Jessica Jones

Netflix’s collaboration with Marvel featuring the grittier, street-wise superheroes of New York (of the Marvel Cinematic Universe) enters into Phase Two with Jessica Jones. Whilst Daredevil has a marquee-level brand recognition, Jessica Jones would only be familiar to diehard comic book fans, from the Marvel MAX series, Alias. Thus, it represented a bit of a risk for Netflix-Marvel to produce a Jessica Jones series over a more prominent character like say, The Punisher or even Luke Cage. But the gamble paid off and how!

Continue reading “GEEK OUT! JESSICA JONES”



80s comic book creators like Alan Moore and Frank Miller demonstrated that a dark and gritty take on superheroes was a highly viable artistic path. That this approach was also lucrative was proven by Christopher Nolan in his Dark Knight movie trilogy and to a lesser extent, The Man of Steel. And as much as Arrow has benefitted from this perspective as well, it is only now with Netflix’s adaptation of Marvel’s Daredevil will we be seeing the first proper dark and gritty superhero TV series. All episodes drop on 10th April, so check out the 2nd trailer in the meantime.



Much anticipated as it was, Season 3 of Netflix original series, House of Cards was a massive disappointment.

Having fought his way from Speaker to Vice-President to President, it was expected that our protagonist Frank Underwood would bring his own vicious brand of politics onto the biggest stage of all, with all the ensuing drama that implies. Instead, House of Cards 3 was somewhat hijacked by the writers to make Clare Underwood the protagonist and cast Frank Underwood as the villain in his own story. From the moment, she is appointed Ambassador to the UN (a preposterous wrong move that the series never quite recovers from), the writers rely too much on this crutch to generate the drama and conflict between the Underwoods.

All the usual obstacles to Frank’s ambitious machinations were nicely set up to create the appropriate tension and the guilty pleasures fans take in watching Frank succeed (by all means necessary) have always been the highlight of this series. But in the last three episodes, the series took an awful tangent with Clare totally acting out of character and somewhat upsetting all the expectations. To be honest, it was difficult to fathom Clare’s reasoning behind all her actions when compared to the character revealed in Season 1 & 2. Sure, Clare is fiercely independent and Machiavellian in her own right but what are the writers trying to say with her about-face? That women cannot be understood by men? That women are illogical and emotional and will act without just cause, if they did not feel right about something? All rather sexist, in my view.

And what about the whole Doug Stamper sub-plot? What the hell was that about? Again, a distraction and a confusing plot device that ultimately served no purpose. Worst thing about House of Cards 3 was that it ended with a whimper unlike the previous 2 seasons. After 13 episodes, one can only look back and conclude that the writers have run out of ideas and are stretching out the goodwill of the series for whatever it is worth.




Netflix is an on-demand video streaming web service – an online version of the video rental store, one might say. In 2011, the service announced that it was venturing into original programming as well and the first series – House of Cards – a political drama adapted from the UK series of the same name & starring Kevin Spacey, was a resounding success.

Well, here comes Season 2 and based on the official trailer, it looks like the series is upping the ante in delivering shady political shenanigans as the Machiavellian politician Frank Underwood is now a heartbeat away from the Presidency of the USA but obviously has to work hard (and smart) to keep all his dirty secrets under wraps.

Take a look – the entire series drops at Netflix on 14th February next year!