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Jul 182015
 

SMQ-01-sm

What can I say about Seamonster? I feel like just grabbing you, dear reader, by the throat and screaming into your ear – “BUY THE FUCKING ALBUM NOW!” and not feel any guilt about such a violent outburst at all.

But seriously folks, what can I say about Seamonster?

That this amazing band viz. Joshua Wan (keyboards), Fabian Lim (saxophone), Jase Sng (bass), Aaron Lee (drums) and Ginny Bloop (vocals) has made jazz improvisation appealing to the soul with ten tracks that beggar belief for its technical excellence and emotional resonance. Every single member is a master of his instrument but together, they form an indefinable creature – a veritable Seamonster!

You want instrumental virtuosity? You can, in spades! You want irresistible grooves? Again, there are loads to spare here.

And the icing on the cake? The absolute tipping point into pure unbridled adulation?

Ginny Bloop – an idiosyncratic front-person who is at once sexy and quirky, possessed of a unique larynx that twists and turns like some leviathan, clothed with a personality that is also tongue-in-cheek woman-child – an unstoppable force!

See what I mean? Incomprehensible babbling of a madman touched by the magic of The Steve McQueens. You have been warned!

Seamonster is available in Singapore on all major digital music platforms. Physical copies of the CD can also be ordered at www.stevemcqueens.com

… still there’s more … 

Jul 122015
 

S-ROCK

It has been said so often now that it’s almost become a cliché – “the Singapore indie music scene is growing” or even “Singapore’s indie music scene is on the cusp of a new golden age”. But how true is that statement and what do we mean when we say that the scene is ‘growing’?

This weekend (July 10th – 12th) witnessed a slew of Singapore indie music events that seemed to suggest that if nothing else, the number of events being organised within the scene is increasing. But is this a result of funding from SG50 celebrations or a genuine improvement in the manner in which Singaporeans appreciate local music.

Well, let’s take the examples of two very recent album launches viz. DEON’s Oceans and The Steve McQueens’ Seamonster. Both events were sold out registering between 100 – 200 paying attendees, with good sales on CDs and merch as well. Both artists have excellent reputations with track records of performing at overseas festivals. Is this an indicator of success?

Late in June, Baybeats Festival 2015 once more delivered three days of mostly Singapore indie music, spotlighting a bunch of ‘budding’ bands that for some, meant a dream achievement. Is playing at Baybeats an indicator of success, as well?

To put things into context, I came across a poster for Baybeats 2008, which introduced 11 ‘budding’ bands to the festival. However, none of those 11 bands exist anymore, seven years later.

So is that all? Playing at Baybeats and selling out your album launch? If so, then these are mere baby steps still for our perpetually teething indie music scene.

What is the measure of true success for our indie music scene?

I have been reading about the origins of Nirvana and the Seattle music scene in the late 80s and early 90s. Before the Seattle music scene exploded with Nirvana, Pearl Jam, Soundgarden, Alice in Chains etc, the city had little to shout about in that respect. But of course, once it did, first amongst its own local audiences, the Seattle music scene became world famous, with record labels rushing down to sign anyone in a flannel shirt with greasy hair and Seattle became synonymous with ‘grunge’ (a meaningless label) that branded Seattle as the place to be for at least five years. Though ‘grunge’ eventually died out, many of the first wave of aforementioned Seattle bands managed to make a mark on rock history.

And at the end of the day, shouldn’t that be the ultimate indicator of success for our indie music scene? Music that is appreciated in Singapore first, before being appreciated overseas? Music that is written about in glowing terms by the popular indie music influencers online, invited by popular indie music festivals overseas and drawing international visitors to experience Singapore indie music firsthand?

Without a mindset shift within our own borders, it would not be possible for our indie artists to make a significant impact, regionally and internationally. So the key question, once again, is how can Singapore indie artists build a quality fan base (i.e. one that is willing to spend money on the artist and not merely clicking ‘like’ on social media) that will sustain said artist for a lifetime of music making?

