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Apr 162015
 

Ragnarok

Am not much of a theatre-goer but my main interest in covering Ragnarok has always been the fact that Esther Lowless would be acting and singing her original compositions within the body of the play itself. A unique opportunity to catch Esther in an entirely different creative environment.

According to its press release, “Ragnarok serves to confront its audience with difficult questions about issues of identity, power and illness that have evolved within the global gay community” but what makes the play ambitious is the concept of using Norse mythology and the apocalyptic myth of Ragnarok as an allegorical device. Of course, to appreciate this, one would need to understand Norse mythology to begin with and it’s much more than that hunky God of Thunder in the Marvel movies (and yes, the next Thor movie is sub-titled Ragnarok as well)!

So I reiterate that the purpose of this review is not really to evaluate the merits of the play per se, although I did find it intriguing if somewhat overwrought with the performances uneven. Instead, I focus on Esther Lowless. She plays Hel (in Norse, mythology, a being who presides over a realm of the same name, where she receives a portion of the dead), the bartender and musical performer at gay bar, Asgard. Her role is mainly as a passive observer and commentator (through the music performances) although Hel does have her moments as agent provocateur.

The key challenge for Esther is that Hel is on stage throughout the entire duration of the play! Thus, there is no break for Esther whatsoever! In that respect, she performs admirably combining her acting with musical performances superbly with wonderful new songs that imbue the play with much gravitas and emotional resonance. Some of my favourite moments – when the cast joins with Esther for bizarre singalongs – the play takes on the tone of a cracked musical – unsettling but transcendent at the same time!

There are 3 more performances of Ragnarok. Saturday 18th is sold out but tickets for tonight and Friday night are still available at time of press. Don’t miss this #sgindie music lovers!

Get your tickets from http://www.skinnedkneeproductions.com/productions-ragnarok.html

Apr 122015
 

living_eyes

What goes up must come down.

In 1979, riding on the popularity of the Saturday Night’s Fever film soundtrack, the Bee GeesSpirits (Having Flown) sold almost 20 million copies. I still remember heading down to the Kwang Sia record store at North Bridge Road where the LP was literally flying off the shelves. Crazy.

However, barely 2 years later, the band’s follow-up Living Eyes would only sell 750,000 copies worldwide! What happened?

Well, disco had become unfashionable and the Bee Gees were (unfairly) associated with the genre. Not only that but rock music had begun to make a return to the charts in a big way with bands like The Police, REO Speedwagon, Genesis, Rush et al, and suddenly the Bee Gees sounded very dated and somewhat lame.

That said, the Bee Gees themselves took pains on Living Eyes to move away from the disco sound that had made millions of them and the trio explored once again the pop balladry style with which they first made their name. But the music critics and fans alike did not want any of it resulting in an abject failure, that the Bee Gees barely recovered from.

BUT listening to Living Eyes now, 34 years later, it is clear that it did not deserve the criticism and hatred it did. The songwriting is sharp, the singing is beautiful and it’s fair to say that the album should be re-assessed by any serious pop music lover.

Songs like the title track, “Paradise”, “Don’t Fall in Love With Me”, “Wildflower” and “Soldiers” are as good as anything on 70s classics “Mr. Natural” and “Main Course”. True blue pop fans will find these tracks irresistible and will want to listen to them over and over to savour the wondrous melodies and harmonies.

Listen without prejudice and prepare to be amazed.

… still there’s more … 

Apr 112015
 

JaimeWong

I first fell in love with the music of Jaime Wong back in 2012 when I mentored her for an afternoon as the winner of the Noise-Timbre Singer-Songwriter Programme. The song that did the most damage was the atmospheric “Skin” and spending time with this down-to-earth easy-going talent was a pleasure. Thus, it was no surprise to me when Jaime won the Noise Singapore Award a year later because once this unassuming young lady is on stage, she tends to draws everyone watching into her melancholy world of broken hearts and lost love.

