Stark minimalist hip-hop from rapper Josh Sallee in collaboration with Jedidiah.
Though Netflix’s latest original series – a look back at New York City nascent hip hop and rap culture – has been compared to HBO’s Vinyl for its similar attempts to evoke roughly the same pop cultural epoch, The Get Down approaches its subject matter from a different angle.
Before the rock underground can thrive, one must first have a successful pop mainstream. So the sheer amount of Singapore pop music getting traction amongst the young in 2016 is cause for optimism. So check out the new S-POP darlings with new releases.
It’s always intriguing to have two opposing ideas build up to a contrast in a music video. And this is why the music video for THELIONCITYBOY’s new single “All Night Feat Sezairi, Mr Boo” works despite the inevitable clunky acting.
The song itself is quite lightweight pop with local crooner Sezairi providing the sweetness but there is a edgy underbelly when you appreciate where THELIONCITYBOY’s lyrics are coming from. It’s a refreshing take on hip hop’s usual concerns about partying and hooking up with the opposite sex.
The video is altogether a different proposition. Ostensibly, it may seem corny and cliched to come up with a horror story before Halloween but it seems that the zombie motif is really a deep commentary on relationships and it resonates when the actress involved is THELIONCITYBOY’s own better half, Aarika Lee.
I mean, that scene where she’s asking her zombie partner why he’s so slow (riding his bicycle at the beach – what a twist on the cliche!) is hilarious. So when the ending comes, it makes so much sense and the viewer is nodding in a knowing agreement. Which is why I have always appreciated THELIONCITYBOY’s work – it lures you in with superficial hip hop tropes but then slays you with a meaningful thought-provoking message.
Here’s an update from The Grizzle Grind Crew!
CONFESSTIVAL X #2ndGGC Anniversary [A *SCAPEmusic Programme]
Venue: *SCAPE The Ground Theatre (2 Orchard Link Singapore 237978)
Date: Sunday 5 April 2015
Doors open at 6:00pm
Indie folk-pop act Gentle Bones will be celebrating with us on stage. Malaysia-crossover pop sensation Sleeq will make a special appearance! Malaysia’s biggest rapper Joe Flizzow will be throwing down his jams while Los Angeles’ top underground rapper Dumbfoundead will be rocking the stage as well!
Yeah, the 200 moshpit spots are redeemed. BUT you still should register cause we are giving out totebags with goodies from our partners JUICE, Nando’s and Fleshimp. The totebags are for the first 500 registered pax who showed up at the show.
Now here’s the fun part! In the 500 totebags, there will be the following:
a. 28 x Bronze Totebags (GGC T-shirt)
b. 20 x Silver Totebags (GGC T-shirt + GGC poster)
c. 1 x Gold Totebag (GGC T-shirt + GGC Poster + 1 Pioneer DDJ Wego MIDI Controller)
d. 2 x Platinum Totebags (GGC T-shirt + GGC Poster + 1 pair of stage view passes – where you and your friends get to watch the entire at the side of the stage!)
For exclusive entry into the moshpit/Meet & Greet session, Workshops and merch giveaways (#2ndGGC totebag), register at: www.scapers.sg/confesstival.
Here’s a sweet, catchy and soulful fuck-off song from the ever-smooth Mark Bonafide. It’s pretty short too, clocking in at 2:53! That’s my only issue with “Issues” (ouch!) – I wish I could get MORE of its goodness! Nice interplay with Kim Olsen and Zahidah provides a riveting contrast. Taken from the forthcoming e.p. “LOVE/REBEL” it seems – can hardly wait! Check it out!
Moon Talkin’ with ShiGGa Shay
When ShiGGa Shay’s latest EP was released, I dropped a comment, saying that one day I would be interviewing him. Three weeks later, it happened. I found myself sitting down with him in a café, on a moonlit night, sipping green tea lattes, and just chillin’ as we talked about all kinds of things. The Singaporean rapper showed just how committed he is to his craft and revealed, among other things, who he’d like to work with, and his plans for the future. He surprised me with his depth and vision, and by the time I walked out of the café, I was convinced that ShiGGa Shay would be the next big thing that Singapore could offer to the world.
