Back in 2015, we reviewed the Swervedriver comeback album, I Wasn’t Born To Lose You.
“Yet another welcome 90s rock reunion. Though frontman Adam Franklin has been delivering competent 90s-channeling modern rock for some time now, it’s a pleasure to have the shoegaze pioneers back together and doing what they do best. Essential for all post-punk revivalist hipsters.”
After the appearances of British dream-pop rockers Slowdive and Ride to enthusiastic audiences, it makes sense for the reformed Swervedriver to come our way as well. Especially when today’s youngsters revere the modern-day post-punk revival bands you’d find at Laneway or Neon Lights.
Date: 15th May
Venue: Hood Bar & Cafe
With the likes of Laneway Festival and Neon Lights Festival providing healthy competition, Singapore’s original alternative music festival, Baybeats, returns with a lineup of regional acts that will fit almost every discerning alternative music fan’s taste. Kudos to The Esplanade!
Background A recording of Elvis Costello’s performance at the Liverpool Philharmonic Hall. Part of his Detour Show tour where Costello plays solo acoustic versions of select songs from his immense discography, using the “Lupe-O-Tone” television set to tell the stories behind the songs.
Though regrettably it would be the last chance that Singapore would get to experience Funeral for a Friend, their farewell gig at the Scape Ground Theatre was a fitting closure to their 15 year long journey in our history.
Local singer-songwriters Ciao Turtle launch their debut EP at Aliwal Arts Centre on Saturday 12 March. The duo Ciao Turtle consists of Dennis Ng and Jared Chan, finalists for SG50 The Gift Of Song competition in 2015 with their entry ‘Being Here’ and 2015 National Arts Council and COMPASS grant recipients.
Laneway Festival Singapore has announced the instalment of a fourth stage at this year’s event. Set up with local collective Syndicate, the stage brings together a new genre of local and international electronic DJs and visual artists, including Australia’s JPS, Singapore’s Mean, and visual artist Brandon Tay accompanying duo Kiat & Kane on stage.
If this doesn’t signal the death of rock ‘n’ roll, I don’t know what does then. Clearly, the Laneway Singapore organisers found it commercially viable to install a fourth stage and then feature electronic artists rather than rock acts. Whilst I am pleased for Syndicate and how this is a feather in their cap, it’s certainly sad to see that one of the biggest festivals in Singapore (and an Aussie one at that) will barely feature any rock ‘n’ roll music.
One of the pioneering indie rock concerts in Singapore took place way back in January 2009, when a gobsmacked STARS played a sold out concert at the Esplanade Concert Hall. That concert established firmly that there was a strong market in Singapore for indie rock and the rest is history…
Kudos to the folks at Bandwagon for bringing us another unique music experience. Not content with merely presenting music on a bus, we now have Singapore music on a riverboat. And a great lineup to boot! Don’t miss this.
“Dive into dream worlds coloured by words and music, the creative outcomes of three collaborative projects between Singapore writers and musicians. Each interprets a dream in all its intimacy and duality, navigating through the blurry spaces of consciousness and the boundaries of conscience.”
Liverpool-based indie rockers Circa Waves have emerged as the next big thing on the UK music scene with a Top 10 debut album (Young Chasers) and a sold-out UK tour to boot. Taking the early Noughties indie boom (think: The Strokes, The Libertines & Arctic Monkeys) & re-packaging its shiny bright sound for today’s teenagers, Circa Waves have caught on like wildfire.
Truth be told, when I read the email about Dr Martens bringing the band on a South East Asian tour for #StandForSomething, I had not even heard of them! But a quick listen to Young Chasers, led me to conclude that it’s at least comforting that a real pop band playing real pop music is making waves (sorry!) out there in the pop wasteland.
Before their gig at Theatreworks last night, I was privileged to speak to Kieran Shudall (vocals, guitar) and Joe Falconer (guitarist) – the band is completed by Sam Rourke (bass), Colin Jones (drums). I must say that it was probably one of my most enjoyable face-to-face interviews since… the one with Travis last year (?) Well, you know, I’m an anglophile so chatting with British musicians is always a bonus for me. Check out the highlights of our conversation below.
Where do the songs come from? Your head, your heart or your groin?
Kieran – Somewhere in between the head and the heart, maybe the neck? In that area, collarbone. They’re a mixture of all things – contemplation, frustration – not many from the groin. Although there are some sex songs on the next record.
What is your musical philosophy?