So I was thrilled to receive her new EP this morning in the mail and instantly fell in love all over again with her music. I guarantee that this four tracks will be on endless repeat once you get hold of the EP (and I wager you would want to). Apart from the shimmering “Skin”, it’s impossible not to be mesmerised by the luscious “Shame on You,” the slightly bouncy “To Lost Love” and the yearning country-folky “2:32 am”.

Yet another winner in an already grand year for Singapore music. Essential.

JWEP cover

 

Jaime’s debut EP will be available for pre-orders this coming Monday, 13/04/15 on iTunes. Pre-order and get an immediate download of “Skin (Wekkit Remix)”, exclusive for digital release.

 

… still there’s more … 

Apr 072015
 

No_Pier_Pressure

I love Brian Wilson.

But mainly for his stellar work with the Beach Boys in the sixties. His solo albums have been largely disappointing apart from his eponymous debut and the re-imagining of Smile. The problem is with co-producer Joe Thomas, who also worked on the boards on the ironically titled Imagination and the passable Beach Boys 50th anniversary release, That’s Why God Made the Radio. The sound is just too slick and over-produced and almost sounds like a ham-fisted Beach Boys pastiche. And yes, that awful title is the first bad sign that this album is going to suck and it all goes downhill from there.

Despite all this, the collaborations with former band mates manage to shine above the dross e.g. “Whatever Happened” and “The Right Time” (both with Al Jardine and David Marks) and “Tell Me Why” (also with Jardine). The other collaborations (with She and Him, Kacey Musgraves and Sebu) fall flat and are mostly forgettable like the rest of the album. If only the Wilson camp would give someone like Darian Sahanaja or Sean O’Hagan a chance to help Brian in crafting the sounds but alas, that is probably never going to happen, when Joe Thomas seems to be the favoured one.

Sigh.

Mar 312015
 

SpotifyLogo

NOEL GALLAGHER’S HIGH FLYING BIRDS – CHASING YESTERDAY

For some reason, this latest album from the ex-Oasis man sounds uncannily like Pink Floyd! Unfortunately, it’s the post-Roger Waters version – probably the poorest incarnation of the legendary band – with several guitar passages echoing the work of Floyd’s David Gilmour. It’s still more listenable when compared to most new modern rock though and that’s an inditement.

OF MONTREAL – AUREATE GLOOM

Speaking of Pink Floyd, psych-pop veterans Of Montreal returns with a smashing new album demonstrating that the influence of Floyd founder Syd Barrett continues to resonate strongly with the band. Fans of chronic psychedelia need to have some Aureate Gloom in their lives!

Continue reading »

Mar 272015
 
Photo by Erik S. Lieber. (L-R: Anne-Marie Stehn, Jim Allen, Sean McMorris, Robert Sorkin).

Photo by Erik S. Lieber. (L-R: Anne-Marie Stehn, Jim Allen, Sean McMorris, Robert Sorkin).

There is a quiet self-assurance in the manner in which New York melodic rock outfit Lazy Lions approach their music. Certainly, a band has to be if it decides to play in the 60s/70s pop-rock sandbox. The pop-rock of the 80s to be more precise, as the band lays claim to the influences of Elvis Costello, Squeeze, Joe Jackson, The Cars and Crowded House. The tunes have an easy charm about them – on songs like “Tiny Little Cracks” and “Diane”, it’s not difficult for the unwary listener to begin humming to the refrains. Quirky numbers like “Let the Bad Times Roll” and “Scientific” help to keep thing somewhat interesting. Songs tend to be mid-tempo as a rule and a change in pace now and then would not have hurt. That all said, the slinky “You Can Run” and the smoky “Creep Across the Night” offer enough of a variation to demonstrate promising versatility. But if it’s straight-ahead rocking pop songs you want then “February” and most of When Dreaming Lets You Down, will not… erm… let you down. Jim Allen shared with us a couple of his thoughts about the band and their music.

Why did the four of you come together as Lazy Lions?

