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Jun 252015
 

Koji

If there’s one inescapable fly in the S-ROCK ointment, it’s the lack of meaningful lyricism, the fear of exploring concepts beyond the purely emotional (the ‘affairs of the heart’ cliche). Thankfully, that is not the case with Koji’s new free track – “Mrs Mia Wallace” – which functions as a tribute to the Pulp Fiction characters famously played by Uma Thurman in the Quentin Tarantino classic.

There’s something wonderfully shambolic about the quartet’s hard rockin’ agenda – channeling Wolfmother via Led Zep – although the quality of the vocals might need sprucing up. But one cannot quibble too much with the infectious riffs that dominate “Mrs Mia Wallace” and that is one memorable take-away. Download the track for free now!

Check out the lyric video also!

Connect with Koji!

Facebook https://www.facebook.com/KojibandSG

Jun 222015
 

DEON

It’s always a pleasure working with singer-songwriter Deon Toh cos the man is genuine, down to earth and serious about his art. His new album is one of the best I have heard in 2015 and thus, it was illuminating to pick his brains for the stories behind the songs. It’s really in-depth so buckle up!

What was the primary inspiration behind making Oceans a concept album?

As a songwriter, I’ve always viewed the creation of an album as the process of creating a standalone piece of work; a piece of art. I’m one of those musicians who still believe in coming up with a good 10 songs LP, and making sure that those songs make a collective statement. 

As such, I did not craft singles and slap them together, but rather, I crafted an entire album. With that intention in mind, I dedicated myself to the challenge of coming up with something magical.

No disrespect or offense to musicians who launch singles, or demos, or EPs that are just a collection of unrelated songs (there’s nothing wrong with that); on my part, this was a personal challenge to push my songwriting limits and come up with a concept album.

The theme of circles and cycles seems alien to Singapore where the seasons remain constant – so is the music a product of travelling beyond Singapore?

I traveled with the intention of personal growth. I wanted to discover more about myself and see the world, and to understand the value of coming home better. Back home, life was changing at a rapid pace, with my graduation from university, evolving relationships, and aging parents. I had constant emotional and rationality debates, epiphanies. And at the end of everything, I walked away with a deeper understanding of myself.

What was the motivation behind incorporating post-rock and ambient electronica into your pop-rock sonic agenda?

During this period, my band and I had the privilege to witness one of the best musical performances during an Iceland Airwaves showcase at Canadian Music Week. We stumbled upon singer-songwriter, Asgeir, and fell in love with his brand of music. He incorporates loads of ambient electronica, which influenced us eventually. 

The post-rock aspect came out of listening to loads of music from local band Caracal. We are huge fans of the band, and also spent a short period traveling with them, it was fun.

As for my pop-rock roots, I still listen to loads of Rachael Yamagata, Brooke Fraser, and Coldplay, which always keeps me grounded to my roots. 

Continue reading »

Jun 202015
 

TypeWriter Believe

TypeWriter will be debuting new material from upcoming EP at Baybeats 2015 and will also be featuring new drummer Robin Chua (Livonia, Shelves). The band will be playing at the MIXTAPE stage on 26th June at 11pm. In the meantime, you can download/listen to their 2010 album, Indian Head Massage.

iTunes

Connect with TypeWriter https://www.facebook.com/typewriterband

… still there’s more … 

Jun 182015
 

DEON - Cover

When one listens to Oceans, it becomes abundantly crystal clear that for singer-songwriter Deon Toh, it’s all about the music. In this digital age, Toh has gone against the grain to approach the album as a viable artistic expression, like in the days of yore. There are eleven one-word titled tracks on this, his follow-up to the well-received Antiphobic, bookended by “Circles” and “Cycles”, which speak to the impact of seasons in our lives.