There are many factors but I think the critical one is a partnership between indie artists and venue owners to push out original music content to build a solid fan base for Singapore indie music. In order to do this, venue owners must forgo the narcotic of cover music and go cold turkey with originals! Aspiring indie artists must see the value of writing and playing their own songs – whether live or via online videos. Therefore, the music scene must be dominated by original music content, with cover music being in the minority. Yes I know it’s the usual chicken and egg situation but that’s the radical step that must be taken!

In other words, we must nurture a culture of creativity and artistry in our indie music scene. Without this, our indie music scene will constantly be on the verge of something great but without sustainability or continuity, the artists will lose faith and stamina and fade into the normalcy and obscurity of adulthood and our indie music scene will find itself at square one again!

Jul 112015
 

SMQs

Another Saturday, another Singapore album launch!

Definitely, this is going to be the big one – by now The Steve McQueens are a well-oiled machine, having plied their trade in Europe already.

SingJazz Club also provides a suitable ambience for the band’s smooth soul-jazz-pop and Ginny Bloop’s on-stage antics, so a splendid time is guaranteed is all.

Not to mention that Seamonster is a stellar combination of instrumental virtuosity and Ginny’s indomitable aural attitude, so this gig practically recommends itself.

Don’t miss this. Tickets still available at the door.

SMQS launch

… still there’s more … 

Jul 102015
 

DEON - Cover

Tonight! DEON launches the superb album that is Oceans at The Substation. The lovely Theodora opens at 7.30pm!

It’s the perfect way to spend a Friday night!!

Peatix Ticket Prices: $25 for entry/ $45 for Physical CD Book & entry (Original Value $50)/ $60 for Physical CD Book, Lionheart T-Shirt & entry (Original Value $70)

Tickets at the Door: $30 for entry

Connect with DEON:
www.deontheband.com
www.facebook.com/deontheband
www.instagram.com/deontheband @deontheband
www.twitter.com/deontoh

… still there’s more … 

Jul 102015
 

Loads happening this Saturday, 11th July is you are a local music fan. Blame it partly on SG50 funding but also on renewed interest in S-ROCK. Are you ready? Here we go!

RILEK JACK RAMADHAN ACOUSTIC SESSIONS

Rilek Jack

More info

SINGAPORE STORIES – URBAN SCREENING

SingStories

Featuring Cherie X Ferry.

Checking our the TODAY feature also.

More info

PUNKED OUT! 2

PunkedOut!

More info

JONATHAN MEUR – HOW TO BUILD A KITE ALBUM LAUNCH

Meur

More info

SMQS launch

More info

SHINE FESTIVAL

SHINE Fest

More info

… still there’s more … 

Jul 102015
 

GentleBonesSixtyFive

“Sixty Five” is Gentle Bones’ major label debut single and is a track to be featured on the upcoming movie 1965.

In that context, it is suitably over-dramatic but contains sufficient elements familiar to fans.

Now available at https://itun.es/sg/m5DJ8

https://www.facebook.com/gentlebonesmusic

Jul 102015
 
Jude Young

Photo by Joel Lim

The national celebration of Singapore’s independence has brought out many diverse items, music wise. But singer-songwriter Jude Young’s “Wave of Tomorrow” and accompanying video may be the most heartfelt and straightforward thus far. The video – directed & shot by Jeremy Kieran Ng – is not fancy and lacks frills but gets the job done effectively but it is in the competent songwriting that the emotional resonance of what it means to be Singaporean in this special year is shared. No mean feat!

“Ride on this tide/We’ll fly side by side/On the waves of tomorrow/The chase starts today/With these guiding stars and/The shine from the moon so bright/So you can count on me/To keep you free
Yeah you can shout your name across the shores/Singapore”

Kudos to all involved!

https://www.facebook.com/judeyoung

Jul 022015
 

Theodora

“Old soul” is probably an apt description of singer-songwriter Theodora’s muse.

This 18 year old has a perceptive creativity beyond her tender years with an artistic sensibility that reflects a subtle maturity. This is already painfully obvious when listening to her debut single “Lines”, written about the loss about a loved one – “I sit in silence in the memory of you”.