Kieran – Be genuine, I think. (PoP – What does that mean to you?) It means, not compromising too much, always making music for yourself. If people like it, it’s because they like what you’re thinking about or talking about. You’re trying to write something cuz you love it.
Are you happy people?
Joe – Yeah. I mean, I’m not unhappy. It does sound like an upbeat record except for the lyrics…
Kieran – Well, I’m pretty upset with myself, most of the time.
Joe – I think that’s good. Who listens to songs with happy lyrics? Really.
Kieran – Like the Cure or The Smiths – some of the songs are major-y but they’re all about heartbreak.
(PoP – “Heaven Knows I’m Miserable Now” is a good example)
Kieran – Yeah, that’s spot on with our music. “Lost It” is major chords and quite happy but it’s about being fucking miserable.
(PoP – That’s the vibe I get from “Fossils”)
Joe – Guess it’s kinda like the equivalent of shouting into a pillow. A release. Y’know positive energy comes out of it.
Kieran – There’s a happiness and euphoria about telling people how miserable you are.
What do you hope to get out of life?
Joe – I don’t want to do anything I don’t want to do. Being in this band is the most fun ever. And if this all ends, then I hope that the next thing I do is like that — I want to do that everyday. I never want to turn into those people who literally dread waking up 5 days a week. Well, y’know, I feel like that has to happen but will try to avoid it as much as possible.
Kieran – I’d like to get to the point where I don’t give a shit about what people think of me. Just being content with my lot. Growing old and just being happy with the paper and a cup of tea. And that would be nice.
(PoP “When I’m 64” Kieren starts singing…)
Kieran – Yes, I would like to be content. 3 kids. House in Spain, house in Canada. Maybe an apartment in New York.
What is it like to be a band from Liverpool, which has such a rich heritage of producing some of the greatest bands ever?
Joe – It’s the sort of place where people encourage you when you’re doing well. ‘Well done. Go ahead lad’. Everyone wishes you well. Lots of people are still around – Zutons, Bunnymen, for example. It doesn’t feel like we’re that separate (from the bands that came before).
Kieran – It’s a very real place and people don’t tend to forget who they are and where they are from. It feels like you’re from somewhere with a real identity.
When you are playing on stage – what do you feel? What goes on in the head?
Joe – The perfect show is when everything is happening automatically but at the same time you’re taking everything in. So you’re aware of the experience but you’re not distracted and you know something good is happening. The worst gigs are the ones when you can’t get out of your head. Your mind goes blank and you go off stage and it’s like it never happened. Those are the best gigs.
Kieran – Hard to explain when it’s really going well. Euphoric feeling – like having a constant orgasm really, on stage.
It did seem, from my perspective, when Circa Waves finally took the stage at 10pm – Riot !n Magenta opened with an invigorating set with Ginny Bloop bringing it! – that it was the young lasses in the audience that were the ones getting off – know what ah mean? Really enthusiastic crowd that did justice to the band’s energetic performance. Especially the kids that were cordoned off – underaged at an event with free booze – there was something for everyone, definitely.
Kudos to Dr Martens for another great #StandForSomething show (remembering the memorable night with Deap Vally last year). How about Nada Surf in 2016??? Pretty please???
Thanks to Andy Chua (Dr Martens) and Pardon My French PR (Sandra Cameron & Sharon Wong) for kind hospitality etc. All photographs by Jazreel-Anne.
Well, that’s done and dusted. As much as I enjoyed playing with The Groovy People (Patrick Chng, Ray Aziz, Nelson Tan and Josh Tan), I must admit that the whole experience was tiring – especially with the haze complicating matters. Still, it was seeing all the wonderful people come out to support us that made it all worthwhile.
If I needed to compare, the gig at Artistry was more satisfying, although it was fun to finally play on the Barber Shop stage. I don’t know what it is but overall it seems as if this whole music game has lost a little bit of its lustre in the last couple of weeks.
I guess you could say all the marketing and promotional efforts getting very minimal response has worn me down somewhat. You could say I am fed up with all the selling when folks aren’t buying. Y’know, after a while rejection takes its toll. But when you are in your 50s, it’s never ever going to be the same as a twentysomething no matter how good you think the music is.
That said, I am not hanging up my guitar anytime soon so too bad haters! It’s just that I am going to take it easy on the promotion and let things happen organically (whatever the hell that means in 2015!) and enjoy the rest of the year. I do have some ideas already for 2016 musically and we will see where I go with that but definitely the music will never ever stop. How could it?