There is beauty, grace and strength in compositions like “Summer”, “Fall”, “Winter” and “Spring” where Toh is able to conjure the experience of the seasons, whether it is something physical or symbolic. The over-riding emotion might be melancholy but it is not defeatist but reflective. Whether it is in the piano harmonic structures, fragile guitar arpeggios, arranged percussion, ambient soundscapes or Toh’s falsetto, there is a deliberate intent to evoke a sense of longing and yearning in the presence of natural splendour.

It is a significant achievement that Oceans is an album one can (and MUST) listen to from beginning to end and then to start all over again. A gorgeous song cycle that once again sets the bar higher for Singapore artists to emulate.

DEON launches Oceans on July 10th at the Substation. Tickets are now available from http://peatix.com/event/96846. Pre-order the album from iTunes and download the single “Summer”.

In the meantime, check out the music video for “Summer” below.

www.deontheband.com
www.facebook.com/deontheband
www.instagram.com/deontheband @deontheband
www.twitter.com/deontoh

Look out for the Power of Pop interview with Deon Toh coming soon…

Jun 152015
 

DEON - Cover

DEON releases his 2nd album Oceans on 10th July.

iTunes pre-order will begin on 17th June, and physical copies of the album as well as the digital release of the album will happen on the 10th of July. A music video of first single “Summer” will also be released on 17th June on DEON’s Youtube channel.

Oceans was recorded by Leonard Soosay, and produced by DEON, Mindy Kon, and Leonard Soosay at Snakeweed Studios. The album was mastered by Scott Hull (Garbage, John Mayer, Snarky Puppy).

The album will be launched on the 10th July at the Substation.

As with DEON’s debut Antiphobic, Oceans is filled to the brim with melodic power but it’s clear that DEON has upped the ante with regards to production and arrangement as well as a conceptual thread that runs through the album. Review to come.

Connect with DEON.

Facebook https://www.facebook.com/deontheband
Twitter https://twitter.com/deontoh
Web http://www.deontheband.com/

Jun 102015
 

LL-LiveSG

Lydia Low kicks off her Singapore tour tonight at Originals Sing @ Artistry. Joie Tan will be opening the festivities at 8.30pm. Cover charge is $10, proceeds to be shared between the artists. Lydia will also be selling CDs so please bring money!

In the meantime, you can listen to her album Wrecked till Further Notice at Spotify.

The album is also available at iTunes.

Lydia will also be playing a couple of tunes at the Beast open mic tomorrow.

Connect with Lydia
Facebook | Twitter | Instagram

Check out the lyric video for “Wrecked”

… still there’s more …

Jun 072015
 

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Well you turn when I talk/Run when I walk/Rise when I fall/Burn when I shiver/Smile when I frown/Go when I come around/You twist when I shout/In when I’m out/There when I’m here/Why do I bother?/Laugh when I’m down/Whine when I make a sound

I didn’t realise how much I would be affected by The Great Spy Experiment’s swan song performance until I sang along to “The Great Decay” and I lost it – the tears rolled freely and all the precious memories flooded into my mind.

One of many emotional high points of House of Riot’s ambitious concert to put Singapore indie music where it belongs – in the mainstream. How else to describe a concert at a packed out Esplanade Concert Hall where I failed to recognise the majority of the audience? This was no longer an underground movement, this was a Singapore audience doing something never done before, paying hard-earned money for SINGAPORE acts playing at arguably one of the best (and most prestigious) concert venues on the island!

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iNCH opened the night, resplendent in a cape playing familiar tunes (“Chefalo Knot”, “The Artful Dodger” & a spine-tingling “Dear Paramour”) and a couple of new tunes (“Lyre Lyre, Hearts on Fyre” was particularly affecting). It was clear that the enormity of the night’s achievement was also weighing on iNCH as paid an emotional tribute to those who had been supporting her music since 2009. It was a victorious comeback for the petite singer-songwriter, with a new EP due in September.