Now here’s a thoughtful video – lovingly crafted by director Leonard Soosay – that represents visually the emotions that “Lines” evokes, with style and finesse.

Theodora’s debut EP is planned for the end of the year – keep a close watch on that, dear readers.

In the meantime, check out the gorgeous video for “Lines”.

Purchase “Lines” from iTunes.

KOJI PRESENTS RAW HARD ROCKIN’ TRIBUTE TO PULP FICTION

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Jun 252015
 

Koji

If there’s one inescapable fly in the S-ROCK ointment, it’s the lack of meaningful lyricism, the fear of exploring concepts beyond the purely emotional (the ‘affairs of the heart’ cliche). Thankfully, that is not the case with Koji’s new free track – “Mrs Mia Wallace” – which functions as a tribute to the Pulp Fiction characters famously played by Uma Thurman in the Quentin Tarantino classic.

There’s something wonderfully shambolic about the quartet’s hard rockin’ agenda – channeling Wolfmother via Led Zep – although the quality of the vocals might need sprucing up. But one cannot quibble too much with the infectious riffs that dominate “Mrs Mia Wallace” and that is one memorable take-away. Download the track for free now!

Check out the lyric video also!

Connect with Koji!

Facebook https://www.facebook.com/KojibandSG

POWER OF POP INTERVIEW – DEON TOH

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Jun 222015
 

DEON

It’s always a pleasure working with singer-songwriter Deon Toh cos the man is genuine, down to earth and serious about his art. His new album is one of the best I have heard in 2015 and thus, it was illuminating to pick his brains for the stories behind the songs. It’s really in-depth so buckle up!

What was the primary inspiration behind making Oceans a concept album?

As a songwriter, I’ve always viewed the creation of an album as the process of creating a standalone piece of work; a piece of art. I’m one of those musicians who still believe in coming up with a good 10 songs LP, and making sure that those songs make a collective statement. 

As such, I did not craft singles and slap them together, but rather, I crafted an entire album. With that intention in mind, I dedicated myself to the challenge of coming up with something magical.

No disrespect or offense to musicians who launch singles, or demos, or EPs that are just a collection of unrelated songs (there’s nothing wrong with that); on my part, this was a personal challenge to push my songwriting limits and come up with a concept album.

The theme of circles and cycles seems alien to Singapore where the seasons remain constant – so is the music a product of travelling beyond Singapore?

I traveled with the intention of personal growth. I wanted to discover more about myself and see the world, and to understand the value of coming home better. Back home, life was changing at a rapid pace, with my graduation from university, evolving relationships, and aging parents. I had constant emotional and rationality debates, epiphanies. And at the end of everything, I walked away with a deeper understanding of myself.

What was the motivation behind incorporating post-rock and ambient electronica into your pop-rock sonic agenda?

During this period, my band and I had the privilege to witness one of the best musical performances during an Iceland Airwaves showcase at Canadian Music Week. We stumbled upon singer-songwriter, Asgeir, and fell in love with his brand of music. He incorporates loads of ambient electronica, which influenced us eventually. 

The post-rock aspect came out of listening to loads of music from local band Caracal. We are huge fans of the band, and also spent a short period traveling with them, it was fun.

As for my pop-rock roots, I still listen to loads of Rachael Yamagata, Brooke Fraser, and Coldplay, which always keeps me grounded to my roots. 

Continue reading »

KAMCO MUSIC: TYPEWRITER’S INDIAN HEAD MASSAGE NOW AVAILABLE ON ALL DIGITAL DISTRIBUTION PLATFORMS

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Jun 202015
 

TypeWriter Believe

TypeWriter will be debuting new material from upcoming EP at Baybeats 2015 and will also be featuring new drummer Robin Chua (Livonia, Shelves). The band will be playing at the MIXTAPE stage on 26th June at 11pm. In the meantime, you can download/listen to their 2010 album, Indian Head Massage.

iTunes

Connect with TypeWriter https://www.facebook.com/typewriterband

… still there’s more … 

TURN TURN TURN: DEON’S SOPHOMORE EFFORT OCEANS SIGNALS A NEW SEASON FOR SINGAPORE ROCK

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Jun 182015
 

DEON - Cover

When one listens to Oceans, it becomes abundantly crystal clear that for singer-songwriter Deon Toh, it’s all about the music. In this digital age, Toh has gone against the grain to approach the album as a viable artistic expression, like in the days of yore. There are eleven one-word titled tracks on this, his follow-up to the well-received Antiphobic, bookended by “Circles” and “Cycles”, which speak to the impact of seasons in our lives.