BELIEVE THE HYPE!
In many ways, the story of Pek Jin Shen—or ShiGGa Shay, as the rapper prefers to be known—is symptomatic of the odd complex Singaporeans have towards local music have in general. Ever since he first burst out on the scene in 2010 with a divisive performance on the short-lived Mediacorp production Live ‘N’ Loaded, he’s been dogged by accusations of arrogance and trying too hard to be American. Which is curious, because there’s really nothing more quintessentially Singaporean than wanting to be angmoh. But I digress.
ShiGGa Shay’s highly anticipated debut EP, They Call Me ShiGGa is finally done! This 9- track EP showcases ShiGGa Shay’s storytelling skills. The 19 year-old hip–hop artist navigates topics such as gaining acceptance as a musician in Singapore to the loss of his father to cancer.
Since early 2011, the rapper has been diligently working on this EP, working with several producers such as Kartell Records producer extraordinaire Muzique (from Flight School), Noctune & Outcome (from Malaysia), Don Richmond, The Architek and J Doug (from the United Kingdom). The young performer is quietly forming his own personal style and brand of hip-hop.
The album has been mixed by both Muzique and Don Richmond and mastered by Tony Dawsey at Masterdisk in New York City.
They Call Me ShiGGa is released digitally on Saturday 12 May 2012 through his official site: www.shiggashay.com and as a physical album with bonus additional material in early June. Pre-orders for the physical copies can be made on the official site on 12 May 2012.
Legendary artist/producer Dr. Dre appeared at the 2011 Mnet Asian Music Awards (MAMA) at the Singapore Indoor Stadium on November 29 with rapper/producer Snoop Dogg. It was the first time the pair has collaborated, for a televised broadcast performance, in 11 years.
This appearance kicked off the “Beats by Dr Dre” Asia-Japan tour, a highly anticipated promotional tour of Singapore, Hong Kong, Taipei and Tokyo spearheaded by Dr Dre and Jimmy Iovine, founders of the world-class audio brand. Dr. Dre and Jimmy Iovine next visited Hong Kong, to meet fans at an exclusive Apple Hong Kong consumer event before heading to the iconic hot spot, dragon-i, to celebrate its ninth anniversary with Snoop Dogg and DJ Jazzy Jeff.
Today – 1st December, Beats joined a press conference in Taipei with HTC Corporation, a global designer of mobile devices, to celebrate their new strategic partnership. Collaborating to pioneer the future of the smart phone industry, HTC and Beats aim to create superior mobile audio experiences for consumers, which will result in a line of HTC devices integrated with Beats’ sound innovations. The Taiwan leg of the tour will also feature a celebrity- packed party at the popular club, Luxy, with Dr. Dre and Snoop Dogg.To wrap up the Beats regional tour, Dr. Dre and Jimmy Iovine will head to Japan for their first post-tsunami visit. After meeting and chatting with fans at an Apple Japan consumer event on December 2, Beats will specially host a party at the infamous Le Baron, to be attended by the city’s biggest celebrities and top-tier media guests.
Dr Dre & Jimmy Iovine (NYC 2011) Credit: Kevin Mazur
Dr Dre & Snoop Dogg Courtesy of Beats By Dre: Photographer: Aloysius Lim
ShiGGa Shay – Let’s Roll (Aging Youth)
When local rapper ShiGGa Shay first made waves on Mediacorp’s Live & Loaded programme (as a raw, cocky 16 year old), he was met with derision and fair amount of hatin’. But to his credit, the rapper has persevered with honing his craft (and pursuing his dream). So I must admit that I was quite impressed with him when he turned up at the Noise Auditions last year – less cocky but more assured, he struck me as the ‘real deal’. ShiGGa Shay’s latest single continues his upward development as one of the brightest rappers in our region and there is no denying the sheer potential in his raps and beats on Let’s Roll. Check the lyric video below to see what ah mean…debut album to come soon.
