The inaugural Scream Asia Film Festival got off to a rollicking good start with the premieres of Zombiepura (world) and Overlord (Asian).
A rare thing indeed to come across a pop song that addresses the social issues of Singapore but Shannon Luke has done exactly that with his latest single, “The Survey”.
Loosely based on Shirley Wilson’s classic 1959 novel of the same name, this Netflix series is a tour-de-force from writer-director Mike Flanagan and possibly one of the best of its kind this year.
EC fans received a bit of a scare after the singer-songwriter cancelled a clutch of live dates due to ill health. But news of his recovery and the release of Look Now – one of Costello’s best albums of recent times – must have cheered diehard followers!
Our beloved rock music is much more than the number of Instagram likes or Youtube views or Spotify plays. It is all about heart and soul.
If you like your superheroes light and you are not too concerned about well-developed plots and characterisations, then Venom is the movie for you!
There is a pleasing new wave of music artists taking the bold step of making ‘real’ music again. The old-fashioned way, so to speak. Like Texas-based singer-songwriter Molly Burch.
Philly indie rockers Restorations return from a 4 year hiatus to deliver a powerful new album, LP5000.
Review By Yong Shu Hoong
Watching Stanley Kubrick’s 2001: A Space Odyssey 50 years after its original release, I was surprised how well it has aged. True, some of the special effects may feel somewhat underwhelming by today’s standards, but none of it comes across slipshod, and there’s no denying how far ahead of its time this classic was in 1968.
My review of My Magic from a decade ago!
Before I get into this review, a caveat – I was involved in putting together the music of this film, so if you wanna take this with a pinch of salt, feel free.
As regular visitors will know, I am a huge fan of scifi author Phillip K Dick and I always take pleasure in discovering works that incorporate the themes that Dick’s novels focused on. In that light, I highly recommend the new Netflix streaming series, Maniac.
Let’s sum up this 80s-channeling revenge shlock-horror flick – Mandy is a gory, bloody, surreal, LSD-fuelled heavy metal arthouse nightmare. And I mean that in the best way possible.
Songwriting duo Scott McPherson and Jamie Grant present a debut album that lives up to its name.
Continuing our lookback at our publishing history with a decade-old review of Brass Bed!
BRASS BED Midnight Matinee (Self released)
I’m guessing that Brass Bed got their name from Dylan’s Lay Lady Lay but I could be wrong.
Korean monster movie Monstrum is a competent genre flick with an interesting plot somewhat spoiled by its own premise.
As faithful readers would know, I effectively boycotted this seemingly pointless movie when it was released in cinemas, due to The Last Jedi‘s desecration of the Star Wars legacy. But to be fair, I decided to see for myself – so to speak – as the movie has just been released digitally.
The Predator is ostensibly a sequel to the first two Predator movies – referred to in passing in the movie – though for all intents and purposes, it is a soft reboot of the scifi-horror franchise.
When Trump became President, there was lots of talk about how resistance to his administration would inspire loads of protest music similar to the 80s with Ronald Reagan and Margaret Thatcher. Has not quite panned out that way, so thank goodness for Seattle’s The Refusers!
Now this is more like it! A band that self-identifies as a punk band and none of that fuckin’ “pop-punk” bullshit!
As part of its 60th anniversary, the Singapore Film Society (SFS) has programmed a series of independent award winning documentary films between September to October as its core screenings in the lead up to the Singapore premiere of Sandi Tan’s award-winning SHIRKERS on 20 October.
Feel-good pop music is what Sure Sure is interested in. After all, the quartet has already amassed 14 million plays on Spotify, so…
White Denim are back with yet another collection of iconoclastic rock ‘n’ roll songs!
Once again, Bittersweet Machines (a.k.a. Matt Mocharnuk) delivers another potent shot of melodic adrenaline infused with 80s pop-rock sensibilities of the highest order!
Buffalo Boys is helmed by first time director Mike Wiluan and jointly produced by Infinite Frameworks and Zhao Wei Films.
Why describe yourself as “alternative pop” when it’s obvious that you are influenced by Orange Juice and Josef K – purveyors of classic ’80s indie pop?