There is beauty, grace and strength in compositions like “Summer”, “Fall”, “Winter” and “Spring” where Toh is able to conjure the experience of the seasons, whether it is something physical or symbolic. The over-riding emotion might be melancholy but it is not defeatist but reflective. Whether it is in the piano harmonic structures, fragile guitar arpeggios, arranged percussion, ambient soundscapes or Toh’s falsetto, there is a deliberate intent to evoke a sense of longing and yearning in the presence of natural splendour.

It is a significant achievement that Oceans is an album one can (and MUST) listen to from beginning to end and then to start all over again. A gorgeous song cycle that once again sets the bar higher for Singapore artists to emulate.

DEON launches Oceans on July 10th at the Substation. Tickets are now available from http://peatix.com/event/96846. Pre-order the album from iTunes and download the single “Summer”.

In the meantime, check out the music video for “Summer” below.

www.deontheband.com
www.facebook.com/deontheband
www.instagram.com/deontheband @deontheband
www.twitter.com/deontoh

Look out for the Power of Pop interview with Deon Toh coming soon…

DEON RELEASES SOPHOMORE EFFORT OCEANS: PRE-ORDER, MUSIC VIDEO & SINGLE NEWS

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Jun 152015
 

DEON - Cover

DEON releases his 2nd album Oceans on 10th July.

iTunes pre-order will begin on 17th June, and physical copies of the album as well as the digital release of the album will happen on the 10th of July. A music video of first single “Summer” will also be released on 17th June on DEON’s Youtube channel.

Oceans was recorded by Leonard Soosay, and produced by DEON, Mindy Kon, and Leonard Soosay at Snakeweed Studios. The album was mastered by Scott Hull (Garbage, John Mayer, Snarky Puppy).

The album will be launched on the 10th July at the Substation.

As with DEON’s debut Antiphobic, Oceans is filled to the brim with melodic power but it’s clear that DEON has upped the ante with regards to production and arrangement as well as a conceptual thread that runs through the album. Review to come.

Connect with DEON.

Facebook https://www.facebook.com/deontheband
Twitter https://twitter.com/deontoh
Web http://www.deontheband.com/

LYDIA LOW: LIVE IN SINGAPORE JUNE 2015

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Jun 102015
 

LL-LiveSG

Lydia Low kicks off her Singapore tour tonight at Originals Sing @ Artistry. Joie Tan will be opening the festivities at 8.30pm. Cover charge is $10, proceeds to be shared between the artists. Lydia will also be selling CDs so please bring money!

In the meantime, you can listen to her album Wrecked till Further Notice at Spotify.

The album is also available at iTunes.

Lydia will also be playing a couple of tunes at the Beast open mic tomorrow.

Connect with Lydia
Facebook | Twitter | Instagram

Check out the lyric video for “Wrecked”

… still there’s more …

HOUSE OF RIOT: INCH, THE GREAT SPY EXPERIMENT & CHARLIE LIM – SINGAPORE ROCK COMES OF AGE!

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Jun 072015
 

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Well you turn when I talk/Run when I walk/Rise when I fall/Burn when I shiver/Smile when I frown/Go when I come around/You twist when I shout/In when I’m out/There when I’m here/Why do I bother?/Laugh when I’m down/Whine when I make a sound

I didn’t realise how much I would be affected by The Great Spy Experiment’s swan song performance until I sang along to “The Great Decay” and I lost it – the tears rolled freely and all the precious memories flooded into my mind.

