Advert

Sep 212014
 

RAGLANS – “White Lightning”

This Irish band has released a fabulous music video for its “White Lightning” single (off new eponymous album). Directed by Finn Keenan, the video contains a couple of inventive visual gags and the song itself is great guitar rock in its own right. At almost 3 minutes, it’s a dose of classic pop-rock that certainly deserves your attention. Check it out!

Raglans available from iTunes.

Sep 182014
 
Pic by Ger O'Donnell

Pic by Ger O’Donnell

If like me you are besotted with classic pop and love the music of The Beatles, The Beach Boys, The Byrds, ELO and XTC, then my question to you is – why aren’t you listening to Pugwash? And if this is the first time you have heard of this awesome Irish band, then your timing is impeccable.

A Rose in a Garden of Weeds: A Preamble Through the History of Pugwash (to be released on 23rd September) collects songs from the band’s 1999 origins through the present day and when placed together in one place like this, is probably the closest a classic pop fan will get to heaven in 2014.

Pugwash A Rose In A Garden Digi

It is impossible not to fall in love with perfect pop songs like “Be My Friend Awhile,” “Apples,” “Answers on a Postcard,” “Fall Down”, “It’s Nice to be Nice” and so on and on and on. These 17 tracks constitute some of the finest pop music made since the new millennium and deserves as much attention as possible, if there’s any justice left in this cruel world.

I was lucky enough to catch the band live last year in London and believe me, it’s a wonder to behold. That Rickenbacker sound, those harmonies and infectious tunes will have you singing along in no time, unfamiliarity be damned! So check out the US tour dates below to make sure you don’t miss out on the fun, PoPies!

Check out the video for “It’s Nice to be Nice” below…

Sep 112014
 

MB-sand-and-the-rain-cover

Some of the classic pop music was written in the studio, without having been road-tested in live performance. The Beatles and The Beach Boys come easily to mind, of course. Appropriately, Dave Ody (aka Mothboxer) names both bands as principal influences and it’s no surprise that his music reflects the same ethos that his more famous forebears pioneered and mastered during the 60s.

Continue reading »

Jul 052014
 

Night_Full_of_Sharp_Edges

Matt Mocharnuk, the brains behind recording artist Bittersweet Machines is a songwriter with the ability to manipulate the emotions of anyone fortunate enough to listen to his musical creations. I count myself amongst this number – as I have followed Mocharnuk’s creative journey in the last couple of years and with each release, cannot help but be awed by the consistent quality of the songs found on Bittersweet Machines EPs and albums.

New EP – A Night Full of Sharp Edges – is no exception to this rule. Stylistically, Morcharnuk has moved away somewhat from the post-punk revivalist tendencies found on previous releases. The songwriting seems more organic without reliance on any particular ‘genre’. This creative decision has liberated the music to form it’s own conclusions based on the confluence of tunes and lyrics.

What remains the same is the emotional weight of the melodies, the astute use of dynamism, the appropriation of infectious hooks and riffs and ultimately the natural appeal of songs that do not need too much analysis or deep probing in order to divine their joys.

It is an absolute pleasure to move from track to track – songs like “The Longest Minute,” “Is It Enough” and “Screaming Underwater” – embellished simply by acoustic guitar and tasteful keyboards reach out to touch heart and soul, rightfully belonging to the sweet indie Brit rock epoch that birthed bands like Travis, Coldplay and Keane.

Yet another bloody essential release from Bittersweet Machines.

Find out more!

 

PoPTV

 MUSIC  Comments Off
Jul 042014
 

POPTV

Whenever we can, we strive to remind you – kind visitor – what Power of Pop is all about. Sweet pop music, 60s/70s styled is definitely on the agenda. Bring it!

THE CANYON RAYS – “The Sunshine Growers”

Here’s the new single from Californian pop enthusiasts The Canyon Rays as visualized by director Justin Slade McClain. The track will appear on their upcoming West Coast Babes LP later this year.

Listen to/download from Bandcamp

MONOMYTH – “Patsy”

Canadian quartet Monomyth pride themselves as being slightly left of centre as new single “Patsy” and its seriously weirded out video proves. Their debut album, Saturnalia Regalia!, comes out on July 22nd, 2014 on Mint Records!

Listen to/download the Monomyth eponymous EP from Bandcamp.

BLACK MOTH – “Blackbirds Fall”

And ‘classic’ hard rock is always part of POP POWER equation! Britain’s young new heavy rock heroes Black Moth release the first single and video from their forthcoming new album Condemned To Hope coming this fall. Horns up!