Check out Aging Youth’s website for more information.
The mainstream strikes back? Well, not really. The major labels have slowly but surely been losing ground as fans continue to rip and download CDs. There may be less of them now but the stronger labels will survive even if they will have to be leaner and meaner in the process. There are still successes out there, that manage to retain certain aspects of musical artistry whilst being commercial enough to justify major label backing. We look at three examples, either released or distributed by Universal Music.
Press release: –
Kevin Lester’s debut album, LETS TALK ABOUT KEVIN LESTER, has been released. The album is available for FREE download at http://www.thelioncityboy.com. At the site, click “Buy Now”, and type in “0” USD to download the song or album for free. It will prompt the fan for his email address, and the free download link will be sent to his/her email.
The album features 8 original tracks, with features by P.Cess of Thaitanium, SonaOne from Kartel Records, Vanessa Fernandez, Syaheed of Bedsty and a few fellow band members of SIXX.
More info here.
[amazon-product alink=”0000FF” bordercolor=”000000″ height=”240″]B002US1YU0[/amazon-product]
EMINEM Recovery (Aftermath/Interscope)
The bad boy of rap (oxymoron!) returns with Recovery. Originally intended to be a sequel to previous album, Relapse (and to be named Relapse 2, natch!), Recovery now stands on its own. Although largely consisting of tracks recorded during the Relapse sessions with executive producer Dr Dre, Recovery is more song-oriented than Relapse and contains no skits at all.
There are also quite a few pop numbers on Recovery which frankly do nothing for me but where Eminem’s bad attitude penetrates the slick production haze, that’s where Recovery kicks ass. I mean, how many lyricists can trash talk and deliver putdowns with such poetry and comic effect as well!
Therefore, tracks like Cold Wind Blows, On Fire and Goin’ Through Changes reflect Eminem’s continual resistance against normal and proudly declares his personal manifesto, perhaps best summed up in Not Afraid – “I’m not afraid, to take a stand/everybody, come take my hand/we’ll walk this road together, through the storm/whatever weather” spoken in his own (real) voice.
The music is slick, well-produced for maximum commercial effect but it all serves the words that Eminem spits out with his patented angst. Naturally, as usual, there are a couple of gems and do not require any underlying music to have the desired effect.
“I’ll be nicer to women/when Aquaman drowns and the Human Torch goes swimming” (Cold Wind Blows)
“I put both hands on your throat/I sit on top of you squeezin’/till I snap your neck like a popsicle stick, ain’t no possible reason/I can think of to let you walk up out of this house and let you live/tears stream down both my cheeks, then I let you go and just give/and ‘fore I put that gun to my temple I told you this” (the excellent albeit disturbing Space Bound)
“I’m the thumb tack you slept on son/now here I come screaming ‘a tac!’ like I just stepped on one/low on the totem till he showed ’em, defiance, giant scrotum” (Almost Famous)
And so much more…
Sometimes its hard to take Eminem seriously when you read some of these lyrics but that’s probably the whole point. But then again, even Eminem offers a message of hope in the liner notes –
“THIS ALBUM IS DEDICATED 2 ANYONE WHO’S IN A DARK PLACE TRYIN’ TO 2 GET OUT. KEEP YOUR HEAD UP…IT DOES GET BETTER.”
Check it out!
EMINEM Not Afraid (off upcoming new album, Recovery)
The bad boy of Rap (now that’s an oxymoron, kids) is back with a new album, Recovery, and a new single, Not Afraid, which suggests that Eminem is going all touchy-feely on us, with kubaya-like lyrics and a video that has him flying around like a super-hero! The album should be a doozy (out, 21 June).
