact that I appreciated their intrinsic value as art.
With the new year beckoning, Laneway Singapore 2016 is a month away and over the next few weeks, Power of Pop will give you the lowdown on the TWENTY-ONE artists who will grace the occasion on 30th January (in alphabetical order).
The amount of new music releases in 2015 is staggering. And it’s basically impossible to be able to listen to everything out there. But when it comes to Singapore Rock, well then it is possible to almost do just that.
Thus, a justification for this list – our recommendations for those of you who have recently come aboard the S-ROCK train. Welcome to the rest of your life!
Saving the best for last? I must confess that this spanking new EP from Cashew Chemists might very well be tied for best release of 2015 with Cheating Sons’ eponymous sophomore effort. Mainly because of its doggedpersistence in the pursuit of old school pop-rock excellence.
The new kid on the block, Neon Lights sought to cover as much ground as possible in terms of appealing to the broadest demographics. Presumably, this was deemed necessary by Neon Lights to distinguish itself from the other big-scale music festivals in Singapore viz. Laneway and The Gathering (formerly Hostess Club Weekender).
To that end, Neon Lights featured comedy, arts and children entertainment, possibly in an attempt to encourage families to make it a day (or two) out for the weekend.
I am listening to the Letters to Ubin EP and smiling to myself because I am thinking of how a critic/observer of the local scene slammed iNCH’s music for being ‘soft’ and ‘not edgy’. Fact is that could not be further from the truth. Perhaps that critic was fooled by iNCH’s public persona! Certainly, there are numerous elements of Letters to Ubin that most casual listeners would consider too arty and indulgent — definitely ‘edgy’!