Official Site

… still there’s more …

Jul 012014
 

Nineties alt-rock fans will be thrilled by the news that Scottish band Travis return to Singapore on 1st August at the Star Performing Arts Centre. The band released their comeback album – Where You Stand – last year after a five year hiatus and this concert promises to be a highlight of 2014!

Tickets are priced from SGD58 (excludes booking fee) and are available via SISTIC.

Listen to our playlist of a possible Travis setlist. Enjoy…

Event page

PoPTV

 MUSIC  Comments Off
Jun 262014
 

POPTV

If not already apparent, here at PoP, we focus on pop with power. Invariably, that involves bands and artists that take a long hard look into the wide world of music available out there in the space-time continuum in a valiant effort to come up with something new, something unique, something that rocks the listener’s heart and soul. With that in mind, here are some of our YouTube discoveries (not the kind you’re thinking of) and we hope to give them more profile and attention in the weeks and months to come…

ROOK AND THE RAVENS – “The Judge”

Continue reading »

Jun 192014
 

Second EP from these Perth-based smart poppers finds them in the sweet G-spot between British post-punk and American new wave. Simply put – infectious melodies, bouncy rhythms, quirky lyrics and cool vibes overall. Seriously folks, they don’t make pop music like this anymore. This is the kind of pop, Power of Pop was established to drool over!

The title track is a masterwork of tightness and economy, crammed into its 3:31 minutes is more absolutely gorgeous pop (is there a better middle-eight/bridge from anyone else in 2014?) than anything most of the post-punk revivalists will be able to muster in their unreasonably overlong careers (you know who you are!)

Amazingly, the other four tracks do not fall too shy off the pop perfection of the title track. “I Disagree With Myself” is a brilliantly clever pop single that the likes of XTC and Split Enz would be proud to call their own with an irresistible chorus hook to  boot – “I don’t wanna be dumb and bored”. No danger of that!

“Far From the Moment” and “Don’t Look at Me” have similarly mellifluous refrains – sweetness perfected in hooks and riffs that dig deeply into the ear. And of course, opener “Uppers and Downers” is a wonderful study in tone – offbeat, sinister and yet funny at the same time. No mean feat.

The Disappointed – check them out cuz believe me, you will not be!

Official Site

Apr 052014
 

19805cts

NINETEEN EIGHTY

A transitional year for me. I welcomed the new decade as a National Serviceman having enlisted on Boxing Day, 1979. But more importantly, my musical tastes were changing as well, significantly. Sometime in 1978, I had been exposed to punk when a JC friend played to my friends & I, the Sex PistolsAnarchy in the UK LP (banned in Singapore but smuggled in for good measure) and to be honest I was unimpressed. For a pop-rock lover weaned on The Beatles, Deep Purple, Queen, Pink Floyd and Led Zeppelin, the Sex Pistols seemed dumb and barbaric!

That said, by 1980 I had begun to cotton on to the post-punk movement and had already started listening to the pioneering new bands of that era, which seemed far removed from the old-school rockers of my relative youth. Fueled by the noises made by rock mags like NME, Sounds & Melody Maker, I had started to abandon the old bands (as irrelevant) and had ‘embraced’ the future of rock. 

Continue reading »

Apr 042014
 

Hailing from Bueno Aires, Argentina, Baby Scream has been flying the power pop flag for the past decade or so, delivering premier Beatlesque goodness that fans of the 90s Pop Underground would have no problem appreciating. The sardonically-titled Greatest Failures compiles some of Baby Scream’s finer moments (“Slut”, “Mars” and “Morning Light” amongst them) and provides a good starting point. Deeper exploration of the Baby Scream discography is available at Bandcamp. Led by vocalist/guitarist Juan Pablo Mazzola – who himself sings with a Lennonesque authority – Baby Scream is a safe haven for the power pop purists out there who are pining for the good ol’ days of the 90s Pop Underground. Check ‘em out!

… still there’s more …

DISCOVERED @ SPOTIFY

 MUSIC  Comments Off
Jan 082014
 

Stephen Malkmus

2014 means new albums. Listen at Spotify!

STEPHEN MALKMUS & THE JICKSWig Out at Jagbags

Ex-Pavement frontman, Malkmus returns with a brand new solo LP. Idiosyncratic songs with quirky arrangements but never lacking in memorable tunes.