One of many emotional high points of House of Riot’s ambitious concert to put Singapore indie music where it belongs – in the mainstream. How else to describe a concert at a packed out Esplanade Concert Hall where I failed to recognise the majority of the audience? This was no longer an underground movement, this was a Singapore audience doing something never done before, paying hard-earned money for SINGAPORE acts playing at arguably one of the best (and most prestigious) concert venues on the island!

FullSizeRender 57

iNCH opened the night, resplendent in a cape playing familiar tunes (“Chefalo Knot”, “The Artful Dodger” & a spine-tingling “Dear Paramour”) and a couple of new tunes (“Lyre Lyre, Hearts on Fyre” was particularly affecting). It was clear that the enormity of the night’s achievement was also weighing on iNCH as paid an emotional tribute to those who had been supporting her music since 2009. It was a victorious comeback for the petite singer-songwriter, with a new EP due in September.

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Hard to believe that the GSE are no more but all things must pass and surely, there could be no better way for this Singapore indie rock institution to say goodbye! It has been eight years since I first thrilled to their music and tonight the songs seemed stronger and grander – from “Late Nite Request” to “Class ‘A’ Love Affair” – it was an emotional farewell. It was a proper Singapore rock send-off in a venue more suited for classical music, which in itself was so symbolic. An unforgettable performance from a beloved S-ROCK band. Thank you and love always – Saiful, Fandy, Mag, Khai and Song!

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And finally, Charlie Lim  – surely, the brightest hope for Singapore rock. Backed by the Mothership, Charlie played tracks off his hit new double EP Time/Space with aplomb and finesse. Personally, I favour the folk-rock majesties of “Light Break In” (kudos to the string section of Lisa Haryono, Josh Wei and Kim Eun Hyung), “Choices” and “Bitter” where Charlie’s heartfelt lyrics are expressed in rustic tones but my new favourite “I Only Tell the Truth” (this time with Charlie on keyboards) also provided a memorable ‘lump-in-throat’ moment. Triumphant!

The audience stayed behind as Riot chief honcho Mike See took time to appreciate everyone who played a part in the magnificent venture. It was heart-warming to see a primarily mainstream audience giving a standing ovation to a group of Singapore indie artists (and I include managers and crew into that description) and receiving the deserved recognition that has for so long been denied. Mike rightfully described the success of the event as historical – those of us who remember the scene of a decade ago would have never imagined the scenario which unfolded before our very eyes. But tonight on June 6th 2015, Singapore rock came of age.

… still there’s more … 

 

KILL TEDDY EVOKES 90S ALT-ROCK WITH CAROLINE SINGLE

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Jun 042015
 

Screen Shot 2015-06-04 at 10.31.18 am

I am not being facetious when I say that much of modern pop is not even music anymore but rather a combination of beats and sounds calculated to appeal to the lowest common denominator. But thankfully, there are bands out there who ignore what generally passes for pop nowadays and latch on to a style that might not be hip or cool to the kids today but remains true to their own artistic sensibility.

One such band is Kill Teddy who described themselves as a alternative/grunge band and hope to revive the Seattle grunge sound of the 90s. Well, the new single “Caroline” is certainly in the right direction with its anthemic chorus, crunchy guitars and off-the-wall CSNY bridge (with Beach Boys reference?). Check it out!

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PoPTV – SINGAPORE ROCK RECOMMENDATIONS

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Jun 012015
 

S-ROCK

Regular visitors to Power of Pop will be aware that my definition of “pop” is pretty wide. But of course, in the context of modern pop (read: vacuous) , that definition becomes somewhat irrelevant for my purposes. Also, if I say “rock ‘n’ roll”, most people will think of the 50s (read: dated) and so, sometimes I need to be uber-specific and say “country-folk-pop-rock” to describe the type of pop music that I love. Hope that clarifies. From that perspective, I wanted to share very specifically, the bands and artists in Singapore whom I feel fit that particular bill and hope that you’d discover some new music to love as well.

CHEATING SONS – JEFFERSON (LIVE)

Though still unreleased, this country-folk masterpiece always resonates with me whenever the band plays it – which in my view is not often enough!

