S-Rock Will Never Die
This past weekend has been a eventful one for yours truly as my many different roles in Singapore music rather converged into one hectic three-day sequence.
On Friday, I was the singer-songwriter-mentor performing two sets at MAAD Sounds whilst helping Maricelle and Ming See as best as I could with their own short sets. In an intimate setting, I delivered few of my ‘oldies’ and a couple of new songs (Follow Your Heart, I Lost Myself, Less Than Home) and thoroughly enjoyed myself. Then I had to pay special attention as Maricelle and Ming See played three songs each. Still work to be done before they ready for the Noise showcase in March. Thankfully, there’s still time.
On Saturday morning, I attended the Singapore Music Forum and had the pleasure of witnessing the continuing growth of Inch Chua, she was astounding in her delivery of two new songs. Certainly working in LA has improved her skills by leaps and bounds. So much more to expect to this talented young lady. As for the Forum, I was rather disappointed that most of the time was spent with panel speakers trying their best to sell us their products – ‘tooting their own horns’ (I will not even bother to go into detail) and hardly any time given to Singapore music itself. That’s all I am going to say about this…
In truth, I was feeling rather depressed and discouraged after the Forum and was thankful that I could forget and focus on Ming See and Maricelle as they played a couple of songs at OOOM. Maricelle was less nervy than the night before and the performance was better for that. Ming See played a beautifully haunting Reminds Me of You which underlined why I think that she is a songwriter with tremendous potential for depth and substance. I believe that you can catch part of these performances (and more) on Okto in February.
Then it was off to the first day of The People’s Party (with Desiree) – a solid mix of local, regional and international acts, with each accorded due respect. I was particularly struck by Monster Cat’s powerful display of nuance and dynamic and was impressed by their calm assured stage presence. The band is certainly ready for bigger things. I also liked Metronomy’s rather atonal and quirky style (very XTC and Wire influenced) although the standard (jaded) disco beats spoilt it for me somewhat – I am getting so tired of that rhythm now. But the prize for the best performance of the 1st day clearly was won by The Jezabels. The Sydney quartet simply blew the audience away with singer Hayley Mary channeling Belinda Carlisle, Chrissie Hynde and Kate Bush, there was something special going on here and some transcendental moment brought me to tears. A band to watch, no doubt!
Desiree and I took some time off The People’s Party to interview The Naked and Famous (courtesy of Universal Singapore). I found the band down-to-earth – they were pleasantly surprised when I could name a couple of NZ bands (the others in the room had probably heard of) and generally found that ‘cool’. Nice touch! Pity I had to miss their performance…
When I finally got to 2nd day of The People’s Party (after piano class), I caught the kids grooving to psychedelic rockers Unknown Mortal Orchestra, which I found strange as the band did not utilized the overused disco beat. The last Singapore Rock band of the Party was the wonderful In Each Hand A Cutlass and it was heartening to see the crowd totally get into IEHAC’s intense instrumental rock. There is still hope for you, Singapore music fan!
I decided to miss TNAF and Bombay Bicycle Club in favour of Lunarin’s launch of The Midas Sessions at the Pigeonhole and definitely there were no regrets on my part. After all, these were people I knew and loved and music made in our very midst. The band played most of the new album and the intimate settings suited the gorgeous ‘chamber’ music to a ‘t’. I was particularly tickled by Linda’s comparison of Singapore Rock to a cockroach. No matter what the challenges may be, Singapore Rock will always survive. That alone was worth being seated right in front of the band savoring every second. Make sure you got hold of the album!!!
And that for me, was the perfect way to end the hectic weekend – with a positive affirmation of Singapore Rock. In the final analysis, even if the government or the record labels or foreign interested parties ignore us, WE will still be hear making our music for ourselves and whoever is interested enough to listen to…