Continue reading »

DISCOVERED @ SPOTIFY

 MUSIC  Comments Off
Dec 062013
 

Supertramp will always be remembered as a crucial influence on my music making in my late teens. Formed around the nucleus of two brilliantly gifted singer-songwriters Roger Hodgson and Rick Davies, this English quintet managed to come up with a successful blend of prog-rock and pop music sensibilities that resulted in two classic LPs in Crime of the Century (1974) and Breakfast in America (1979) as well as a couple of chart hit singles in “Give a Little Bit”, “It’s Raining Again” and “The Logical Song”.

You can listen to the band’s entire discography at Spotify but of course, check out my playlist for the comprehensive introduction to the delights of this iconic band. Enjoy!

…still there’s more…

PoPINIONS

 MUSIC  Comments Off
Oct 142013
 

WHEN DID INDIE POP BECOME A BAD WORD?

I love music of all kinds and generally dislike attempts at pigeon-holing. But of course, when you are trying to write about music it often becomes impossible to talk about ‘genres’. Since 80s “indie pop” has been treated as the artistic superior of pop-rock (which originated in the 70s and included the likes of Styx, ELO and REO Speedwagon – all of which were detested by the snobbish indie pop pundits) with its pioneers including bands like Orange Juice, Aztec Camera, Lloyd Cole & the Commotions, Felt, early Primal Scream and of course, The Smiths. By the late 80s, it was fairly agreed that the defining conventions of “indie pop” was  jangling guitars, a love of ’60s pop, and melodic power pop song structures” and pop historian Jon Savage traced the origins back to the 60s (of course!) and to the eponymous third album of The Velvet Underground.

Continue reading »

DISCOVERED @ SPOTIFY

 MUSIC  Comments Off
Oct 082013
 

… and we’re back! Power pop is the original basis for this webzine’s existence so I thought it’d be appropriate to highlight all you needed to know about the foundations of true-blue original POWER POP. Enjoy…

BADFINGER

Thanks to the Breaking Bad finale, Badfinger is back in vogue. This British band originally consisted of Pete Ham, Ron Griffiths, Mike Gibbins and Tom Evans and were signed by The Beatles to Apple Records in 1968. Badfinger had four consecutive worldwide hits from 1970 to 1971: “Come and Get It” (written and produced by Paul McCartney), “No Matter What”, “Day After Day”, and “Baby Blue” (the song featured in that Breaking Bad finale).

Continue reading »

BLURB-O-RAMA

 MUSIC  Comments Off
Sep 192013
 

BOB

Here we go – your weekly dose of capsule reviews.

COLORWAYS/t

Rock n’ roll will never die! This just might be power trio Colorway‘s manifesto on this eponymous debut. Rollicking numbers like “I’m Still Running” and “Live With Me” get the point across very succinctly. But singer-songwriter F Alex Johnson is also able to shake things up somewhat with the the sweet lullaby “Go Back to Sleep”, the acoustic instrumental “For the Birds” and the luscious ballad “A Temporary Occupation”. Highly recommended.

Continue reading »

Jul 142013
 

img_artistoftheweekbabyalpaca_144456353139.jpg_guides_hero

Chris Kittrell aka Baby Alpaca is yet another Brooklyn artist aiming to make a significant impact on the American and world indie rock worlds. Whatever commercial successes might be ahead of him, this eponymous EP at least demonstrates that Kittrell has a pop-savvy musical head on his shoulders. ‘Classic Rock N Soul’ is how Kittrell chooses to describe his music and yet again, it is refreshing to find a songwriter pulling together the myriad strands of rock and pop references at the disposal of a smart pop artist in 2013.

These four songs will keep rock scholars reaching for their stock lists of influences and inspirations as they attempt to pigeon-hole Baby Alpaca’s agenda into neat little packages. But that is ultimately a futile and frivolous exercise. For me, it’s the manner in which Kittrell manages to take 70s R&B rhythms, 80s power chords, folk harmonies and post-punk melodies to forge reasonably distinctive songs. But even without such anorak-like analysis, it’s a simple pleasure to just enjoy the infectious “On the Roam”, the svelte “Run With You”, the smoky reverb-drenched “Sea of Dreams” and the soul-inflected “Wild Child” for what they are – quality pop songs!

Keep an eye (and ear) out for Baby Alpaca!

Purchase the EP from iTunes. Like Baby Alpaca.

Jun 302013
 

Zallen (aka Mike Jones) has been laboring as an alternative pop artist for 15 years now and I have been awfully privileged to have been one of the few ‘in the know’. Zallen is a pop alchemist – able to take key 60s/70s pop influences and transform them into something personal and unique.

