Background Just 23 years old, Max Jury is firmly of the “old soul” stereotype, channeling the kind of music made decades before his birth – country, soul and classic pop-rock that energised and excited music fans during the 60s and 70s. After releasing well-received and critically acclaimed singles and EPs, Jury finally releases his debut eponymous album.
During a discussion with a student about pop music – which revolved mainly around me dissing modern pop – Raj (that’s his name) challenged me to cite worthy music from the new millennium (he was born in the late 90s, after all) and so, here are ten examples (and yes, many of these artists started before the year 2000, but why should that matter?). Enjoy.
What makes new music worthy of anyone’s attention? Is it merely the fact that it’s contemporary and in a style and fashion that is popular and trendy? The pop music scene prizes glitzy superficiality over substance of any form to such an extent that the very art and craft of songwriting is in danger of withering away and going the way of the dinosaur.
Which is why every now and then, the discovery of a new singer-songwriter that adheres contrarily to the classic formats of 60s and 70s pop-rock is like a breath of fresh air, in a heavily polluted environment. Thus, ladies and gentlemen, in the background set out before, we give you Max Jury.
Jury released 2 EPs in 2014 – Something in the Air and All I Want: The Sonic Factory Sessions – and these seven incandescent songs represent some of the most promising rock ‘n’ roll (in the classic sense of that term) material of the last decade or so.
Songs like “Christian Eyes”, “All I Want”, “Black Metal” and “Something in the Air” uncannily channel the likes of John Lennon, Gram Parsons, Alex Chilton, Todd Rundgren et al through the razor-sharp perspective of a 21 year old American singer-songwriter.
We managed to get in touch with Max and he kindly responded to our queries.
How does a 21 year old get into someone like Gram Parsons who died 20 years before you were born?
I’m fascinated by the story and myth of Gram Parsons. I originally got into his solo work through Ryan Adams. And then I started listening to The Flying Burrito Brothers and his work with The Byrds.
Regular visitors to Power of Pop will be aware that I am always harping on there not being enough bands/artists parlaying classic pop-rock styles into modern rock. Well actually, that’s not entirely true. I mean, in the sense that there certainly are bands/artists who like me are rather besotted with the pop-rock music of the 60s/70s, it’s just a question of discovering them. And discovering these bands/artists I have been in the last couple of days (thanks in part to Ed Khoo’s recommendation of Tobias Jesso Jr). So, of course, I’d like to share just some of these discoveries with you, kind reader.