We had all done a lot of different things individually. I put out three records as a solo singer/songwriter, Rob had been a classical French horn player (who just happened to also be a killer guitarist), Anne-Marie had been in a band that ended up on a major label and did a ton of touring, and Sean had played with Richard Lloyd of Television besides being a singer/songwriter himself with solo albums out. To be totally honest, I just heard somebody say the words “lazy lions” one day and thought “What a great band name, I’m gonna start a band and call it that!” So I did. That’s really how it started!

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FLYING THE POWER POP FLAG WITH RANSOM AND THE SUBSET

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Mar 262015
 

Ransom

Power of Pop is always on the lookout for new music that stays faithful to the 60s/70s template for melodic pop-rock or rock ‘n’ roll or power pop. Ransom and the Subset – one fine example of this – is the brainchild of singer/songwriter/guitarist RanDair Porter. It’s latest album, No Time to Lose, was released in September 2014 but it’s always better late than never when it comes to great music. For Pop Underground fans, this is really a no-brainer – from the opening Jellyfish-referencing power chords of the infectious “Anna”, it’s clear that Ransom and the Subset has got what it takes to hypnotise like-minded fans of The Cars and Weezer. In particular, the single “Million Out of Me” is an effective ear-worm that will have melody junkies hitting repeat. Read what RanDair has to say about the band and the music.

How did the band get together?

I had a cover band together for the last few years – The band was called “Subset”, because the members were a subset of a band I had in High School. The bass player lived in San Diego and me and the drummer up in Seattle. I had become interested in recording some of my originals but, for whatever reason the project wasn’t something the of the other members were able to participate in. I called the project “Ransom and the Subset” – I did this because I wasn’t sure who would be singing on the project and I did not want to name the band after a single individual. There is no one named “Ransom” in the band.

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RIOT !N MAGENTA – A SOUND REVOLUTION

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Mar 182015
 
Photo credit: Teck Io

Photo credit: Teck

Whatever the genre, nothing gets more attention in a song than a powerful, distinctive female voice. Dedicated music fans should be familiar with Eugenia Yip from her vocal antics with jazz-rockers The Steve McQueens. However, Ginny (as she likes to be called), also fronts electro-outfit Riot !n Magenta, ably backed by Hayashida Ken (synths), Khairyl Hashim (guitar), Sulaiman Supian (bass) and Ritz Ang (drums).

R!M have been somewhat under the radar despite having played Baybeats 2011, launched a debut EP – R3B007 – at Esplanade Recital Studio in 2013 and even opening for CHVRCHES last year. But no doubt that will all change with the release of the new EP, Voices.

The four tracks available on Voices reveals a mature sonic agenda that continues to channel a strong trip-hop-soul vibe that highlights Ginny’s idiosyncratic vocal stylings and melancholy lyrics that emphasise the damage that relationships inflict on humans.

“Love is not supposed to be a chore” (“CTRL”) and “I can’t unhear the things but you said it” (“Told You So”) – words that put the songs in perspective, heartfelt emotions hard to ignore. Supported by pristine electronic beats and ambience, it is so easy to be swept away by the music on this EP. Not to be missed.

Connect with Riot !n Magenta

Facebook http://www.facebook.com/riotinmagenta
Twitter http://www.twitter.com/riotinmagenta
Soundcloud https://soundcloud.com/riot-n-magenta

RALEGH LONG’S GORGEOUS DEBUT IS HOVERING DANGEROUSLY CLOSE TO GREATNESS

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Mar 172015
 

RaleghLongHoverance

I met English singer-songwriter Ralegh Long last year when he visited Singapore and found him to be an unassuming, down to earth chap. You can listen to my interview with Long here. What I particularly liked about Long was the deep commitment to his craft and that he found inspiration from cult singer-songwriters like Robyn Hitchcock and Epic Soundtracks. This dedication can be seen in his songwriting, which can be best described as ‘traditional’ and ‘old-fashioned’ in that it relies on sophistication, orchestration and courageous musical choices to get the job done. Certainly not a bad combination! On his debut album, Hoverance, Long delivers a robust collection of deceptively simple songs that beg for closer inspection. Utilising tools of emotional resonance like pedal steel, a string quartet and woodwinds, Long imbues a baroque-like feel to the songs that engender a melancholy ambience that is impossible to ignore. I caught up with Long via email to get him to talk about how he put this gorgeous album of heartfelt songs together.

