If discovering exciting new music is your thing (and it should be), then you must check out Music Matters Live 2015 to be held at Clarke Quay from 20th to 23rd May.
Here are Power of Pop’s recommendations.
Well, with the successes of CW’s DC superheroes, it was inevitable that Fox would jump on the bandwagon with their stable of mutant stars. Guess Marvel will counter with New Inhumans, eh???
According to Box Office Mojo, “Avengers: Age of Ultron ruled the box office this weekend with a huge $187.7 million, which is the second-biggest debut ever. Unfortunately, the top opening ever belongs to its predecessor, Marvel’s The Avengers ($207.4 million)” which is a great start, of course, and continues to augur well for the future of the MCU.
The site also noted that “the Avengers sequel also continues to do strong business overseas, where it’s earned $439 million before even debuting in China or Japan”. Which hopefully means that the movie will go on to outgross Transformers: Age of Extinction.
Now here’s something completely different!
Victor Low (formerly of Concave Scream and The Observatory) has recorded and released an album of short instrumental tunes (mostly under 2 minutes), that he says were inspired by his own childhood and the bedtime stories shared with his young daughter, Ee Shahn.
These ten tracks are delightful and thoughtful experiments into songwriting targeted for children or the young at heart. Mostly neo-classical in tone with acoustic guitars (steel and nylon) at the fore, assorted percussion and the occasional cello (courtesy of Zhong Ren Koh), it’s easy to simply play through the duration of Songs of the Well and revel in its rustic sophistication.
My personal favourites are “Drip Drop”, “Swallow” and “Geckos of Eastwood” – which highlight Low’s focus on naive charm but the arty “Song of the Well” recalls Low’s time with art-rock ensemble The Observatory. It’s an atmospheric ambient song whose origins, Low was kind enough to elaborate on.
“When I was writing the songs in this album. I would often bring my guitar out of my studio to sit in the stairwell where I live, just to get a bit of a natural reverb. This really helped me to ease into the ideas and finish writing the songs (or the main bulk of it) rather quickly. A thought occurred to myself that these songs seem to be coming from “the well”, and it ended up being the title of the album. Ironically the track “Song of The Well” was the only song not written from the stairwell. Instead it was done in my studio, using music boxes, cymbals and effects”.
If there is one obvious complaint, it is that the songs are too short! I mean, once a enthralled listener really gets into the piece, it’s over!! Hopefully, Low will see fit to expand on the artistic success of Songs of the Well to give us fans more in the years to come. Please encourage that possibility by purchasing Songs of the Well.
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Years in the making but definitely worth the wait. 10 tracks of such instrumental sophistication and erudite witticism that it is barely imaginable that the former cultural desert of Singapore is able to produce an album that absorbs the wondrous legacy of 60s rock and pop so well.
With the songwriting template pioneered by the likes of Roy Orbison, the Rolling Stones, Bob Dylan and the Band the band have also adopted the production values of Phil Spector and Brian Wilson to deliver a unique aural experience that will please rock scholars and casual music fans alike. An additional distinctive element is the band’s ability to incorporate East Asian sounds and melodies into the mix to create a East meets West amalgam that is surprising and pleasing.
Believe me it’s difficult to point out any particular highlights here as every track is an entity to itself but I will say that songs like the ghostly Beatlesque “Mercy of Cain and Abel”, the atmospheric folky “Patriach”, the country bluesy “Blood the Prize” and the Orbison-Teresa Teng channeling “Honeymoon” certainly deserve special mention.
In an amazing year for Singapore rock so far, this eponymous album is a definite standout and a statement of intent that hopefully will bring forth more exciting music from this wonderful band in the years to come.
CDs and digital albums will be available on cheatingsons.bandcamp.com and CDs also at Curated Records and Roxy Records & Trading.
Instrumental rock quartet Sphaeras releases its debut album Moirai this Saturday 2nd May at The Substation.
Tickets available from http://peatix.com/event/79667.
Kyoto based alternative rock band tricot announces their Hip Step “A N D” Jump Asia Trip 2015, returning to Singapore for a one-night-only show at The Substation on Sunday 31 May.
All-girl math-rock outfit consisting of three diminutive Japanese ladies sounds like an unusual proposition but tricot is indeed the real deal. A concept that sounds like its worth the price of admission already.
Get your tickets: http://tricotsingapore.peatix.com/
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Why so serious?
The Joker in Suicide Squad makes no sense to me at all. Can you imagine the Joker as a team player? So for me, that whole concept is already somewhat of a non starter.
But of course, Warners wanted a character that would conceivably sell tickets (nobody else in the Suicide Squad has that profile – Captain Boomerang?) and thus the rationale becomes crystal clear.