This is obvious from the get-go. The opening track of Zallen’s latest album – “Which Way Up” – manages to splice together the DNAs of 60s psychedelia (Barrett’s Pink Floyd, The Move and Traffic) with 70’s powerpop (Raspberries, Cheap Trick), not to mention a healthy dose of Bowie.

Ah yes, Bowie. This time around, it seems that Zallen has filtered much of the songwriting, arrangements and instrumentation through the lens of the legendary iconoclast. Tracks like “Grime”, “Stolen” and of course, “Bowie The Android Boy” are the clearest examples of this approach, without ever sounding outright derivative.

Indeed, Zallen utilizes Bowie’s penchant for eclecticism to spur him into expansive territory as the clean and uncluttered pop sounds of “Happy Puppy” and “Shy Boy” provide a wonderful contrast to the darker, buzzier compositions that pervade the album.

The CD comes with bonus enhanced portion with video, photos, lyrics and Zallen’s excellent artwork as well.

Official Site

Jun 292013
 

By now you should be aware of Power of Pop‘s quest to find the courageous bands out there who buck the current post-punk revival trend and mine the coolness of 60s/70s classic rock n’ roll. Talk about risk-taking! So add Dead Boots to the list. With influences identified as Cheap Trick, White Stripes, The Rolling Stones, Beatles, The Who and the Velvet Underground, it’s not too difficult to appreciate the blood, sweat and tears that the band – Tony Perry (Guitar),  Adrian Perry (Vocals, Bass), Ben Tileston (Drums, Vocals) and Lou Jannetty (Guitar, Vocals) – have poured into its debut LP, Veronica.

Songs like the psychedelic “Violent Vows”, the rollicking “Wrecking Ball” and raucous “On the Rocks” truly hit the spot for true-blue rock n’ roll lovers. There are numerous delights here to be savored by fans of 60s pop- rock – “I See You Coming” has a lovely Californian vibe whilst “One of Me” has a dirty bluesy approach that Black Keys fans will dig.

Check out the power-poppin’ “Saturdays” below.

Official Site

TRI-STATE – EP [REVIEW]

 MUSIC  Comments Off
Jun 212013
 

‘Old school indie rock band’ – has a certain ring, don’t it? The phrase has an air of authenticity that distinguishes its proponents from the hipster poseurs that dominate the modern rock world at the moment.

Tri-State hail from Essex County, NJ and consist of Mason Rather (bass/vocals), Jeff Zelevansky (guitar/vocals), Brady McNamara (drums), Julian Brash (guitar/vocals). In its email request to us, the band claimed an affinity for “Built to Spill, Guided by Voices, Pavement, and so on”. All fine references!

In actual fact, it’s probably more accurate to describe Tri-State as classic rock n’ roll band in the grand tradition of The Rolling Stones, The Band and Tom Petty & the Heartbreakers where the stylings of country, folk, rock and pop meld together to produce a heady, melodic groovy brew.

This six-track debut EP may be low on production values but that doesn’t detract from the integrity of sound and vision, an open-minded rock lover will definitely discover. An attitude that prioritizes substance over form pervades the EP with songs that are lovingly crafted to be the best they can be. It’s always refreshing to listen to a band that ignores artifice and pretense in favor of honest music-making.

Whether it be the working class invocations of  “Hawk in the Fog”, the gleeful jangly abandon of “All Different”, the balladic whimsy of “Search Party”, the Westerberg-channeling “Muddling Thru”, the dynamic earthiness of “Back Before” or the quirky folk of “Country Squire”, Tri-State hit the right notes, by and large.

In the final analysis, good songwriting and a dogged determination win the day for rock n’ roll excellence! Recommended.

More info at Facebook.

May 312013
 

Underworld’s Karl Hyde has been in the music business since 1980 and Edgeland is Hyde’s first solo album!

Having fronted Underworld through different genres within the electronic music sphere – before making the big time in the 1990s with techno dance music – it’s refreshing to consider Hyde’s musical approach to his debut solo work.

On Edgeland, Hyde takes his new role as singer-songwriter seriously with a clutch of well-crafted pop-rock songs which exploit his electronic music background to the hilt. The result – memorable melodies, thoughtful lyrics and fresh song arrangements/instrumentations and a worthy addition to the essential listening pile for 2013.