What were your inspirations for the mood and atmosphere generated for the album?

The mood and atmosphere came from sounds I’d had in my head for a while. I’ve always heard woodwinds in particular as a kind of synthesiser. I guess the pedal steel element came more accidentally. I asked Jack Hayter (Ex-Hefner) to play on a song called “Elizabeth” off my previous E.P The Gift and then we worked more and more closely together until he now plays in my band.

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GEEK OUT! THE WALKING DEAD – FROM DESPAIR TO WHERE?

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Mar 162015
 

TheWalkingDead514-1

Am beginning to despair at The Walking Dead. Group characters are dropping like flies in Season 5. A bit of an overkill, I would argue. Yes, I understand the dynamics of this dystopian future reality but it’s still ultimately a TV show. It’s almost dark for the sake of being dark. As more is revealed, we discover that Alexandria is not the paradise we imagined (as expected) and in sharp contrast to our group, the Alexandrians are not willing to sacrifice their lives for their fellow man.

With two episodes left till the end of the season, the series is building up to a climax that will most probably end in tears. Who will be left standing? I shudder to think.

IN EACH HAND A CUTLASS’ THE KRAKEN IS A PROGRESSIVE ROCK MONSTER FOR THE AGES

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Mar 162015
 
IEHAC

Daniel Sassoon, Nelson Tan, Sujin Thomas, Jordan Cheng, Amanda Ling

One of the perks of being a rock journalist is getting advances of new releases and it’s even more satisfying when you get a chance to listen to cutting edge rock music that is made by good friends as well. As regular visitors to Power of Pop will be all too aware, I have been a rabid fan of In Each Hand a Cutlass since the early days and whilst guitarist extraordinaire Daniel Sassoon (Livonia, Electrico) has always been the band lynchpin, the musicians Sassoon has surrounded himself with over several lineup changes have always been some of the best in the business.

IEHAC’s debut A Universe Made of Strings was a powerhouse in its own right but seems almost like a kindergarten school outing when compared to the new album, The Kraken. As dynamic as those individual tracks were, they cannot hold a candle to the cohesive ambition displayed on this astounding work. Helmed by the legendary L.A. producer Brad Wood, there is a consistency running throughout the LP that compels the listener to sit entranced for the entire duration, breathless at the wonder and awe that the music evokes, somewhat effortlessly.

As its centrepiece is the mammoth title track, broken down into four parts, for easier consumption. “The Kraken” is almost a treatise on rock music itself, finding ways to incorporate diverse strands of the best rock styles that have inspired millions over decades. Once again, this is progressive rock in the best sense of that term – not merely a genre identifier but a statement of artistic intent. Equal parts post-rock, prog-metal and psych-rock, this epic number brings the unwary listener across dimensions, a witness to interplanetary warfare and the birth and death of galaxies! One never questions the lack of lyrics for even a micro-second as the music speaks volumes.

If the album only contained “The Kraken”, it would already be worth the price of admission but add to that the power and majesty of tracks like “Ouroboros” and “Heracleion” and the picture is perfect. Essential but you already knew that.

IEHAC launches The Kraken on 24th April 2015 at the Esplanade Recital Studio. Tickets available from SISTIC.

In the meantime, listen to the first single “Satori 101″

Connect with IEHAC online

Web http://www.ineachhandacutlass.com/
Facebook https://www.facebook.com/IEHAC
Twitter http://www.twitter.com/IEHAC
Bandcamp http://ineachhandacutlass.bandcamp.com/

S-ROCK FLASHBACK: FORCE VOMIT – GIVE IT UP FOR THE TRUSTFUND ROCKERS

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Mar 152015
 

Here’s a review from February, 2003.

