My favourite music revels in eclecticism – taking basic building blocks and constructing wildly imaginative creations that impress and surprise even the most jaded of music experts.
I have previously covered the music of DC power trio Dot Dash and will always be pleased to do so as they competently encapsulate everything Power of Pop stands for.
There’s a slinky 60s pop vibe around L.A. band Livingmore that is simply irresistible.
The Pop Underground lives on in new Power Pop Rock N Roll releases like Michael Slawter’s Last Call for Breaking Hearts.
Another authentic Power Pop Rock N Roll treasure dropping our way soon with Summer Magic’s Sharks and Other Dangers!
Two experimental artrock bands get together to make sweet music together.
I have been a fan of Bittersweet Machines (a.k.a. Matt Mocharnuk) ever since I reviewed his debut release, Solituda, in 2012. I believe I described the experience as an “eargasm!”
Astral Drive is songwriter and producer Phil Thornalley’s vision of a long lost album from the 1970s that only existed in his own mind. A labour of love that is very much the statement of a lifelong music fan living in the modern world. (Official bio)
Back in 2009, this is what I wrote about Paul Steel’s debut album, Moon Rock.
“Favouring dense instrumentation and arrangements, melodic hooks galore, whimsical moments and trainspotting references, Moon Rock is one of those albums that true pop enthusiasts will obsess over for weeks on repeat mode, headphones on, salivating over every nuance.”
Almost two decades ago, I wrote these words.
“I’m so crazy about Speaking of the Davenports that I’m almost scared stiff to write about it.”
Colorway return with another album that reflects just about everything I believe in as far as music making is concerned and how! Continue reading “PoP RECOMMENDS | POWER POP ROCK N ROLL : COLORWAY – THESE ARE THE DAYS”
Five years in the making, this new Shelves EP is a kick in the arse for Singapore music as far as melodic rock is concerned.
The Sleeves are back with a cracking new album! The Hong Kong – based quartet self-released their debut album Arcade Rock in 2011.
The follow-up Deliverance was recorded in Cambodia, mixed in Hong Kong and mastered at Air Studios in London.
Yes, digital disruption and the rise of hip-hop resulted in the decline and fall of Power Pop Rock N Roll. But it’s okay, cuz the wonderful internet has also allowed our favourite artists to continue to make and release new music viable. Like Roger Joseph Manning Jr, for example.
This new EP from BMX Bandits is a classic pop extravaganza!
From The Byrds to Big Star to The Soft Boys to R.E.M. to Felt to Teenage Fanclub and beyond, jangle-pop has always held a special place for lovers of Power Pop Rock N Roll. Now, add The Love-Birds to the list.
Sean Lam’s Hanging Up the Moon project has become akin to a loyal friend – dependable and consistent in providing comfort, solace and joy!
Two things to consider when assessing the relative value of Ugly in the Morning’s 3 Or More If You Can Afford It – its eclectic rock agenda and its sophisticated songwriting.
The return of pop-rockers Mannequins is surely one of the best things to happen in the Singapore music scene in 2018!
Melbourne singer-songwriter Nick Batterham has a new album – Golden Boy – that is one for the PoP faithful to savour from start to finish.
It’s March 2018 and we have been blessed – in this new year – by new albums from veteran artists that hold up against all the young upstarts! Enjoy!
We really do adore new bands that live in their own little bubble and don’t quite give a fuck about what’s happening in the mainstream music industry. Latest case in point – NYC’s Acid Dad!
A heartfelt throwback to the glory rock ‘n’ roll days of the ’70s, Life on Mars evokes everything that made rock music so special way back when.
Blast from the past! Out of the 90s Pop Underground to be exact. Check out the remastered Fresher Tin Villages, the excellent 1998 album from singer-songwriter KC Bowman, now available at Bandcamp!
Shell of a Shell started as a bedroom side project for Chappy Hull that never released any recordings. Eager to play out when he wasn’t busy with other bands, Chappy asked Nick Swafford, Noel Richards, and Dylan Liverman to fill out the sound he had laid out in the earlier demos to be more of a “real” band.