Remember the last time, geeks kicked up a fuss (pre-movie) about the Joker? The late Heath Ledger gave the performance of his life, which earned him a posthumous Academy Award (f0r a superhero film, no less). Therefore, as much as the tattoos seem very un-Joker-like (“Damaged”? Really?), seeing is believing and let’s watch the Suicide Squad before going ballistic.
I mean, it’s only a superhero comic book movie…
Stan Lee is collaborating with writer Peter David and artist Colleen Doran to create his graphic memoir, billed as ” the story of how modern comics came to be.” Revealed last week by Doran, Amazing, Fantastic, Incredible: A Marvelous Memoir will be published in October as a hardcover graphic novel by Simon & Schuster.
Look at the characters in the background, do you know who co-created them with Stan Lee? Would this graphic memoir make any mention of the manner in which Stan Lee has taken almost all the credit all these years and left nothing for Jack Kirby? I sincerely hope that this memoir will go some way to repairing the damage Lee has done to Kirby’s legacy.
On 6 June, House of Riot – home to Singapore’s well-loved independent acts, Charlie Lim, iNCH, and The Great Spy Experiment – presents an ambitious live show in homage to made-in-Singapore music, at The Esplanade’s grande dame The Concert Hall.
#sgindie music at the Esplanade Concert Hall? Somewhat unprecedented but surely the potentially record-breaking triple bill stands perfectly placed to do the deed.
Tickets for the Riot show are now on sale at SISTIC, and priced at S$50 for normal admission; S$40 for students and NSFs.
I first fell in love with the music of Jaime Wong back in 2012 when I mentored her for an afternoon as the winner of the Noise-Timbre Singer-Songwriter Programme. The song that did the most damage was the atmospheric “Skin” and spending time with this down-to-earth easy-going talent was a pleasure. Thus, it was no surprise to me when Jaime won the Noise Singapore Award a year later because once this unassuming young lady is on stage, she tends to draws everyone watching into her melancholy world of broken hearts and lost love.
So I was thrilled to receive her new EP this morning in the mail and instantly fell in love all over again with her music. I guarantee that this four tracks will be on endless repeat once you get hold of the EP (and I wager you would want to). Apart from the shimmering “Skin”, it’s impossible not to be mesmerised by the luscious “Shame on You,” the slightly bouncy “To Lost Love” and the yearning country-folky “2:32 am”.
Yet another winner in an already grand year for Singapore music. Essential.
Jaime’s debut EP will be available for pre-orders this coming Monday, 13/04/15 on iTunes. Pre-order and get an immediate download of “Skin (Wekkit Remix)”, exclusive for digital release.
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I know when this exhibition was first announced, there was some criticism about the ’50 years’ bit, considering that: –
1. The Quests‘ “Shanty”, the first ever local pop hit, was released in 1964 (!) and
2. when you subtract most of the 70s and the early 80s (when rock music was suppressed by the authorities) fifty years become a stretch
BUT you will appreciate that in order for the exhibition to get the appropriate funding some concessions needed to be made towards the whole SG5o business. Whatever it was called, the fact remains that the funding has allowed the organisers to put together a fitting tribute to Singapore rock, such as it is. Well, this is Singapore so the ends will justify the means.
In any case, the exhibition opens tomorrow (8th April) at the Substation Theatre with three S-ROCK bands viz. The Oddfellows, THE PINHOLES and Riot !n Magenta performing from 8pm.
I first came across Deon Toh as the drummer for Singapore indie rock band Flybar. But when the band split, Deon decided to get up from behind the drums and become a singer-songwriter. I had the privilege of spending time with Deon when he was a finalist in the NAC Noise-Timbre singer-songwriter programme, and I was the designated songwriting mentor. He passed me Letters, an EP of sorts which he rather humbly described as a ‘demo’, although it sounded very good to these ears.
Since then, Deon has gone from strength to strength, releasing a well received debut album, Antiphonic, and impressing overseas audiences at music festivals in Canada and the UK. Deon is in the process of completing the recording of his sophomore effort and will be heading to Canadian Music Week once more in May. But before then, local music fans will get a chance to give Deon a proper send-off at Originals Sing @ Artistry this Thursday 9th April. $10 cover.
Ariane Deborah will kick off proceedings at 8.30pm.
It’s a bit surreal to be writing about these KAMCO Music re-issues. Simply because both releases came out more than 20 years ago! It’s seems unreal to think that two decades later, I am able to make them available to the world in a manner that was impossible in 1993/1994. Does the world really need these re-issues, probably not but it’s not about that. Rather it’s more about the historical significance of these releases in the context of my life and that of the Singapore music scene.
For me personally, as a musician who grew up in 70s Singapore when rock ‘n’ roll was suppressed by the authorities, it was difficult to conceive of a local music scene that would accept my original music but thankfully that happened in the early 90s (in my early thirties) with Democracy and Love. That scene now appears to be light years away from where we stand now – and thank GOD for that too! Listening to the music now brings upon me waves of nostalgia and if any of this resonates with you then you can head on down to the various links below and I appreciate your support for all these years.