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Hard to believe that the GSE are no more but all things must pass and surely, there could be no better way for this Singapore indie rock institution to say goodbye! It has been eight years since I first thrilled to their music and tonight the songs seemed stronger and grander – from “Late Nite Request” to “Class ‘A’ Love Affair” – it was an emotional farewell. It was a proper Singapore rock send-off in a venue more suited for classical music, which in itself was so symbolic. An unforgettable performance from a beloved S-ROCK band. Thank you and love always – Saiful, Fandy, Mag, Khai and Song!

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And finally, Charlie Lim  – surely, the brightest hope for Singapore rock. Backed by the Mothership, Charlie played tracks off his hit new double EP Time/Space with aplomb and finesse. Personally, I favour the folk-rock majesties of “Light Break In” (kudos to the string section of Lisa Haryono, Josh Wei and Kim Eun Hyung), “Choices” and “Bitter” where Charlie’s heartfelt lyrics are expressed in rustic tones but my new favourite “I Only Tell the Truth” (this time with Charlie on keyboards) also provided a memorable ‘lump-in-throat’ moment. Triumphant!

The audience stayed behind as Riot chief honcho Mike See took time to appreciate everyone who played a part in the magnificent venture. It was heart-warming to see a primarily mainstream audience giving a standing ovation to a group of Singapore indie artists (and I include managers and crew into that description) and receiving the deserved recognition that has for so long been denied. Mike rightfully described the success of the event as historical – those of us who remember the scene of a decade ago would have never imagined the scenario which unfolded before our very eyes. But tonight on June 6th 2015, Singapore rock came of age.

… still there’s more … 

 

Jun 042015
 

Screen Shot 2015-06-04 at 10.31.18 am

I am not being facetious when I say that much of modern pop is not even music anymore but rather a combination of beats and sounds calculated to appeal to the lowest common denominator. But thankfully, there are bands out there who ignore what generally passes for pop nowadays and latch on to a style that might not be hip or cool to the kids today but remains true to their own artistic sensibility.

One such band is Kill Teddy who described themselves as a alternative/grunge band and hope to revive the Seattle grunge sound of the 90s. Well, the new single “Caroline” is certainly in the right direction with its anthemic chorus, crunchy guitars and off-the-wall CSNY bridge (with Beach Boys reference?). Check it out!

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PoPTV – SINGAPORE ROCK RECOMMENDATIONS

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Jun 012015
 

S-ROCK

Regular visitors to Power of Pop will be aware that my definition of “pop” is pretty wide. But of course, in the context of modern pop (read: vacuous) , that definition becomes somewhat irrelevant for my purposes. Also, if I say “rock ‘n’ roll”, most people will think of the 50s (read: dated) and so, sometimes I need to be uber-specific and say “country-folk-pop-rock” to describe the type of pop music that I love. Hope that clarifies. From that perspective, I wanted to share very specifically, the bands and artists in Singapore whom I feel fit that particular bill and hope that you’d discover some new music to love as well.

CHEATING SONS – JEFFERSON (LIVE)

Though still unreleased, this country-folk masterpiece always resonates with me whenever the band plays it – which in my view is not often enough!

Pick up the new Cheating Sons album from Bandcamp.

HANGING UP THE MOON – THE DIVERS

Sean Lam (aka Hanging Up the Moon) somewhat resists any attempt to associate his wonderful music with that of the past (which I appreciate) but seriously folks, this gorgeous music is highly evocative of early 70s folk-rock. And what is the problem with that??? Beautiful.

Available at iTunes!

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CHARLIE LIM’S TIME/SPACE IS A GLIMPSE INTO THE FUTURE OF SINGAPORE ROCK. AND IT’S LOOKING GOOD. DAMN GOOD.

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May 312015
 

CharlieLim

There is no sense of the where and when listening to Singapore singer-songwriter Charlie Lim‘s double EP Time/Space. It simply is.

The music of Time/Space is the honest expression of a young man coming to terms with life issues and a burgeoning musical talent. Taken as a whole – 8 tracks and two bookends – Time/Space is a polaroid shot of where Charlie is, and from an artistic perspective, it is looking very very good.