ForceVomit

FORCE VOMIT Give It Up For The Trustfund Rockers

Force Vomit viz. Nizam, Dino, Neng & Wan Vomit, requires some explanation for music fans unfamiliar with the peculiarities of Singaporean indie rock. Force Vomit position themselves somewhere between the punk pop of the Ramones (hence the ‘family’ names) and the colloquial Malay brand of Western rock called ‘Mat Rock,’ Force Vomit bring an alternative sensibility to what is very much mainstream Malay rock vernacular. Except that the ‘Mat Rock’ Force Vomit deals in, is more of a 60s variety, incorporating elements of Dick Dale surf rock, the Shadows’ slick instrumental rock and Buffalo Springfield folk rock into their approach.
Make no mistake, this is distinctive stuff and something many outside of South East Asia would be totally unfamiliar with its angles and perspectives. The melodies may be a tad clichéd and at times too common for comfort but Force Vomit attacks its chosen targets with verve, aplomb & yes, tongue firmly in cheek. How else could one describe such passionate guitar dynamics as found in “Liberator,” “Siti,” “Johnny Levitate,” “Aisakos Don’t Die” & “The Kids Don’t WTF”?
Guaranteed to screw up every conception one might have of what modern Western rock may achieve, let these mischievous sonic anarchists thrill, amuse and entertain you.

THE BOOB TUBE: SCANDAL – THE CALM BEFORE THE STORM

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Mar 142015
 

Scandal415-4

To be honest, after the intense drama over Olivia’s kidnapping, it was hard to imagine how the series could ramp up again after that high. But this episode hints at a whole new ball game, with the introduction of Susan Ross the new Vice-President and Huck’s wife reporting B613 to the Attorney-General, there’s a whiff of something dark and sinister on the horizon.

That all said, it was rather annoying to see Olivia sulking throughout the entire episode. Yes, I get that she suffered through an awful ordeal but you would think she would be used to all the nonsense by now. Or maybe not.

GEEK OUT! AGENTS OF SHIELD – TRUST NO ONE

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Mar 122015
 

AgentsOfSHIELD212-2

Things are finally cooking in Agents of SHIELD! Asgardian Lady Sif returns chasing a Kree warrior (in disguise) and the latter explains Kree history regarding the Diviners, Terragenesis and (without saying the word) the Inhumans. Also, Skye is outed as an Inhuman and Coulson, May and team do their best to protect her but things are not peachy within the ranks. Mack and Bobbie are working against their team-mates and whilst it seems par for the course for a spy drama, it is an annoying plot device after all the HYDRA nonsense.

What is significant is that it is obvious that the Agents of SHIELD will feature strongly as a lead-in to the Inhumans movie – which is still years away though. It is great though that the MCU continues to be brought more into play – just resolve that Mack-Bobbie conspiracy ASAP!

THE BOOB TUBE: BETTER CALL SAUL – GET BACK

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Mar 122015
 

BetterCallSaul106-4

This episode was all about the secret origins of Mike Ehrmantraut (Jonathan Banks) and an emotional one at that. Ehramantraut was such a popular character on Breaking Bad, that it is so intriguing to finally get to see a bit of his backstory. Considering that we are still in prequel mode for Better Call Saul, this episode not only plants the seeds for the relationship between our titular character and Ehrmantraut, it offers us a glimpse into the latter’s soul that was previously unfathomable.

At the very end, when Ehrmantraut breaks down in front of his daughter-in-law over the fate of his son, it’s impossible not to feel the pain in his eyes and the helpless sense of regret. Quite possibly, the best in the series thus far.