Pick up the new Cheating Sons album from Bandcamp.

HANGING UP THE MOON – THE DIVERS

Sean Lam (aka Hanging Up the Moon) somewhat resists any attempt to associate his wonderful music with that of the past (which I appreciate) but seriously folks, this gorgeous music is highly evocative of early 70s folk-rock. And what is the problem with that??? Beautiful.

Available at iTunes!

Continue reading »

CHARLIE LIM’S TIME/SPACE IS A GLIMPSE INTO THE FUTURE OF SINGAPORE ROCK. AND IT’S LOOKING GOOD. DAMN GOOD.

 MUSIC  Comments Off on CHARLIE LIM’S TIME/SPACE IS A GLIMPSE INTO THE FUTURE OF SINGAPORE ROCK. AND IT’S LOOKING GOOD. DAMN GOOD.
May 312015
 

CharlieLim

There is no sense of the where and when listening to Singapore singer-songwriter Charlie Lim‘s double EP Time/Space. It simply is.

The music of Time/Space is the honest expression of a young man coming to terms with life issues and a burgeoning musical talent. Taken as a whole – 8 tracks and two bookends – Time/Space is a polaroid shot of where Charlie is, and from an artistic perspective, it is looking very very good.

From the outset, with the ragtime-infused “Blah Blah Blues”, it’s clear that Charlie is not interested in cliches and limitations on his music but will go wherever his muse takes him.

“I tend to make my mountains out of molehills” he sings plaintively before he vamps on the chorus – “Itʼs not that hard to sing about being hurt/
Itʼs kind of lucrative to write a love song/Because everybody else just canʼt get enough” – an ironic comment perhaps about his own persona?

Personally, Charlie always hits home with his ballads – wonderful melanges of folk, soul & indie pop that never fail to send chills down spine. “Choices” is the first one – where Charlie’s sweet larynx combines with guitar patterns and trademark cutting lyrics – “I can take complication/If I can comprehend/But I can’t deal with ignorance/Even if you think it’s bliss” – to produce an overwhelming emotional resonance.

This leads us to Charlie’s magnum opus “Bitter” – the rollercoaster ride of ‘feels’ as Charlie shares some of the most poignant lyrics – “Was I trying to cash in the fantasy without the reality check?”, “Embrace the silence when thereʼs nothing left/You got no room for demons when youʼre self-possessed” and of course, ” Was I spoilt for love/Have you had enough/Wait out the danger/You donʼt have to ask/This maudlin moment/Will soon come to pass”. Sheer bloody genius.

Incredibly, Charlie offers two potential “Bitter”-killers, so to speak, here with “Light Breaks In” and “I Only Tell the Truth”.

The former is a early 70s folk-inflected stunner where Charlie slays with guitar and voice. And when the string sections moves in, I challenge you not to feel that lump in the throat moment before the tears well up. Fuckin’ gorgeous with sentiments to match – “Pour out all your sorrow/Were you waiting for a sign/Only breathing just a little/And calling it a life”. Beautiful.

The latter is the closing track and yet again is another melancholy masterpiece as you listen to the airplane pilot giving instructions for landing. Wonderfully arranged and primed for the kill once Charlie gets to the heart-breaking chorus – “But I won’t catch you if you let go/I’ll pick apart the things you let fold/If that’s what you want I guess we’ll move on/I’m sorry” – and for anyone who has lived through the death of a relationship, these words take on massive proportions. For me personally, I have broken down more than a few times when feeling the intensity of the emotions that Charlie is conveying here. All too real. And when the “Outro” hits, its hard to describe as the sad lonely piano plays out to the sound of children.

But then, it’s over, and I press play again and let the magic of Charlie Lim wash over me once more.

Time/Space will be released on June 6th at the House of Riot concert at the Esplanade Concert Hall. Tickets available from SISTIC

VICTOR LOW’S SONGS OF THE WELL WILL THRILL CHILDREN OF ALL AGES!

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May 032015
 

SongsoftheWell

Now here’s something completely different!