From the outset, with the ragtime-infused “Blah Blah Blues”, it’s clear that Charlie is not interested in cliches and limitations on his music but will go wherever his muse takes him.

“I tend to make my mountains out of molehills” he sings plaintively before he vamps on the chorus – “Itʼs not that hard to sing about being hurt/
Itʼs kind of lucrative to write a love song/Because everybody else just canʼt get enough” – an ironic comment perhaps about his own persona?

Personally, Charlie always hits home with his ballads – wonderful melanges of folk, soul & indie pop that never fail to send chills down spine. “Choices” is the first one – where Charlie’s sweet larynx combines with guitar patterns and trademark cutting lyrics – “I can take complication/If I can comprehend/But I can’t deal with ignorance/Even if you think it’s bliss” – to produce an overwhelming emotional resonance.

This leads us to Charlie’s magnum opus “Bitter” – the rollercoaster ride of ‘feels’ as Charlie shares some of the most poignant lyrics – “Was I trying to cash in the fantasy without the reality check?”, “Embrace the silence when thereʼs nothing left/You got no room for demons when youʼre self-possessed” and of course, ” Was I spoilt for love/Have you had enough/Wait out the danger/You donʼt have to ask/This maudlin moment/Will soon come to pass”. Sheer bloody genius.

Incredibly, Charlie offers two potential “Bitter”-killers, so to speak, here with “Light Breaks In” and “I Only Tell the Truth”.

The former is a early 70s folk-inflected stunner where Charlie slays with guitar and voice. And when the string sections moves in, I challenge you not to feel that lump in the throat moment before the tears well up. Fuckin’ gorgeous with sentiments to match – “Pour out all your sorrow/Were you waiting for a sign/Only breathing just a little/And calling it a life”. Beautiful.

The latter is the closing track and yet again is another melancholy masterpiece as you listen to the airplane pilot giving instructions for landing. Wonderfully arranged and primed for the kill once Charlie gets to the heart-breaking chorus – “But I won’t catch you if you let go/I’ll pick apart the things you let fold/If that’s what you want I guess we’ll move on/I’m sorry” – and for anyone who has lived through the death of a relationship, these words take on massive proportions. For me personally, I have broken down more than a few times when feeling the intensity of the emotions that Charlie is conveying here. All too real. And when the “Outro” hits, its hard to describe as the sad lonely piano plays out to the sound of children.

But then, it’s over, and I press play again and let the magic of Charlie Lim wash over me once more.

Time/Space will be released on June 6th at the House of Riot concert at the Esplanade Concert Hall. Tickets available from SISTIC

VICTOR LOW’S SONGS OF THE WELL WILL THRILL CHILDREN OF ALL AGES!

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May 032015
 

SongsoftheWell

Now here’s something completely different!

Victor Low (formerly of Concave Scream and The Observatory) has recorded and released an album of short instrumental tunes (mostly under 2 minutes), that he says were inspired by his own childhood and the bedtime stories shared with his young daughter, Ee Shahn.

These ten tracks are delightful and thoughtful experiments into songwriting targeted for children or the young at heart. Mostly neo-classical in tone with acoustic guitars (steel and nylon) at the fore, assorted percussion and the occasional cello (courtesy of Zhong Ren Koh), it’s easy to simply play through the duration of Songs of the Well and revel in its rustic sophistication.

My personal favourites are “Drip Drop”, “Swallow” and “Geckos of Eastwood” – which highlight Low’s focus on naive charm but the arty “Song of the Well” recalls Low’s time with art-rock ensemble The Observatory. It’s an atmospheric ambient song whose origins, Low was kind enough to elaborate on.

