Fans get upset when one of their favourite bands break up but nowadays it does seem that these breakups are more of a hiatus, and the band can always come back re-energised for that reunion tour. Add Copeland to the list! The alternative rock band (consisting of Aaron Marsh, Bryan Laurenson, Jonathan Bucklew and Stephen Laurenson) are not only back but will return to Singapore for their fourth concert. We caught up with Marsh via email.
There was a Farewell Tour and now Copeland is back. Why?
The band broke up in 2010. We all wanted to follow different paths, start new businesses, focus on families, and things of that nature. 5 years later, we all felt like there was still more we wanted to do with Copeland’s music.
The Projector is celebrating the 20th anniversary of Eric Khoo’s Mee Pok Man this April with a few screenings of the iconic film along with his earlier short film Pain and a couple of talks and panels hosted by the Asian Film Archive.
Though regrettably it would be the last chance that Singapore would get to experience Funeral for a Friend, their farewell gig at the Scape Ground Theatre was a fitting closure to their 15 year long journey in our history.
One of the pioneering indie rock concerts in Singapore took place way back in January 2009, when a gobsmacked STARS played a sold out concert at the Esplanade Concert Hall. That concert established firmly that there was a strong market in Singapore for indie rock and the rest is history…
At the launch of the seventh edition of Troy Chin’s The Resident Tourist held at Books Kinokuniya, the author himself mentioned to me that my reviews of his books are ‘biased’. Meaning that my glowing assessments of his work are somehow less than objective due to the fact that I appreciated their intrinsic value as art.
With the new year beckoning, Laneway Singapore 2016 is a month away and over the next few weeks, Power of Pop will give you the lowdown on the TWENTY-ONE artists who will grace the occasion on 30th January (in alphabetical order).
The amount of new music releases in 2015 is staggering. And it’s basically impossible to be able to listen to everything out there. But when it comes to Singapore Rock, well then it is possible to almost do just that.
Thus, a justification for this list – our recommendations for those of you who have recently come aboard the S-ROCK train. Welcome to the rest of your life!
Saving the best for last? I must confess that this spanking new EP from Cashew Chemists might very well be tied for best release of 2015 with Cheating Sons’ eponymous sophomore effort. Mainly because of its doggedpersistence in the pursuit of old school pop-rock excellence.
The new kid on the block, Neon Lights sought to cover as much ground as possible in terms of appealing to the broadest demographics. Presumably, this was deemed necessary by Neon Lights to distinguish itself from the other big-scale music festivals in Singapore viz. Laneway and The Gathering (formerly Hostess Club Weekender).
To that end, Neon Lights featured comedy, arts and children entertainment, possibly in an attempt to encourage families to make it a day (or two) out for the weekend.
I am listening to the Letters to Ubin EP and smiling to myself because I am thinking of how a critic/observer of the local scene slammed iNCH’s music for being ‘soft’ and ‘not edgy’. Fact is that could not be further from the truth. Perhaps that critic was fooled by iNCH’s public persona! Certainly, there are numerous elements of Letters to Ubin that most casual listeners would consider too arty and indulgent — definitely ‘edgy’!
Laneway Singapore 2016 promises to be the music festival all hip music kids need to be seen at – and this was doubly confirmed by the news that British hip rock outfit 1975 will headline the festival when it returns to our shores on 30th January.
It’s amazing to consider that a mere decade ago, bands dominated the local indie music landscape. Now, singer-songwriters release music with a frequency that suggests some kind of epoch is upon us. This is a natural development of a maturing music scene. After all, singer-songwriters can express themselves to an audience without a band and thus, in practical terms it’s easier for singer-songwriters to find performance opportunities.