Outstanding tracks include “Angel Cafe” with its ‘found sound’ percussion and heavenly atmospherics; “Your Perfume Was The Best Thing” with its chorus synth hooks and textured harmonies and “Cut Clouds” with its ambient stylings and fragile demeanour. Brilliant.

Official Site

May 012013
 

The 90s alt-rock revival continues apace with singer-songwriter Sam Page weighing in with a knowing album of edgy melodic rock n’ roll numbers that bring to mind the likes of Dinosaur Jr, Gumball, Sebadoh and Buffalo Tom. There’s little doubt that J Mascis weighs in heavily as a positive influence on Page’s work as evidenced on tracks like “Hold On” and “Now I Know”. Page is less slacker-rock-intensive with more casual swagger that suggests several nods to Neil Young & Crazy Horse.

There’s an easy going charm in songs like “Tumbleweed in the Grand Scheme” and “Crush (Lovin’ You)” whilst other tracks like “I Don’t Want To Think About Her Anymore” and “Pheromones” have a cockeyed tongue-in-cheek attitude that recalls Canadian smart rockers The Pursuit of Happiness and even Elvis Costello, on some level.

All told, Breach is a solid rock n’ roll album of the old school variety, where the songs serve each other and the greater good as a whole. The lyrics are clever and pointed, the music is rollicking good fun and the attitude is always spot-on sardonic. Much to admire on Breach and always encouraging to see artists unafraid to follow their own muse, wherever it may take them, without too much notice of current trends.

Official site

Apr 192013
 

Screen shot 2013-04-19 at AM 11.30.50

Other Sounds has a second show and this time the featured band is Australian garage rockers Dune Rats. The Brisbane duo will be bringing their raucous and energetic live show to Singapore at Night & Day Bar, alongside local garage pop favourites The Pinholes.

Details: –

Date: Friday, 31 May 2013
Time: 9pm
Venue: Night & Day Bar (139 Selegie Rd)
Tickets: $15 at the door (includes one drink)

Facebook event page.

Apr 112013
 

BoredSpies_lores2a1b3f

Here are the details of Bored Spies‘ debut 7 inch single “Summer 720″ from KittyWu Records.

Title: Summer 720 b/w 沙鼠E
Artist: Bored Spies
Street date: 20 April 2013
Format: 7″ Single
Edition: 100
Genre: Minimalist Pop Rock
Label: KittyWu Records
Catalog No.: KWR015

TRACK LISTING
A. Summer 720
B. 沙鼠E

Recorded and produced in the summer of July – August 2012 at Seagrass Studios (Los Angeles) and Snakeweed Studios (Singapore) by Brad Wood (Liz Phair, Sunny Day Real Estate, Pete Yorn, Smashing Pumpkins, Placebo) with engineering support from Leonard Soosay (Snakeweed Studios). The recording was mastered at SAE by Roger Seibel.

‘Summer 720′ is pressed on gorgeous sea foam green vinyl, and is backed with the b-side ‘沙鼠E’ (shāshǔ E) and is a 7″ release in an edition of 100 with KittyWu in Singapore/Asia, Deer Island (edn. of 150) in N. America and Damnably (edn. 250) in Europe.

The 7″ single is now available for pre-order on kittywurecords.bandcamp.com/album/summer-720-b-w-e
and will be sold through all good record and vinyl stores from 20th April 2013 onwards.

All 7″ singles comes with a digital download coupon.

We reviewed the single here.

Mar 312013
 

W139

You might say that Rich McCulley has been a fixture of sorts over here at Power of Pop. The good news is that McCulley is still going strong, as his official bio explains – “after six albums and twelve years of solo music making, roots rocker Rich McCulley is still finding fresh beginnings and new inspiration in life”.

Ten years ago, I had written that McCulley had – with his sophomore effort – discovered roots rock, “lining his obvious pop-rock chops with a rustic country edge” and which made McCulley’s music, worthy for “all lovers of melodic rock ‘n’ roll, country rock and everything in-between”.

This assessment rings through for The Grand Design as McCulley continues to emphasize rustic melodicism, which rings out loudly and proudly his influences viz. Elvis Costello, Gram Parsons, Marshall Crenshaw, Tom Petty, Squeeze et al.

Songs like the wistful “Let You Go”, the dynamic “The Most Beautiful Thing”, the smooth “Just Begun To Run” and the heartfelt “She’s Like a Tattoo” will please country-folk-rock lovers. Yet again, McCulley pulls off yet another loving toast to the power and beauty of Americana-based rock n’ roll. Long may he run.

Check out the video of “The Most Beautiful Thing” below.

Official Site