“When I was writing the songs in this album. I would often bring my guitar out of my studio to sit in the stairwell where I live, just to get a bit of a natural reverb. This really helped me to ease into the ideas and finish writing the songs (or the main bulk of it) rather quickly. A thought occurred to myself that these songs seem to be coming from “the well”, and it ended up being the title of the album. Ironically the track “Song of The Well” was the only song not written from the stairwell. Instead it was done in my studio, using music boxes, cymbals and effects”.

If there is one obvious complaint, it is that the songs are too short! I mean, once a enthralled listener really gets into the piece, it’s over!! Hopefully, Low will see fit to expand on the artistic success of Songs of the Well to give us fans more in the years to come. Please encourage that possibility by purchasing Songs of the Well.

… still there’s more … 

PET SOUNDS FROM BIG PINK: CHEATING SONS RECLAIM SIXTIES’ ROCK N ROLL LEGACY

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May 032015
 

CheatingSons

Cheating Sons!

Years in the making but definitely worth the wait. 10 tracks of such instrumental sophistication and erudite witticism that it is barely imaginable that the former cultural desert of Singapore is able to produce an album that absorbs the wondrous legacy of 60s rock and pop so well.

With the songwriting template pioneered by the likes of Roy Orbison, the Rolling Stones, Bob Dylan and the Band the band have also adopted the production values of Phil Spector and Brian Wilson to deliver a unique aural experience that will please rock scholars and casual music fans alike. An additional distinctive element is the band’s ability to incorporate East Asian sounds and melodies into the mix to create a East meets West amalgam that is surprising and pleasing.

Believe me it’s difficult to point out any particular highlights here as every track is an entity to itself but I will say that songs like the ghostly Beatlesque “Mercy of Cain and Abel”, the atmospheric folky “Patriach”, the country bluesy “Blood the Prize” and the Orbison-Teresa Teng channeling “Honeymoon” certainly deserve special mention.

In an amazing year for Singapore rock so far, this eponymous album is a definite standout and a statement of intent that hopefully will bring forth more exciting music from this wonderful band in the years to come.

CDs and digital albums will be available on cheatingsons.bandcamp.com and CDs also at Curated Records and Roxy Records & Trading.

CHANNELS & TERMINALS – FUNDRAISER FOR PLEASANTRY’S NORTH AMERICAN TOUR

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Apr 262015
 

instagramposter-2

This is quite an astonishing line-up of top top #sgindie bands. And all for a good cause – support local!

Pre-sale tickets can be purchased via channelsandterminals.peatix.com.

JAIME WONG: SINGAPORE’S SOUL SISTER | TODAYonline

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Apr 242015
 

So here’s my TODAY interview with Jaime Wong. Now, I hope you figured out that that headline came from my editor! But to be fair, I chickened out from coming up with one, so….

Check out the article and don’t forget that Jaime launches her EP on May 15, 7.30pm at Lepark, People’s Park Complex rooftop. Tickets from http://jaimewongep.peatix.com. You can buy the EP on iTunes (https://itunes.apple.com/album/jaime-wong-ep/id979791050)

Source: Jaime Wong: Singapore’s soul sister | TODAYonline

PoPTV: HONEYMOON BY CHEATING SONS

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Apr 242015
 

The new Cheating Sons single “Honeymoon” has an official music video. Directed by Frankie Pan, it’s otherworldliness contrasts intriguingly with the retro vibe of the song itself. Check it out!

Get the track from Bandcamp!

… still there’s more … 

HOUSE OF RIOT WITH CHARLIE LIM, INCH & THE GREAT SPY EXPERIMENT!

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Apr 192015
 

HouseOfRiot Poster-sm

On 6 June, House of Riot – home to Singapore’s well-loved independent acts, Charlie Lim, iNCH, and The Great Spy Experiment – presents an ambitious live show in homage to made-in-Singapore music, at The Esplanade’s grande dame The Concert Hall.

#sgindie music at the Esplanade Concert Hall? Somewhat unprecedented but surely the potentially record-breaking triple bill stands perfectly placed to do the deed.