GEEK OUT! THE WALKING DEAD – SEE NO EVIL

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Mar 102015
 

TheWalkingDead513-4

What’s going on? Why are our intrepid gang of survivors acting like the bad guys? How am I supposed to feel about Carol threatening a young child in order to conceal a secret? Are Rick and company totally unable to adapt to normal life and trust anyone now?

These questions and more will plague you as you try to understand the fundamental changes confronting our favourite characters on The Walking Dead. Despite the apparent peace and calm of Alexandria, Rick, Carol and Daryl are expecting the worst and are acting accordingly.

This will all end in tears. It is guaranteed.

GEEK OUT! 12 MONKEYS – BY ALL MEANS NECESSARY

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Mar 082015
 

12Monkeys108-2

Got to hand it to the folks behind 12 Monkeys – not only have they managed to deepen the emotional resonance of the characters in the series but they have continued to used the time travel plot device to heighten the dramatic tension well throughout. In recent weeks, the series has given due focus to the ‘present day’ scenario of 2043 and in this episode we are introduced to Colonel Foster, the leader of Spearhead (a military colony where Jones and Whitley once lived) who stands in the way of the repair of the time machine and the recovery of Cole from the past.

Yes, Cole was not killed – though the reason why is probably worth the price of admission – as was suggested in the previous episode. There is superb misdirection in this respect as Dr. Raily attempts to find out whether Cole survived the airstrike or whether he was successful in altering the future. What do you think?

GEEK OUT! HELIX – CLOSE TO THE EDGE

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Mar 072015
 

Helix208-2

Things come to a head in this episode as we move ever closer to the finale. The ambitious Amy makes her play against Michael – the result of which is discovered by Julia thirty years later! Amy also figures in negotiations with Sarah to secure the return of her immortal child (in one of the creepiest sequences thus far).

The Coast Guard returns to St. Germain with its officer-in-charge spouting cliches after cliche and the CDC team – now led by Alan – head out to get to the bottom of the pantagen, once and for all. Meanwhile, in the future, the plot gets more and more convoluted. Hopefully, the loose ends will tied up soon.

THE BOOB TUBE: SCANDAL – REALITY BITES

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Mar 062015
 

Scandal414-3

After the stress and the pressure of Olivia’s kidnapping, Scandal is brought down to earth with a hard bump with an episode that reflects the recent controversies in Ferguson and New York regarding the killing of unarmed African-American men by the police. Yes, it’s a relatively simple and un-convoluted plot but highly effective. By the end, the viewer will be brought to tears by the emotion of the message. A very strong episode, that does not need too much elaboration.

GEEK OUT! AGENTS OF SHIELD – INHUMAN, A MUTANT BY ANY NAME

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Mar 052015
 

AOS211-4

After the shocking (literally!) events of the mid-season finale, the Agents of SHIELD have to re-group and figure out how to move forward in light of Tripp’s death. Even as Skye is stuck in quarantine, Raina has been transformed into a spiky Inhuman (although she seems more like a typical Marvel Comic Mutant – Damn you, Fox) and is struggling to adapt to her new body and abilities. We are also given more information about Gordon, the teleporting Inhuman who will probably end up as Raina’s mentor.

As for Coulson, he takes lethal action against HYDRA as revenge for Tripp’s demise and it is ruthlessly effective, to say the least. Mac and Bobbi seem to have a shared secret (Are they HYDRA agents? That would be boring!) whilst Fitz helps Skye to keep her own transformation a secret from their SHIELD team mates. Interesting set ups for the conflicts to come. I do hope that more tie-ups with the Marvel Cinematic Universe will be seen in the coming episodes.

THE BOOB TUBE: HOUSE OF CARDS SEASON 3 – SHOOT OUT THE LIGHTS

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Mar 042015
 

HOC3-1

Much anticipated as it was, Season 3 of Netflix original series, House of Cards was a massive disappointment.

