Tag Archives: S-ROCK

MUSIC REVIEW: 3 SINGAPORE INSTRUMENTAL RELEASES YOU MAY HAVE MISSED IN 2015

2015 is almost done and dusted but there are still a couple of loose ends to tie up. Here’s a couple of Singapore instrumental albums released this year that you might want to examine a little closer.

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2015: TOP TEN SINGAPORE RELEASES

S-ROCK

The amount of new music releases in 2015 is staggering. And it’s basically impossible to be able to listen to everything out there. But when it comes to Singapore Rock, well then it is possible to almost do just that.

Thus, a justification for this list – our recommendations for those of you who have recently come aboard the S-ROCK train. Welcome to the rest of your life!

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ALBUM REVIEW: STOPGAP – TOTEMS

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by Lenne Chai

As popular as modern indie pop-rock was in the early noughties (I am tired of the ‘post-rock revival’ moniker), it does not seem to have caught on in a big way amongst Singapore indie rock bands. What I am referring to, are the bands that have been influenced by The Strokes, Vampire Weekend & Arctic Monkeys, and in that respect, apart from Cashew Chemists, the only local indie band that has successfully taken a crack at this style is Stopgap.

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EP REVIEW: iNCH – LETTERS TO UBIN

Letters to Ubin

I am listening to the Letters to Ubin EP and smiling to myself because I am thinking of how a critic/observer of the local scene slammed iNCH’s music for being ‘soft’ and ‘not edgy’. Fact is that could not be further from the truth. Perhaps that critic was fooled by iNCH’s public persona! Certainly, there are numerous elements of Letters to Ubin that most casual listeners would consider too arty and indulgent — definitely ‘edgy’!

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LIVE REVIEW: iNCH – LETTERS TO UBIN EP LAUNCH

Photo by Aloysius Lim
Photo by Aloysius Lim

Back in 2011, in a public Facebook note, singer-songwriter iNCH (a.k.a Inch Chua) criticised Singaporean attitudes toward local music. iNCH even moved out of Singapore (to the US) in order to pursue her musical career. Four years later, back in Singapore, as a packed audience demonstrates their hearty approval, iNCH is moved to tears by a post-gig video filled with expressions of congratulations, love, admiration and celebration for the launch of iNCH’s new EP, Letters to Ubin.

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LIVE REVIEW: CADENCE – HEIGHTS EP LAUNCH

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Cadence formed a year ago & in that one year, they have already played at Baybeats Festival as a Budding Band! Well, that is quite often the ‘be all and end all’ for a local indie-alternative rock band. But at the launch of its debut EP – Heights – at Hood Bar last night, there was evidence that the band might just have the potential to truly make a name for itself, not just in our indie music scene but even beyond our shores.

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SINGAPORE WRITERS FESTIVAL: BE HAPPY – THE BIGO YEARS

BigO 95

BigO (Before I Get Old) was a self-styled indie magazine that existed in print form from about 1985 to 2003 (give or take). Founded by Michael and Philip Cheah (with Stephen Tan) from the ashes of the Singapore Monitor, the magazine would be a major pop culture force in Singapore in the 1990s. Though it still exists online, its influence in local culture has been deliberately curtailed for reasons unknown.

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SINGAPORE WRITERS FESTIVAL 2015: ISLAND OF DREAMS – IN EACH HAND A CUTLASS + I AM DAVID SPARKLE

Island of Dreams

Alright, here’s the concept – let’s have ‘crossover’ events with music for the Singapore Writers Festival 2015. All perfectly logical – after all songs have lyrics.

Now, let’s stretch that further and have the opening event a concert featuring two of Singapore’s leading INSTRUMENTAL rock bands!

Yes indeed, that’s the way to do something completely different and with In Each Hand a Cutlass (left, above) and I Am David Sparkle on board, one can be sure that the music will be up to the task.

Luckily for Power of Pop, we get to quiz the bands and they get to write some words to – hopefully – offer some clarity about Island of Dreams.

How did the organisers set out the task assigned to you regarding Island of Dreams?

Sujin Thomas (IEHAC): We were approached at first as a potential band to write the theme song for the Singapore Writers Festival and later commissioned to do the job.  I think the organisers decided on an instrumental band because we offered that element of songwriting without words. What was cool was that they left the creative process entirely to us to work out. 

Daniel Sassoon (IEHAC): We definitely appreciate the creative freedom given to us, although the track is ultimately a commissioned piece. We shared our ideas and vision of what the song was meant to capture – namely, the spark of inspiration that ignites the whole creative process, and the birthing of new worlds as a result. They saw where we were coming from and liked the demo, and gave some feedback; we tweaked it a little when recording it, and off we went to Snakeweed Studios.

I Am David Sparkle: Expressions of life’s liberties.

What was the main challenge in coming up with a set that would be suitable for the theme assigned to you?

Sujin: For the theme song itself, we had to think outside of our familiar realm, that is, to steer away from the technicalities and mood shifts of our own tracks. We kept in mind that we had to create an instrumental song that could not only be catchy and engaging but also be palatable for mainstream listeners. Our set for the gig is made up of a range of songs off our second LP, The Kraken, with a few tracks from our debut album, and of course, the theme song. Again, we kept in mind that the audience at the gig may not all be familiar with our stuff so we’ve curated a set list that will offer them an easy introduction to the band, with a few fan favourites thrown in the mix for good measure. Basically, we plan to blow their minds to bits.

IADS: Aggressive discipline and barbaric control.

What is your interpretation of Island of Dreams – what does it mean to you?

Amanda Ling (IEHAC): Dream factory, through the mind, to the hands and out to the world.

Daniel: I imagine this island as a safe space in the middle of the ocean, which carries certain danger and the unknown that lurks in its depths.

IADS: No disguise can deface evil, that stains the primitive sickle blood red.

As an instrumental band, how do you convey your ideas effectively, without the use of words?

Amanda: Music is a universal language that can be understood through its emotive nature of the mood, tempo, instrumentation set by the musicians. The dynamics of each element interplay with each other and the wordless nature provides the listener with a vast possibility of interpretation through their imagination. 

Nelson Tan (IEHAC): Most of the time I go with the flow. If I feel that it sounds right, I would go for it. I also try not to focus too much on the technical aspect of my bass playing but more like let the song develop into the way I feel is right. Many a times I’ve tried to introduce more advanced ways of playing only to find that grooving with the drummer prevails over tapping demisemiquaver notes over a 3 octave B harmonic minor scale in major 3rds using both hands at 300BPM. Sometimes less is more for most of the time. 

Daniel: I didn’t even understand that, but that’s why Nelson’s got that music degree!

IADS: Oppression ruled by bloodshed.

Besides the music itself, are there any other aspects of your performance that will go towards an interpretation of the theme?

Daniel: We should be having some background visuals and mood lighting that would enhance the atmosphere; but we’ll leave that to the professionals to come up with all that good stuff. We’ll just focus on playing as best we can.

IADS: Seizing all civil liberties.

Island of Dreams will be held at the Victoria Theatre on 30th October.

Tickets available from http://www.sistic.com.sg/events/swf2015c 

Listen to In Each Hand a Cutlass’ “The Paper, The Pen and the World Began” – the theme song of the Singapore Writers Festival.