Victor Low (formerly of Concave Scream and The Observatory) has recorded and released an album of short instrumental tunes (mostly under 2 minutes), that he says were inspired by his own childhood and the bedtime stories shared with his young daughter, Ee Shahn.

These ten tracks are delightful and thoughtful experiments into songwriting targeted for children or the young at heart. Mostly neo-classical in tone with acoustic guitars (steel and nylon) at the fore, assorted percussion and the occasional cello (courtesy of Zhong Ren Koh), it’s easy to simply play through the duration of Songs of the Well and revel in its rustic sophistication.

My personal favourites are “Drip Drop”, “Swallow” and “Geckos of Eastwood” – which highlight Low’s focus on naive charm but the arty “Song of the Well” recalls Low’s time with art-rock ensemble The Observatory. It’s an atmospheric ambient song whose origins, Low was kind enough to elaborate on.

“When I was writing the songs in this album. I would often bring my guitar out of my studio to sit in the stairwell where I live, just to get a bit of a natural reverb. This really helped me to ease into the ideas and finish writing the songs (or the main bulk of it) rather quickly. A thought occurred to myself that these songs seem to be coming from “the well”, and it ended up being the title of the album. Ironically the track “Song of The Well” was the only song not written from the stairwell. Instead it was done in my studio, using music boxes, cymbals and effects”.

If there is one obvious complaint, it is that the songs are too short! I mean, once a enthralled listener really gets into the piece, it’s over!! Hopefully, Low will see fit to expand on the artistic success of Songs of the Well to give us fans more in the years to come. Please encourage that possibility by purchasing Songs of the Well.

… still there’s more … 

PET SOUNDS FROM BIG PINK: CHEATING SONS RECLAIM SIXTIES’ ROCK N ROLL LEGACY

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May 032015
 

CheatingSons

Cheating Sons!

Years in the making but definitely worth the wait. 10 tracks of such instrumental sophistication and erudite witticism that it is barely imaginable that the former cultural desert of Singapore is able to produce an album that absorbs the wondrous legacy of 60s rock and pop so well.

With the songwriting template pioneered by the likes of Roy Orbison, the Rolling Stones, Bob Dylan and the Band the band have also adopted the production values of Phil Spector and Brian Wilson to deliver a unique aural experience that will please rock scholars and casual music fans alike. An additional distinctive element is the band’s ability to incorporate East Asian sounds and melodies into the mix to create a East meets West amalgam that is surprising and pleasing.

Believe me it’s difficult to point out any particular highlights here as every track is an entity to itself but I will say that songs like the ghostly Beatlesque “Mercy of Cain and Abel”, the atmospheric folky “Patriach”, the country bluesy “Blood the Prize” and the Orbison-Teresa Teng channeling “Honeymoon” certainly deserve special mention.

In an amazing year for Singapore rock so far, this eponymous album is a definite standout and a statement of intent that hopefully will bring forth more exciting music from this wonderful band in the years to come.

CDs and digital albums will be available on cheatingsons.bandcamp.com and CDs also at Curated Records and Roxy Records & Trading.

CHANNELS & TERMINALS – FUNDRAISER FOR PLEASANTRY’S NORTH AMERICAN TOUR

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Apr 262015
 

instagramposter-2

This is quite an astonishing line-up of top top #sgindie bands. And all for a good cause – support local!

Pre-sale tickets can be purchased via channelsandterminals.peatix.com.

JAIME WONG: SINGAPORE’S SOUL SISTER | TODAYonline

 MUSIC  Comments Off on JAIME WONG: SINGAPORE’S SOUL SISTER | TODAYonline
Apr 242015
 

So here’s my TODAY interview with Jaime Wong. Now, I hope you figured out that that headline came from my editor! But to be fair, I chickened out from coming up with one, so….

Check out the article and don’t forget that Jaime launches her EP on May 15, 7.30pm at Lepark, People’s Park Complex rooftop. Tickets from http://jaimewongep.peatix.com. You can buy the EP on iTunes (https://itunes.apple.com/album/jaime-wong-ep/id979791050)

Source: Jaime Wong: Singapore’s soul sister | TODAYonline