I want to take this opportunity to thank the kind souls who helped to make Democracy and Love whatever they might mean to folks now – Tony Makarome, Patrick Chng, Ben Harrison, BOSS Studios, Odyssey Records and of course, Eric Khoo.
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Singapore indie music fans know Esther Lowless as an iconoclastic and talented artist but may be less aware that Esther is also an accomplished and versatile actress as well! Besides appearing in Mediacorp dramas, TVCs and theatre plays, Esther is also going to try her hand at comedy in Singapore Stripped (at Paulenar Clarke Quay) where she plays opposite Crispy, the Talking Cock as they strip away Singapore’s artificial, shiny façade to reveal its comical dark side (not our words)!
We understand that the first two shows (tonight and Saturday night) are sold out but you can get tickets from the remaining shows from SISTIC.
The folks at Symmetry Entertainment are bringing back This Will Destroy You, who were last on our shores in a sold-out show in 2013. The post-rock band is in demand with music supervisors of Hollywood films as well as award ceremonies like the Golden Globes and a TWDY show always promises fun, inspiration and intensity.
Event details: –
Venue: Substation Theatre
Tickets: 60SGD (Standard)
70SGD (At the door)
Here’s an update from The Grizzle Grind Crew!
CONFESSTIVAL X #2ndGGC Anniversary [A *SCAPEmusic Programme]
Venue: *SCAPE The Ground Theatre (2 Orchard Link Singapore 237978)
Date: Sunday 5 April 2015
Doors open at 6:00pm
Indie folk-pop act Gentle Bones will be celebrating with us on stage. Malaysia-crossover pop sensation Sleeq will make a special appearance! Malaysia’s biggest rapper Joe Flizzow will be throwing down his jams while Los Angeles’ top underground rapper Dumbfoundead will be rocking the stage as well!
Yeah, the 200 moshpit spots are redeemed. BUT you still should register cause we are giving out totebags with goodies from our partners JUICE, Nando’s and Fleshimp. The totebags are for the first 500 registered pax who showed up at the show.
Now here’s the fun part! In the 500 totebags, there will be the following:
a. 28 x Bronze Totebags (GGC T-shirt)
b. 20 x Silver Totebags (GGC T-shirt + GGC poster)
c. 1 x Gold Totebag (GGC T-shirt + GGC Poster + 1 Pioneer DDJ Wego MIDI Controller)
d. 2 x Platinum Totebags (GGC T-shirt + GGC Poster + 1 pair of stage view passes – where you and your friends get to watch the entire at the side of the stage!)
For exclusive entry into the moshpit/Meet & Greet session, Workshops and merch giveaways (#2ndGGC totebag), register at: www.scapers.sg/confesstival.
Here’s another Singapore rock album launch fans need to take note of! Bear Culture launches its eponymous debut at the Esplanade Theatre Studio on 22nd March 2015.
Tickets exclusively available from http://bearculture.peatix.com/
Tickets available at SISTIC.
Another great opportunity for artists to get their originals heard is the SGMUSO Songwriters Night. Now a monthly event, the re-launch kicks off on Saturday, 28th February at The Barbershop by Timbre. Featured artist will be Tim De Cotta X The Warriors with the open mic segment to showcase Fym Summer, JAWN, Hell Low and Ciao Turtle.
See you there!
Katy Perry has announced today that she will bring THE PRISMATIC WORLD TOUR to Singapore on 11 May 2015 at the Singapore Indoor Stadium. This tour is presented by AEG Live. She will be touring in support of her album PRISM.
Tickets for the show go on sale from 10 Feb 2015 through Sports Hub Tix, and are priced at $328, $248, $228, $188 and $128. Tickets will be available through www.sportshubtix.sg, booking hotline +65 3158 7888 and Sports Hub Tix Box Office and Singapore Post outlets.
As part of her 2015 Brutal Romantic World Tour, Brooke Fraser will be making her Asian debut in Singapore on 20 March at the Kallang Theatre.
Ticket sales will commence on 27 January 2015, and are priced from $58 to $148. Limited VIP Meet and Greet Passes are available at $40.
Fans can subscribe to Sprout Entertainment’s online newsletter at www.Facebook.com/SproutEntertainment for instant ticketing discounts.
Aussie punk rockers Cambridge to open for New Found Glory in Singapore. Listen to “Head Over Heels” and “Hit and Run” below.
Event Title: New Found Glory Live in Singapore 2015
Date: Thursday 12th February 2015
Venue: SCAPE The Ground Theatre
Event Hashtag: #NFGSG
VIP: $118 (Meet & Greet / Photo Opp with NFG)
Early Bird: $68 (until 31 December 2359hrs, or until sold-out)
At Door (12 Feb): $98
*All ticket prices includes ticket fee. All prices in SG$