Having fought his way from Speaker to Vice-President to President, it was expected that our protagonist Frank Underwood would bring his own vicious brand of politics onto the biggest stage of all, with all the ensuing drama that implies. Instead, House of Cards 3 was somewhat hijacked by the writers to make Clare Underwood the protagonist and cast Frank Underwood as the villain in his own story. From the moment, she is appointed Ambassador to the UN (a preposterous wrong move that the series never quite recovers from), the writers rely too much on this crutch to generate the drama and conflict between the Underwoods.

All the usual obstacles to Frank’s ambitious machinations were nicely set up to create the appropriate tension and the guilty pleasures fans take in watching Frank succeed (by all means necessary) have always been the highlight of this series. But in the last three episodes, the series took an awful tangent with Clare totally acting out of character and somewhat upsetting all the expectations. To be honest, it was difficult to fathom Clare’s reasoning behind all her actions when compared to the character revealed in Season 1 & 2. Sure, Clare is fiercely independent and Machiavellian in her own right but what are the writers trying to say with her about-face? That women cannot be understood by men? That women are illogical and emotional and will act without just cause, if they did not feel right about something? All rather sexist, in my view.

And what about the whole Doug Stamper sub-plot? What the hell was that about? Again, a distraction and a confusing plot device that ultimately served no purpose. Worst thing about House of Cards 3 was that it ended with a whimper unlike the previous 2 seasons. After 13 episodes, one can only look back and conclude that the writers have run out of ideas and are stretching out the goodwill of the series for whatever it is worth.

*Sigh*

THE BOOB TUBE: BETTER CALL SAUL – BE CAREFUL WHAT YOU WISH FOR

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Mar 032015
 

BetterCallSaul105-1

Truth be told, this episode – “Alpine Shepherd Boy” – was a letdown after the highs of the previous episode. Neatly divided into three parts, the opening act finds Jimmy MacGill realising that getting folks calling him might necessarily mean a good thing as his client prospects tend to be disappointing. However, with the second act – of Chuck getting arrested by police and winding up in the hospital – Jimmy gets the hare-brained scheme to mark out a niche in ‘elder law’ and extends his marketing to the old folks home.

And the show would have ended nicely enough there but that final act with Mike Ehrmantraut seemed awkwardly tacked on. That said, the situation Mike finds himself is tailor-made for Jimmy to come in and save the day.

GEEK OUT! THE WALKING DEAD – THE TROUBLE WITH NORMAL

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Mar 022015
 

TheWalkingDead512-4

Our gang of survivors begin to settle in at Alexandria but our favourite characters are waiting for the pin to drop. Who can blame them, after all the trauma that they have been through in the last five seasons? Halfway through this transitional episode Carl tells Rick that he is worried they would get ‘soft’ if they stayed in Alexandria and by the end, Rick is confident that being ‘soft’ is no longer a part of who they are and rather ominously declares that if the inhabitants of Alexandria are not good enough, then they would take over.

There are signs of tensions even in this superficially placid surroundings but one feels that Rick and company are well suited to handle any challenges and ironically, they might prove to be the biggest threat to the well-being and security of Alexandria.  A great turn of events and change of pace that as usual keep the proceedings intriguing. Kudos!

GEEK OUT! 12 MONKEYS – IT’S THE END OF THE WORLD AS WE KNOW IT (AND I FEEL FINE)

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Mar 012015
 

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Even as I find the leading actors utterly unremarkable (it is obvious they were cast purely for their good looks), I am enjoying Syfy’s re-imagining of 12 Monkeys for its proper exploration of time travel implications. Sure, even that is not perfect but one can appreciate the genuine effort. This episode seems to superficially wrap up the series (it does not of course, in reality) but it was intriguing the manner in which we were led to believe it was. The mechanics of time travel for James Cole (it is all past for him) and Cassandra Raily (living in real time) is that their shared experience may not be linear and that is the beauty of the story-telling. With the various changes in time that Cole is effecting, surely the question must arise is whether there is one timeline or are we witnessing the splintering of various alternate timelines. One suspects that the latter is a tad too sophisticated for a TV audience, even for a scifi drama series but wouldn’t it be nice?