Tickets for the Riot show are now on sale at SISTIC, and priced at S$50 for normal admission; S$40 for students and NSFs.

CHECK OUT RAGNAROK FOR ESTHER LOWLESS’ MESMERISING PERFORMANCE!

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Apr 162015
 

Ragnarok

Am not much of a theatre-goer but my main interest in covering Ragnarok has always been the fact that Esther Lowless would be acting and singing her original compositions within the body of the play itself. A unique opportunity to catch Esther in an entirely different creative environment.

According to its press release, “Ragnarok serves to confront its audience with difficult questions about issues of identity, power and illness that have evolved within the global gay community” but what makes the play ambitious is the concept of using Norse mythology and the apocalyptic myth of Ragnarok as an allegorical device. Of course, to appreciate this, one would need to understand Norse mythology to begin with and it’s much more than that hunky God of Thunder in the Marvel movies (and yes, the next Thor movie is sub-titled Ragnarok as well)!

So I reiterate that the purpose of this review is not really to evaluate the merits of the play per se, although I did find it intriguing if somewhat overwrought with the performances uneven. Instead, I focus on Esther Lowless. She plays Hel (in Norse, mythology, a being who presides over a realm of the same name, where she receives a portion of the dead), the bartender and musical performer at gay bar, Asgard. Her role is mainly as a passive observer and commentator (through the music performances) although Hel does have her moments as agent provocateur.

The key challenge for Esther is that Hel is on stage throughout the entire duration of the play! Thus, there is no break for Esther whatsoever! In that respect, she performs admirably combining her acting with musical performances superbly with wonderful new songs that imbue the play with much gravitas and emotional resonance. Some of my favourite moments – when the cast joins with Esther for bizarre singalongs – the play takes on the tone of a cracked musical – unsettling but transcendent at the same time!

There are 3 more performances of Ragnarok. Saturday 18th is sold out but tickets for tonight and Friday night are still available at time of press. Don’t miss this #sgindie music lovers!

Get your tickets from http://www.skinnedkneeproductions.com/productions-ragnarok.html

JAIME WONG’S DEBUT EP IS A GORGEOUS FOLK POP SUITE DEDICATED TO LOST LOVE

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Apr 112015
 

JaimeWong

I first fell in love with the music of Jaime Wong back in 2012 when I mentored her for an afternoon as the winner of the Noise-Timbre Singer-Songwriter Programme. The song that did the most damage was the atmospheric “Skin” and spending time with this down-to-earth easy-going talent was a pleasure. Thus, it was no surprise to me when Jaime won the Noise Singapore Award a year later because once this unassuming young lady is on stage, she tends to draws everyone watching into her melancholy world of broken hearts and lost love.

So I was thrilled to receive her new EP this morning in the mail and instantly fell in love all over again with her music. I guarantee that this four tracks will be on endless repeat once you get hold of the EP (and I wager you would want to). Apart from the shimmering “Skin”, it’s impossible not to be mesmerised by the luscious “Shame on You,” the slightly bouncy “To Lost Love” and the yearning country-folky “2:32 am”.

Yet another winner in an already grand year for Singapore music. Essential.

JWEP cover

 

Jaime’s debut EP will be available for pre-orders this coming Monday, 13/04/15 on iTunes. Pre-order and get an immediate download of “Skin (Wekkit Remix)”, exclusive for digital release.

 

… still there’s more … 

CHEATING SONS – HONEYMOON SINGLE

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Apr 102015
 

CheatingSons

Regular visitors to Power of Pop would be aware that I managed Cheating Sons effectively from July 2011. Fact is I am no longer managing the band so I can say with a clear conscience that their upcoming sophomore effort is worth the years it took to put it together.

Good news is that the first single – “Honeymoon” – has just been released today and you can pick it up at Bandcamp. “Honeymoon” is 60s pop goodness channeled through the sensibilities of Roy Orbison and Teresa Teng and it’s textural complexity will give fans and newbies a good idea of what to expect when the new album drops.