KID CUDI Man on the Moon: The End of Day (Universal)
As regular visitors to the Power of Pop will be aware, I’m not that big on rap. But I know enough about music to appreciate that once in a while, an artist comes along to transcend the limitations of his (or her) chosen genre. Typical hip hop is relatively easy music to make, utlizing stock beats and standard phrasing. The equivalent of aural wallpaper.
That’s why Kid Cudi with his new concept album, Man on the Moon: The End of Day, is such a refreshing breath of air! This experimental and distinctive debut album is chock full of left-field sonic ideas and deep concepts. Don’t get me wrong, its still rap but Kid Cudi embellishes his tracks with different rhythms and intriguing progressive approaches.
For instance, Simple As… plays around with spoken word in a manner reminiscient of Kraftwerk, the hit single Day N Nite (Nightmare) is brash with bright keyboard sounds, Enter Galactic (Love Connection Part I) comes across like vintage Barry White disco, Pursuit Of Happiness is full-blown 80s electro-pop with guests MGMT and Ratatat and Hyyear has a smooth loverman vibe that is irresistible.
It’s ambitious and harbours widescreen intent and that is pretty good in my book for someone who is very much rap-phobic. Check out Man on the Moon: The End of Day, even if you hate rap.
EMINEM Relapse (Aftermath/Universal)
It’s hard to believe that rapper Eminem aka Marshall Mathers aka Slim Shady has been around for more than ten years now. Since his low-key debut Infinite (1997), Eminem has gone on to sell more than 75 million records and in doing so has cut for himself a controversial path. Like Elvis Presley before him, Eminem has been accused for being yet another white boy who stole the blues. In addition, Eminem’s graphic representations of violence, misogyny and anti-homosexuality in his “music” has courted criticism and has been described as a negative influence on youth. However, there are also those who argue that Eminem is merely a commentator, highlighting (and thus, lampooning) the ills of society and not celebrating the topics of his “songs”.
Personally, I find it hard to listen to rap in general, for the fact that it’s not music (in my humble opinion) but merely words spoken rhythmically over a repetitive score, without musical value. Of course, in the 50s and 60s, I’m sure many shared these views about rock ‘n’ roll. Not to mention, the shock tactics that Eminem employs in communicating attitudes against women and homosexuals. Yet again, the same accusations of misogyny were levelled against the Rolling Stones and KISS in the 70s. So…
Let’s give Eminem the benefit of the doubt then. Having been on hiatus since 2005 amidst persistent rumours that he had retired as a performer, his first album in 4 years is not characterized as a “comeback” but rather humorously described as a “relapse”. The opening track – Dr. West (featuring actor Dominic West) – introduces us to the concept i.e. Eminem is out of rehab but the evil Dr.West tempts Eminem’s alter ego Slim Shady out of the cage and all hell breaks loose. Reading between the lines, is Eminem’s mega-selling rap act, a disease and an addiction? Hurm.
And thus, over the course of this 20-track album, Slim Shady is up to his old tricks. On Bagpipes from Babylon, Slim Shady obsesses over Mariah Carey – “I mean I really want ya bad ya cunt”, on My Mom, he goes all confessional as he gushes – “My mom loved Valium and lots of drugs”, on Insane, he reminisces about his step-father’s abuse – “we going out back-I want my dick sucked in the shed”, on Stay Wide Awake, he expresses his own violent inclinations – “see whore you’re da kinda girl I’d like to assault and rape and figure why not try to make your pussy wider/fuck you with an umbrella then open it up when the shit’s inside you” and… need I go on?
In the final analysis, reading these lyrics can be pretty stark although the impact is mitigated somewhat when you hear the silly music and the cartoony way in which Eminem delivers the words. You may say that Eminem has his finger on the pulse of US society and is merely reflecting reality (perhaps exaggerating for effect) in the same way as popular TV shows, films and video games do. Or you can dismiss him as an exploitative hatemonger. The choice is yours, as always.
Me? I’m sitting firmly on the barb-wire fence. Strictly for hardcore rap fans only.