The knives are out for Netflix original films, as far as the critics are concerned. Bright was panned and now Duncan Jones’ Mute suffers the same fate. We demur.
I suppose it’s something we somewhat take for granted but it’s hard to believe that Ant-Man is the 12th Marvel Studios superhero movie! The mere fact that I can write the words “superhero movie” is already a minor miracle considering that these were rare once upon a time. So I enjoy the superhero movie phenomenon as long as I can.
But seriously folks, compared to other action-adventure blockbusters franchises, superhero movies have generally been good entertainment, value for money and relatively well written to boot! Sure, there have been a couple of exceptions but overall, it has been a good run since the first Iron Man.
And that’s the movie that Ant-Man most feels like – it’s the origin story of a man in a suit which grants him super powers – and for most part, director Peyton Reed (who took over from Edgar Wright) has done a commendable job in keeping the movie well afloat despite its problems in pre-production.
The difference between Iron Man and Ant-Man is that with the latter, there is now a vast backstory to contextualise the tale. This applies especially to this Marvel Cinematic Universe version of Ant-Man, where we now discover that Hank Pym and Janet Van Dyne had been working with SHIELD (as Ant-Man & Wasp) in the 80s. Also, instead of Yellowjacket being one of the manifestations of Pym’s insanity, it is a separate (villainous character, altogether). All this serves to give greater depth to the MCU.
In addition, there is a marked lighter tone to Ant-Man that is similar to that encountered on Guardians of the Galaxy, which puts Paul Rudd (Scott Lang) right in his element. The means by which Pym (Michael Douglas) recruits Lang as the new Ant-Man is cleverly handled with the first sequence where Lang shrinks down, a wonder to behold! Evangeline Lilly provides Lang with an apt foil – as Hope Van Dyne (Pym’s estranged daughter) and the possibility of another female Marvel superhero (stay for the post-credits scene!).
There is an unevenness about how the film ends, which is not helped by the two post-credits scenes but perhaps that’s the idea – to make us geeks feel like the MCU is one ever continuing story. For what its worth, Ant-Man has earned its right to be part of the tale’s unfolding.
Ant-Man is showing at cinemas now.
With the heightened anticipation for Avengers: Age of Ultron, Ant-Man almost seems like an after-thought. After all, it does seem poorer in comparison and by all accounts appears to be a retread of the first Iron Man movie. But the first trailer does look very promising I must say, even if those accusations still hold true.
Also, Evangeline Lilly in her new short, pointy bob haircut looks appropriately like the Wasp, although I am pretty sure Hope Van Dyne never takes on that mantle in the movie. Effects look good and that entire sequence of Scott Lang running with the ants is awesome!
Not quite sure what to make of the high level of zany humour evident in the trailer (see above) but Marvel Studio’s track record demands that a level of trust be given to Ant-Man. The trailer does fill one with a bit more confidence that Ant-Man will not turn out to be Marvel Studio’s first dud.
Ant-Man opens in Singapore on 16th July.
… still there’s more …