… still there’s more … 

SO HAPPY: 50 YEARS OF SINGAPORE ROCK – OPENING

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Apr 072015
 

SOHAPPYGIG

 

I know when this exhibition was first announced, there was some criticism about the ’50 years’ bit, considering that: –

1. The Quests‘ “Shanty”, the first ever local pop hit, was released in 1964 (!) and

2. when you subtract most of the 70s and the early 80s (when rock music was suppressed by the authorities) fifty years become a stretch

BUT you will appreciate that in order for the exhibition to get the appropriate funding some concessions needed to be made towards the whole SG5o business. Whatever it was called, the fact remains that the funding has allowed the organisers to put together a fitting tribute to Singapore rock, such as it is. Well, this is Singapore so the ends will justify the means.

In any case, the exhibition opens tomorrow (8th April) at the Substation Theatre with three S-ROCK bands viz. The Oddfellows, THE PINHOLES and Riot !n Magenta performing from 8pm.

Support local!

ORIGINALS SING: DEON

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Apr 062015
 

DEON

I first came across Deon Toh as the drummer for Singapore indie rock band Flybar. But when the band split, Deon decided to get up from behind the drums and become a singer-songwriter. I had the privilege of spending time with Deon when he was a finalist in the NAC Noise-Timbre singer-songwriter programme, and I was the designated songwriting mentor. He passed me Letters, an EP of sorts which he rather humbly described as a ‘demo’, although it sounded very good to these ears.

Since then, Deon has gone from strength to strength, releasing a well received debut album, Antiphonic, and impressing overseas audiences at music festivals in Canada and the UK. Deon is in the process of completing the recording of his sophomore effort and will be heading to Canadian Music Week once more in May. But before then, local music fans will get a chance to give Deon a proper send-off at Originals Sing @ Artistry this Thursday 9th April. $10 cover.

Ariane Deborah will kick off proceedings at 8.30pm.

Web http://www.deontheband.com/
Facebook https://www.facebook.com/deontheband
Noisetrade http://www.noisetrade.com/deon
Twitter: @deontoh
Instagram: DEONTHEBAND

POWER OF POP INTERVIEW: EUGENIA YIP (RIOT !N MAGENTA + THE STEVE MCQUEENS)

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Apr 062015
 
Photo by Fandy Razak

Photo by Fandy Razak

I remember the first time Eugenia Yip caught my eye. This is what I wrote in a live review in TODAY, a few years back.

Riot !n Magenta is a relatively new duo consisting of singer/songwriter Eugenia Yip and keyboardist/producer Hayashida Ken and proved to be a totally different proposition. Yip is a dynamic soulful vocalist and managed to coax members of the audience to come to the front of the stage to groove to Ken’s contemporary-sounding beats. What the songs lacked in terms of conventional tunes, Yip make the most of with the range of her voice and her sultry on-stage persona. Certainly, the duo holds much promise for the future.

Now a quintet, Riot !n Magenta have a new EP out – Voices (I reviewed it here) – and will be playing at the So Happy: 50 Years of Singapore Rock exhibition opening at the Substation Theatre on the 8th April alongside The Oddfellows and Pinholes.

But Ginny (as she likes to be called) is at the centre of attention – whether it be fronting R!M or her other amazing band, The Steve McQueens. So I thought it would be awesome to get Ginny to respond to some of my queries and she obliged! Enjoy…

Are the new songs about relationships? Even damaged ones? 

They’re mostly about personal realizations, or things I experience and feel for very strongly. I wrote “Voices”, inspired by the strength of three women I look up to very much. Nothing inspires me more than the giving of unconditional love, even through the toughest of times. The new songs are a little darker, a little older. “Running” was written about the process of letting go of a past made up of regrets, or even happier times that you struggle to forget, because they tend to remind you of what you’ve lost, but in an insanely more painful way. It is about finding happiness from forgiveness, both given and received.

Continue reading »